Waterfront Place Design Based on Landscape Image of Urban Waterfront Area

After the illustration of the concept of waterfront place and the construction situation of urban waterfront landscape in China, the paper has introduced design methods for waterfront environment. By taking the comprehensive improvement of the environment of Xinxu River in Nanning City for example, the paper has analyzed the current situation of place image, interpreted the spirit of place, and considered that the place design should be based on characteristic and recognizable image, unified and diversified image, general and continuous image, accessible and humanistic image and ecological protective image of landscape sensitive area. And then, the planning and design idea for the place has been proposed, functional zones have been divided, and furthermore, landscape organization of waterfront spatial environment has been described in detail. It aims to create a humanistic, ecological, characteristic and recognizable waterfront landscape place with native spatial culture.

Analysis of Landscape Image of Miao Ancient Villages in Qiandongnan

Unique natural geographical environment and profound human history of Miao ancient villages in Qiandongnan are the key to distinguish them from other nationalities.In this paper,the concept of "image" is introduced to analyze landscape characteristics of Miao ancient villages.From two aspects of natural and cultural landscape,the landscape image that can reflect the nature,humanity,history of Miao ancient villages or can be perceived by the public is abstracted,and the characteristics of landscape image are summarized as natural and cultural adaptability,which could provide the reference for the protection and development of landscape in Miao villages.

The Influence of Western Cultural Spirit Expectation on the Formation of Modern Chinese Landscape Image

The formation of western national landscape image of China is closely related to the needs of western cultural spirit for China in this historical development stage.From the 13th to the 18th century,the West demanded that China,the"cultural other",play the role of landscape image of an ideal and beautiful country,so as to help the West establish the way forward.From the middle ages to the age of great geographical discovery to the Age of the Enlightenment,China’s political,economic,social,cultural and historical context and the cultural spirit embodied in it are exactly in line with the expectations of the European social development and cultural spirit,which helps the West to form an ideal and beautiful image of China.From the 18th century to the 19th century,the utilization function of western image of China as"cultural other"also changed,and the western image of China began to go into a period of complete reversal.With the change of the western modern cultural spirit’s expectation for China,the image of China of"imagining other","beautiful other","ideal other"and"inferior other"has been formed successively.

Artistic Classical Chinese Gardens and Construction of Poetic Images in Modern Landscape

With regard to the artistic features of classical Chinese gardens,its ubiquitous poetic scenery is represented through the aspects of spatial sequence,landscape layout,hill piling and waterways dredging,plant configuration,architecture creation as well as various elements in classical garden.Emphasis is given to the close relationship between it and the traditional Chinese poetry and drawing,as it is resulted from the cultural feature of artistic classical garden and as art-and conception-centered as poetry and drawing.The connotation of conception is also analyzed,that is,inter-dependence,imaginary-real design,and correlation.Moreover,reality-and conception-centered methods in classical Chinese gardens are also introduced along with other conception creating methods such as configuration,view borrowing,empathy and symbolism.On this basis,discussion about key elements in conception creation in modern landscape design is carried out while emphasizing the understanding of environment,practice,experience,and method,so as to demonstrate the sense of place and create spatial artistic beauty through wider means.

Analysis of the Image Space of Rural Landscape of the Pearl River Delta

Through questionnaires and perceptual maps,we made a variation analysis of landscape spatial image to the people in the Pearl River Delta from the viewpoint of the subjective perception.It is found that the people of different ages and different education levels from different areas hold diversified perceptions towards rural landscape space,and they have different ideal rural landscapes.However,there is a common point that the development of rural landscape should retain its excellent local landscape features and the local spirit,which will provide references for building the ideal rural landscape model.

Reconstruction of Urban Landscapes and Images——A Case Study of the Post-Disaster Reconstruction of Luoshui Township, Shifang City, Sichuan, China

The reconstruction of Luoshui Township after the Wenchuan Earthquake was taken for an example, geological location, cultural context and original image of the town were analyzed on the basis of historical records and full investigation, functional orientations, cultural elements and landscape elements were summarized. It was proposed that the reconstruction of its landscapes and images should pay more attention to the integration of natural environment and town, function and form, as well as the inheritance and promotion of local cultures, stress "human-centered" designs and planning techniques of "integrating into natural landscapes, shaping the soul of culture". On this basis, planning schemes were given, design focuses, overall structure, planar architectural layout, style selection, landscape design and green space system planning were analyzed, moreover, how to deal with the relationship between city and people, city and environment, city and culture was discussed to find a way to the orderly and sustainable development of city.

Impacts of Park Landscape Structure on Thermal Environment Using QuickBird and Landsat Images

Urban parks composed mostly of vegetation and water bodies can effectively mitigate the urban heat island effect. Many studies have investigated the cooling effects of urban parks; however, little attention has been given to park landscape structure. Based on landscape metrics, this study has explored the influences of the park landscape structure on its inner thermal environment, taking heavily urbanized Beijing Municipality in China as the study area. Three indices, including the percentage of landscape （PLAND）, landscape shape index （LSI） and aggregation index （AI）, were used to measure the composition and configuration characteristics of the landscape components inside the parks. The indices were calculated for five landscape types being interpreted from Quickbird images. Urban thermal conditions were measured using the land surface temperature （LST） derived from Landsat TM images. The results showed that the park LST had a negative relationship with the park size, but no significant relationship was found with park shape. For the park＇s interior landscape, however, the configuration and composition characteristics of the landscape components inside the park explained 70% of the park LST variance. The area percentage of water bodies and the aggregation index of woodland were identified as the key influencing characteristics. In addition, when the composition and configuration characteristics of the park landscape components were separately considered, the configuration characteristics （LSI and A1） explained approximately 54% of the variance in park LST, which was comparable with that explained by the composition characteristics （PLAND）. Thus, this study suggested that an effective and practical way for urban cooling park design is the optimization of spatial configuration of landscape components inside the park.

Image Style of the Tianping Mountain Landscape in the Ming Dynasty

Starting from the Tianping Mountain theme painting in Suzhou in the Ming Dynasty, we explore how did the painters and literati in this period shape the image of the Tianping Mountain through their works, thereby reflecting their understanding on many landscapes on the Tianping Mountain. By exploring a series of paintings and poems, we try to analyze the characteristics and cultural connotation of landscape paintings of the Tianping Mountain in the Ming Dynasty, which is conducive to improving position of the Tianping Mountain natural and humanistic landscape in Suzhou.

Images of Green Landscapes in Huadu District, Guangzhou City

Urban landscape, as an important part of the overall landscape or the overall image of the city, is of great significance in highlighting city features, building green cities, and improving city image, so image of green spaces has become one of the key construction objectives for many cities. Taking Huadu District in Guangzhou City for example, urban green landscape pattern was analyzed from the level of region and district, according to the landscape ecology. The results showed that local green landscapes had many problems such as unreasonable structure, high fragmentation, unbalanced distribution of green space types, poor corridor networks etc.. In view of these problems, countermeasures for improving green landscape images in Huadu District were proposed.

东秦岭传统村落的景观基因与意象表达——基于11个村落的调研

基于对东秦岭地区11个传统村落的实地考察,研究了该地区传统村落的形成与演化、景观基因及其意象表达,讨论了传统村落所蕴含的古人对人地关系的认识,以及传统村落对乡村振兴与乡村现代化的意义。得到:东秦岭传统村落有世居型和移居型两类,以移居型为主,移居型传统村落按成因不同可分为避乱型、军转型、明志型、生产型4种。东秦岭传统村落的演化受外族群迁入、匪寇侵扰、生产生活方式转变等因素影响,至今仍在发展演化中。东秦岭传统村落的景观基因包括自然景观基因和人文景观基因,其在宏观上依赖自然,在微观上改造自然,呈现因山就势、依水而建、四面围合、家族维系的特征。对应于中国传统村落的基本意象,其中的山水意象和生态意象本质上是古人自然观、生态观的反映,宗族意象和趋吉意象本质上是古人对生存与发展问题思考的反映,而东秦岭传统村落的基本意象为“崇文向善一围落,掩映青山绿水间”。

近40 a闽江流域森林景观格局动态变化

以1986年、2003年、2021年3期Landsat遥感影像数据和森林资源连续清查数据等为基础数据,从景观要素斑块特征、景观要素空间构型与景观异质性3个方面构建景观格局指数,分析闽江流域森林景观格局的动态变化及影响因素。结果表明:2021年,有林地面积占闽江流域林地面积的68.28%,是流域景观的基质类型;1986—2003年,有林地面积增加了349134.5 hm^(2);2003—2021年,有林地面积增加了392508.77 hm^(2)。有林地景观要素边缘密度、内缘比增大,平均形状指数与分维数均减小,斑块边界趋于光滑、简单、有规则。流域斑块总数减小,总周长与斑块平均面积增大,景观破碎化降低,分布趋于聚集。在景观异质性方面,优势度指数与香农多样性指数增大,均匀度指数减小,说明优势景观有林地对整个流域景观的控制作用增大,景观稳定性增强,异质性降低。综上可知,闽江流域森林景观边缘效应增加,破碎度降低,景观生态功能增强,生态环境质量提升。

基于深度学习的景观植物颜色特征提取方法

景观植物的颜色特征及其变化规律可以为植物景观季相分析和设计提供科学依据,但传统的色彩量化分析工作量大且获得的色彩特征准确度低,分析结果易受主观因素影响。针对以上问题,基于UNet++深度学习网络框架,提出一种改进的图像分割模型:在UNet++网络中添加了嵌有注意力机制模块和空洞卷积的全新编码器以增强对植株细节信息的捕捉。提取分割后植株图像在各颜色空间的色彩特征分量,利用Relief算法对12种颜色特征进行筛选。在建立的景观植株数据集上验证改进模型的有效性,实验结果表明:改进模型分割结果的准确率为97.8%,经过筛选分析得到Lab颜色空间内的a通道特征可以作为衡量景观植株随季节变化最有区分度的颜色指标。改进后的模型和特征筛选方法可以为景观植株的季相变化研究和农业作物的特征获取提供技术支撑。

作为观念的景观:互文理论视域下的奥运传播景观与国家形象塑造——以2022年北京冬奥会开幕式为例

大型社会景观不仅可以从批判性、现代性视角观照,也应该从建构性、后现代性视角来切入。从后现代性的互文理论来看,社会景观并非单一时空背景中的主体独白和表演,而是一种多声部的时空和主体互文现象,既是一种视觉的呈现过程,也是一种观念的建构过程。以2022年北京冬奥会为例,可从共时性互文、历时性互文和主体性互文三个方面分析,探究此次全球性景观设计和生产的内在逻辑,及其所传达出来的国家形象观念。从共时性互文视角来看,2022年北京冬奥会开幕式生成于五个空间事件:国际奥林匹克运动改革、中国开启全面建设社会主义现代化国家新征程、部分国家的体育政治化、全球的后疫情治理和中国人喜迎春节。从历时性互文视角来看,2022年北京冬奥会开幕式景观中的固定仪式环节在继承以往冬奥会的基础上进行了较大的革新,巧妙传达了“简约、环保和绿色”的新时代理念。从主体性互文来看,2022年北京冬奥会开幕式不仅致敬了2008年北京奥运会,更致敬了历届冬奥会,塑造了一个更加从容、包容的中国形象。

“美食之都”的城市形象感知及语言符号景观塑造

“美食之都”的城市形象塑造和品牌建设是构建城市美食创意体系的重要动力,由语言符号景观形塑的实体空间、主体空间、文化空间与商业空间对促进美食文化传播亦具有重要作用。从旅游者视角出发,从认知形象和情感形象两个维度对“美食之都”成都展开描写,分析语言符号景观对构建认知情感的影响;从旅游地视角出发,选取成都美食聚集地宽窄巷子作为调查点,考察多模态语言符号景观的分布与特征。由此,提出“美食之都”城市语言符号景观塑造的提升策略。

志书与版画:明清武夷九曲图像的来源与演变

在士人旅行风尚和以朱子理学为宗的社会文化背景下,明清时期出现了大量武夷九曲题材画作,不少知名画家也参与其中。这些武夷九曲题材画作的山水图像有着近似的图式和布局,多源自对武夷志书和相关山水版画的借鉴,通过对其中的山水图像进行挪用、伸展和艺术语言改造,形成了程式化的构成图式。这些武夷九曲山水画作反映了明清时人对武夷山水形象的整体认知。

眼睛与世界—阿尔珀斯《描绘的艺术:17世纪的荷兰艺术》

不同于意大利艺术的叙事性传统,17世纪的荷兰绘画展现出一种制作的性质,在《描绘的艺术:17世纪的荷兰艺术》中,美国艺术史家斯韦特兰娜·阿尔珀斯(Svetlana Alpers,1936~)在欧陆传统内部发起反叛,引人关注到荷兰绘画的“描绘性”特征—“荷兰绘画与现实,犹如眼睛与世界”。这一语境下,本文深入20世纪的视觉文化与景观研究,重新审视阿尔珀斯上述讨论所面对的复杂处境,当“域外景观”沦为一种帝国风景,当效果本身能够制造隐喻,北方绘画的描绘性终究难以从一而终。

基于街景分析技术的滨江路空间品质研究——以重庆三代滨江路为例

滨江路是滨江城市中极具特征性的线性空间,但针对其特殊的地理环境条件,在特征性指标体系建构及量化评价等方面还有待拓展。结合滨江路环境要素分析构建特征性指标体系,运用基于语义分割的街景分析技术,对重庆市不同时期的3代滨江路展开特征总结与问题剖析。结果表明:1)在指标体系研究方面,应依据不同研究对象和研究目的,有针对性地选取指标;2)在个案层面,由于道路功能的综合提升及城市地形限制的减弱,使新一代滨江路空间品质显著提高;3)跨江立体交通节点对滨江路空间品质影响较大。利用街景技术建立滨江路空间品质评价指标体系,所得结论可为其品质提升提供科学依据。

基于网络数据的洛阳市王城公园景观形象感知研究

以互联网络游客评论为数据来源,通过网络文本分析法,从词频分析、社会网络和语义分析、情感分析3个方面对洛阳市王城公园景观形象感知进行分析,以了解王城公园旅游地形象。结果表明,王城公园景观形象由空间场地、植物景观、景观设施和人文景观组成;游客感知由游客关注点、游客行为特征以及游客评价组成;游客对王城公园的整体感知印象较好,情感倾向以正面为主,负面情绪多集中在服务管理、景观设施和景观维护等方面。最后,基于为游客提供更优质的游憩体验,提出改善设施服务、提升互动体验、丰富景观内涵、加强高峰期与数字化的管理等优化建议。

法国国家图书馆藏清南巡行宫图的鉴定与研究

十八世纪法国地图学家、版画家及建筑师勒胡日(Georges Louis Le Rouge)出版的《英中式园林》(Jardins anglo-chinois)系列图册提供了大量中国园林图像,其中57幅中国皇帝南巡行宫铜版画翻刻自法国来华传教士钱德明从中国寄出的画作。这两套收藏于法国国家图书馆的南巡行宫图尚未见于已有研究,且与目前已知南巡行宫图均有所不同,是还没有被认知和利用的新材料。鉴于此,有必要核定行宫图基本信息,追踪行宫图来源及流传过程,本文综罗图文史料重新梳理康乾南巡历史和图像涉及的南巡行宫园林建置沿革,考证图绘背景和年代,揭示了行宫图分别绘于乾隆首次及第四次南巡前,弥补了康熙至乾隆中期南巡行宫图像的缺失,具有重要的史料和艺术价值。

森林旅游地景观形象感知研究——以塞罕坝国家森林公园为例

旅游网络照片是旅游者关于旅游地形象感知的视觉化表达,通过分析游客上传的网络景观照片可以了解游客对森林旅游地景观形象感知并对关键景观要素进行精准化管理与保护。本研究以塞罕坝国家森林公园为例,选取旅游网站的1656张景观照片作为研究对象,从认知和情感2个方面分析了塞罕坝旅游景观的形象感知。利用图像语义分割提取景观要素,对景观要素进行聚类分析和景观格局分析,利用DeepSentiBank和HowNet情感词典进行情感研究,并选取景观格局指标阐述了不同照片产生情感偏差的原因。研究结果表明,天空是旅游者关注的首要景观要素,其次是云彩、道路、森林;感知到的旅游景观分为植物景观、天气天象景观、水域景观和地物景观4种类型;照片呈现的情感总体表现为正面和中性情感,其中植物景观正向情感比例最高,地物景观的负面情感比例最高;斑块数量(NP)、斑块密度(PD)、景观形状指数(LSI)与情感值呈现极显著负相关关系,最大斑块指数与情感值呈现显著正相关关系。