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Gendered Narrative and Feminine Modernity:Free Indirect Discourse in Lin Huiyin’s“In Ninety-Nine Degrees of Heat”
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作者 Yixin LIU 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2020年第4期578-604,共27页
In the modern Chinese literary scene,Lin Huiyin(1904-55)was a prominent woman writer who applied free indirect discourse(FID),a“new”narrative device,into her creative writing.In some of her works,FID is not only a n... In the modern Chinese literary scene,Lin Huiyin(1904-55)was a prominent woman writer who applied free indirect discourse(FID),a“new”narrative device,into her creative writing.In some of her works,FID is not only a new way in which to realize a modern narrative style but also a discreet way to provide her own voice.The existence of slippage between the narrator and character-focalizer deliberately destabilizes the reader,somehow swaying between the narrators authoritative and the character's initial characteristics.In this way,this narrative strategy allows Lin to establish a kind of private space for herself within which to query authority,thereby escaping the material world dominated by male writers at that time.For instance,in her well-known short story,aln Ninety-Nine Degrees of Heat^(Jiushijiu du zhong),Lin Huiyin employed this typical narrative strategy,illustrating the modernity of her creative writing and revealing some meanings of social and gendered narratives. 展开更多
关键词 Lin Huiyin “In Ninety-Nine Degrees of Heat free indirect discourse(FID) feminine modernity
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