It is analyzed from the time and society development background that the social nature was subject to concrete changes in the early Qing Dynasty,middle and latter periods of Qing Dynasty and the late Qing Dynasty due ...It is analyzed from the time and society development background that the social nature was subject to concrete changes in the early Qing Dynasty,middle and latter periods of Qing Dynasty and the late Qing Dynasty due to different China's social development backgrounds,but the establishing target of the national thought subject in the literature development characteristics is not transferred. The revitalization of national development is considered as the fundamental to establish positive national spirit and directly safeguard and defend the national dignity,so that the literature in the Qing Dynasty becomes the cultural thought action force to promote developing and growing Chinese nation.展开更多
By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of sou...By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.展开更多
基金Phased objectives of financing scheme"research on Yan-Li School--with the center of Li Gong"for young core teachers in Henan institutions of higher education in 2012,project No.:2012 GGJS-155.
文摘It is analyzed from the time and society development background that the social nature was subject to concrete changes in the early Qing Dynasty,middle and latter periods of Qing Dynasty and the late Qing Dynasty due to different China's social development backgrounds,but the establishing target of the national thought subject in the literature development characteristics is not transferred. The revitalization of national development is considered as the fundamental to establish positive national spirit and directly safeguard and defend the national dignity,so that the literature in the Qing Dynasty becomes the cultural thought action force to promote developing and growing Chinese nation.
基金interim result of the general project funded by the National Social Scienc eFoundation of China,titled“Compilation and Study of Book Slips Not Included in the Complete Song Prose and Research on the Compilation of Song Dynasty Book Slips”(Project No.20BZW060)。
文摘By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.
