期刊文献+
共找到2,916篇文章
< 1 2 146 >
每页显示 20 50 100
Cultural Crisis in Rural Areas and Its Influence upon Revolutions in China in the Process of Modernization
1
作者 Qiao Xiayang Shi Xiangjun 《学术界》 CSSCI 北大核心 2015年第5期269-273,共5页
The process of modernization accelerates the decline of the rural areas in China pausing malignant changes of the rural culture,such as lack of education and religious chaos and so on.Such cultural crisis in rural are... The process of modernization accelerates the decline of the rural areas in China pausing malignant changes of the rural culture,such as lack of education and religious chaos and so on.Such cultural crisis in rural areas results in incredibility of the public power.As a social class farmers are marginalized.On the contrary,the decline of the rural culture provides the possibility of the rooting of the revolutionary ideas.Led and influenced by the Communist Party of China farmers become the principal part of modernization and revolution and the major driving force and hard core of the new- democratic revolution,having great effect upon the direction of China's modern history. 展开更多
关键词 中国共产党 农村地区 文化危机 现代化 进程 中国近代史 农村文化 组成部分
下载PDF
An Analysis on the Consequences of the Ideological and Cultural Revolution
2
作者 Nertila Haxhia Ljarja 《Sociology Study》 2011年第6期468-472,共5页
The paper analyses a special moment-a so-called "revolutionar" campaign that was undertaken in all fields: social, cultural and religious ones in the contemporary history of Albania. And exactly, it analyses the dr... The paper analyses a special moment-a so-called "revolutionar" campaign that was undertaken in all fields: social, cultural and religious ones in the contemporary history of Albania. And exactly, it analyses the dramatic turn undertaken by the dictatorial communist regime during the years of 1966-1969. As a result, in period of few years, Albanian was transformed into the only atheist country in the world, because since November 13, 1967, the religious activities were banned and this situation lasted until 1976 from the constitutional point of view. 展开更多
关键词 Albanian cultural revolution religions freedom humans rights Catholic Church atheist museum
下载PDF
Between the City and Images:An Analysis of Mainstream Media’s Paths of Constructing the Cultural Memory of a City:Taking Chengdu Radio and Television’s“Hi Chengdu”as an Example 被引量:1
3
作者 Ding Ran Shi Lei 《Contemporary Social Sciences》 2024年第2期97-111,共15页
Mainstream media play a crucial role in constructing the cultural memory of a city.This study used 319 short videos released by“Hi Chengdu,”a new media product of Chengdu Radio and Television,as samples.Based on the... Mainstream media play a crucial role in constructing the cultural memory of a city.This study used 319 short videos released by“Hi Chengdu,”a new media product of Chengdu Radio and Television,as samples.Based on the grounded theory,a research framework encompassing“content,technology,and discourse”was established to explore the paths through which mainstream media construct the cultural memory.Regarding content,this paper emphasized temporal and spatial contexts and urban spaces,delving deep into the themes of the cultural memory and vehicles for it.In terms of technology,this paper discussed the practice of leveraging audio/visual-mode discourse to stitch together the impressions of a city and evoke emotional resonance to create a“flow”of memory.As for discourse,this paper looked at the performance of a communication ritual to frame concepts and shape urban identity.It is essential to break free from conventional thinking and leverage local culture as the primary driving force to further boost a city’s productivity,in order to excel in cultural communication. 展开更多
关键词 the cultural memory of a city short videos the grounded theory Chengdu Radio and Television “Hi Chengdu”
下载PDF
The Status Quo and Problems of Red Cultural Sites in the New Era and Their Exploration Paths: Taking the Luxi Region as an Example
4
作者 Meiling Yue Yahui Hu 《Journal of Contemporary Educational Research》 2024年第6期57-63,共7页
Red cultural site is the carrier of red culture,containing profound revolutionary history and value of the times,we should deeply excavate the intrinsic potential of red cultural sites,pay attention to the ontological... Red cultural site is the carrier of red culture,containing profound revolutionary history and value of the times,we should deeply excavate the intrinsic potential of red cultural sites,pay attention to the ontological protection of red cultural sites,develop and improve the red cultural innovation projects,and strengthen the red culture itself and supporting the construction.This paper takes the old revolutionary area of Luxi as an example,conducts field investigation and visits based on the local county records and party history materials,and investigates a total of five red cultural sites and memorial halls in Luxi,focusing on the actual achievements and problems exposed in the protection and development of the current red cultural sites,to provide references and thinking for the protection,development,and innovative utilization of red cultural sites in the new era of our country. 展开更多
关键词 Red cultural sites memorial halls Current situation and problems Protection and development
下载PDF
Design Strategy of Hehan Detachment Memorial Hall under the Background of Cultural Tourism
5
作者 WANG Fei LI Linsen LIN Feihong 《Journal of Landscape Research》 2022年第4期21-23,28,共4页
The memorial hall is an important place to learn red culture in China,which plays a positive role in carrying forward red culture and continuing revolutionary spirit.The outline of the “14^(th) Five-year” plan point... The memorial hall is an important place to learn red culture in China,which plays a positive role in carrying forward red culture and continuing revolutionary spirit.The outline of the “14^(th) Five-year” plan points out that “it should adhere to the integrated development,shape tourism with culture,highlight culture with tourism,and improve the system of integrated development of culture and tourism”.On this basis,it is proposed that the development of memorial halls in the new era needs the integration of culture and tourism.In this paper,the protection status of red culture of Hehan Detachment is investigated,and its existing problems are analyzed.The construction of Hehan Detachment Memorial Hall is taken as research object.The design strategy of the memorial hall is put forward,and rural red culture undertakings and the integrated development of culture and tourism industry are further established and improved.The research could provide a valuable reference for continuing red culture undertakings and innovating the development of culture and tourism industry at present. 展开更多
关键词 cultural tourism Hehan Detachment memorial Hall Design strategy
下载PDF
Research on Residents' Perception after the Trip to Historic and Cultural Block Based on Urban Memory:A Case Study of Confucius Temple of Nanjing
6
作者 ZHOU Wei 《Journal of Landscape Research》 2015年第5期47-51,共5页
From the perspective of urban memory, the paper made empirical analysis of residents' perception after the trip to the historic and cultural block, by selecting Confucius Temple of Nanjing as the typical case, usi... From the perspective of urban memory, the paper made empirical analysis of residents' perception after the trip to the historic and cultural block, by selecting Confucius Temple of Nanjing as the typical case, using questionnaire survey, mathematical statistics and structural equation model. The results indicated that residents had different perceptions after the trip of different elements of the urban memory and some important influential factors were discussed. Moreover, some implications for local governments and planning department were proposed. 展开更多
关键词 Urban memory Historic and cultural block Residents’ perception after the trip Confucius Temple of Nanjing
下载PDF
In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration
7
作者 Elzbieta Wiacek 《History Research》 2012年第6期398-414,共17页
The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as i... The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as it often perceived in Western Europe) but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author's presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies: Sewer (1956) by Andrzej Wajda, Eroica (1956) by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum. 展开更多
关键词 the Warsaw Uprising communicative memory cultural memory museum NARRATION
下载PDF
Sites to Remember: Performing the Landscape in Cultural History
8
作者 Janys Hayes 《Journal of Literature and Art Studies》 2016年第10期1221-1230,共10页
This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narrativ... This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narratives encompassed by both productions revolve around shared Australian histories, for audiences attracted by place and what it is able to represent. Re-enactments of past events call into the present a consideration of what still remains, with both shows enabling new subjective interpretations of earlier times. The defining difference between the two, however, rests in the context of each performance, in the one case as a commodification of heritage and in the other case as the desire to produce an artistic yet popular theatrical product. Ballarat's, Sovereign Hill's light and sound show, Blood on the Southern Cross celebrates and commemorates, in mega-spectacle style, the Eureka Stockade, one of Australia's key historical events. Using a mechanised display of the original goldmining site of the Eureka rebellion, the performance is operated by computers with video-projection, multi-phonic sound, and moving model forms, with audiences moved around the massive site on transporters. The Piccolo Tales, a contrasting performance most notably in terms of size, unfolds the history of Kings Cross, through its setting in the miniscule iconic Piccolo Bar, in one of the tiny side streets of Sydney's bustling and densest suburb. This paper encompasses an investigation of how the cultural inscriptions of the two specific sites interweave with the performance styles, materials, political and social positioning of the works. Previous performance studies examining site-specificity are utilised, including the author's analysis of particular festival performances as "place-making" (Hayes, 2012, 2013). Smith's (2009) model of "signposts" is used to consider acting within site-specific productions in a new light, whilst both performances are more completely analysed through Schneider's (2011) concept of incomplete pasts forming "cycles of memory". 展开更多
关键词 cultural history historical re-enactments memory PLACE-MAKING site-specific performance SovereignHill The Eureka Stockade
下载PDF
Collective Memory and Cultural Symbol:on the Culture of Place Names in Zhengzhou Street
9
作者 GUO Xiliang 《Journal of Landscape Research》 2018年第3期73-75,共3页
Street culture is an object of sociological studies,from the perspective of community research,sociological theories help to solve such problems as construction of new community and inheritance of community cultures.O... Street culture is an object of sociological studies,from the perspective of community research,sociological theories help to solve such problems as construction of new community and inheritance of community cultures.Old streets and lanes in Zhengzhou City have been given with profound place name culture through the long history of development.Understanding and application of place name culture from the perspective of collective memory and cultural symbol is of great value to urban development and protection of intangible cultural heritage. 展开更多
关键词 COL ective memory cultural symbol FOLKLORE INTANGIBLE cultural HERITAGE
下载PDF
"They Are Married to kunqu" ——Cultural Studies Inspired by a Chinese Traditional Theatre
10
作者 CHEN Lin 《Journal of Literature and Art Studies》 2017年第3期288-299,共12页
In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese dia... In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu's appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting. 展开更多
关键词 kunqu performative space classical cultural upsurge multiple modernities cultural memory
下载PDF
A Glimpse of Hong Kong "Chineseness": Pre-existing Tunes as the Redemption of a Cultural Identity
11
作者 LEUNG Tai-wai David 《Journal of Literature and Art Studies》 2017年第7期887-898,共12页
When the umbrellas were held up against the tear gas attack in the protest on September 28, 2014, the hot issue raised by the marathon-like Yellow Umbrella Movement was not only the matter of politics but also a coinc... When the umbrellas were held up against the tear gas attack in the protest on September 28, 2014, the hot issue raised by the marathon-like Yellow Umbrella Movement was not only the matter of politics but also a coincidence created for the Hong Kong locals to face, or to be faced with an already moot cliche: How the Hongkongese can redef'me and redeem their almost lost socio-cultural identity, particularly under the increasingly hegemonic influences and the socio-cultural invasion of the mainland after the 1997 Handover. My present paper is not intended to discuss the topic of identity on the platform of politics, or the postcolonial studies such as transculturation or cultural hybridty. But instead, I am far more interested in locating such issue on the aesthetic dimension of collective memory, which is revealed in two local contemporary Hong Kong compositions. In the process of shaping and reshaping a form of"HongKongeseness" in which the composers tend to create and the local listeners tend to experience, albeit transient, can appear in every nuance of the sonic metaphor embedded in the pre-existing indigenous tunes of a self-contained compositional work. 展开更多
关键词 Aesthetics Cantonese Folk Lullaby Cantonese Language Cantonese Opera Cantopop CantoneseTones CHINESENESS Collective Memory cultural Identity Hong Kong Chineseness Melodic Fragment Metaphorical Respresentation Nostalgic Childhood Operatic Vocality POSSESSION QUOTATION Tang-song poetry(唐宋诗词) Voice Yellow Umbrella Movement Zi Hou (子喉)
下载PDF
Aesthetic comparison between Chinese memorial poetry and western elegy
12
作者 张丽娟 王旻 《Sino-US English Teaching》 2007年第8期76-81,共6页
Owing to the cultural, philosophical and religious differences, Chinese memorial poetry and western elegy show different attitudes towards death and have different ways to express it. Therefore, they have different ae... Owing to the cultural, philosophical and religious differences, Chinese memorial poetry and western elegy show different attitudes towards death and have different ways to express it. Therefore, they have different aesthetic preference to death. This paper focuses on the basic characteristics of Chinese memorial poetry and western elegy. It analyzes the causes of these differences from the aspect of the content and style, ways of expression and cultural psychology. 展开更多
关键词 memorial poetry ELEGY DIFFERENCE cultural root
下载PDF
Cultural logic of Marx's philosophical revolution and its implications in modern times
13
作者 叶险明 《Social Sciences in China》 2008年第1期16-28,共13页
Inflated nationalism, extreme statism and a purely speculative form of expression were the three main components of the modem mainstream culture of the German nation. Only through a scientific critique of these three ... Inflated nationalism, extreme statism and a purely speculative form of expression were the three main components of the modem mainstream culture of the German nation. Only through a scientific critique of these three main components could a new philosophy develop. That is the cultural logic of Marx's philosophical revolution, which emerged and developed through a critique of historiography, socialism and political economy, rather than in an isolated framework of traditional philosophy. The cultural logic of Marx's philosophical revolution offers two lessons for us in developing Marxist philosophy in China. First, to fail to understand and study Marxism as a whole and conduct dialogue and interaction across all fields of Marxism would be a deviation from the cultural logic of Marx's philosophical revolution and the path of development of Marxist philosophy. Second, the core task of Marxist philosophical studies is the Sinicization of Marxist philosophy in China. This involves making methodological summaries of contemporary scientific findings and reflecting upon the most important issues of Chinese-style socialism, providing at the philosophical level and from the perspective of world history a scientific interpretation of the process, mechanisms, characteristics, patterns and trends of contemporary Chinese social development that will yield a guide for practice. 展开更多
关键词 philosophical revolution cultural logic NATIONALISM world history
原文传递
Writing Green Snake, Dancing White Snake, and the Cultural Revolution as Memory and Imagination --Centered on Yan Geling's Baishe
14
作者 Liang LUO 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2017年第1期7-37,共31页
Following Kenneth King's pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe's call for dance to be treated seriously in religious and philosophical discourses, I examine ... Following Kenneth King's pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe's call for dance to be treated seriously in religious and philosophical discourses, I examine Yan Geling's novella Baishe (White Snake, 1998), in relation to Lilian Lee's novel qingshe (Green Snake, 1986-93), with a focus on how dancing and writing function literally, metaphorically, dialectically, and reciprocally, in these narratives. In my textual and contextual analyses of Yan's White Snake text, I borrow Daria Halprin's therapeutic model for accessing life experiences through the body in motion. I argue that, through a creative use of writing and dancing as key metaphors for identity formation and transformation, Yan's text, in the context of contemporary China, offers innovative counter-narratives of gender, writing, and the body. Yan's White Snake is considered in the following three contexts in this paper: firstly, the expressiveness of the female body in the White Snake story; secondly, the tradition and significance of writing women in Chinese literary history; and thirdly, the development of dance as a profession in the PRC, with a real-life snake dancer at the center. These three different frameworks weave an intricate tapestry that reveals the dialectics of writing and dancing, and language and the body, throughout the latter half of twentieth-century China. Furthermore, Yan's text foregrounds the Cultural Revolution as an important chronotope for experimentation with a range of complex gender identities in relation to the expressive and symbolic powers of dancing and writing. 展开更多
关键词 DANCING WRITING Yan Geling White Snake Lilian Lee Green Snake the cultural revolution GENDER the body counter-narratives
原文传递
The Dilemma and Redemption of Culture: A Way to Interpret the Role of Intellectuals during the May 4th and Yan'an Period*
15
作者 ZHANG Jing 《Journal of Literature and Art Studies》 2018年第8期1200-1206,共7页
The status and meaning of culture is closely related to the modem China's revolution. Terry Eagleton's cultural derivation provides a basis for redefining culture in the process of Chinese revolution. According to t... The status and meaning of culture is closely related to the modem China's revolution. Terry Eagleton's cultural derivation provides a basis for redefining culture in the process of Chinese revolution. According to this, the new cultural movement in May 4th and the Chinese Marxism aesthetics in Yan'an have taken on the common issues like national and ideological transformation, whereas they have their own historical phase and thus the historical relativity characteristics. As the main body of culture transfer, the intellectuals implement the effective transformation of identity in the process from elite culture to the popularization of culture, and vigorously promote the idea of culture in the context of the Chinese revolution from dilemma to redemption. 展开更多
关键词 National revolution culturE ELITE POPULARIZATION
下载PDF
A Short Essay on the Leftspeak during China's Cultural Revolution
16
作者 Wang Zongyan Zhongshan University 《外语教学与研究》 CSSCI 北大核心 1989年第2期16-19,共4页
This paper tries to show in what ways China’s Cultural Revolution affected the use of the Chinese language. It will quote expressions and catch-phrases of the time and dissect them from the lexical, semantic and prag... This paper tries to show in what ways China’s Cultural Revolution affected the use of the Chinese language. It will quote expressions and catch-phrases of the time and dissect them from the lexical, semantic and pragmatic points of view, always bearing in mind the con- 展开更多
关键词 A Short Essay on the Leftspeak during China’s cultural revolution
原文传递
数字时代的文化记忆:档案学视域下数字记忆的研究图景与展望 被引量:2
17
作者 曲春梅 胡雯嘉 《北京档案》 北大核心 2024年第4期41-48,共8页
数字记忆是数字时代的记忆新形态,是实施国家文化数字化战略的重要载体。论文利用CiteSpace软件对档案学视域下数字记忆研究的相关文献进行可视化分析,结合人工阅读,描绘数字记忆的研究图景与未来展望,以期为提升档案馆数字文化服务能... 数字记忆是数字时代的记忆新形态,是实施国家文化数字化战略的重要载体。论文利用CiteSpace软件对档案学视域下数字记忆研究的相关文献进行可视化分析,结合人工阅读,描绘数字记忆的研究图景与未来展望,以期为提升档案馆数字文化服务能力提供借鉴。目前研究主要集中于数字记忆的概念内涵、档案馆在数字记忆构建中的功能定位、数字记忆资源建设、数字记忆项目建设以及对数字记忆的理论反思等五个方面。未来建议加强记忆资源聚合、多元协同机制、用户参与机制、典型创新案例和人才培养模式研究。 展开更多
关键词 数字记忆 数字人文 数字文化遗产 文化记忆
下载PDF
文化记忆理论视角下三线工业遗产的活化设计策略研究 被引量:3
18
作者 翁春萌 陈子阳 《家具与室内装饰》 北大核心 2024年第1期108-113,共6页
三线工业遗产是我国社会主义工业化独立自主探索的典型代表,亟需厘清从记忆传承到文化认同的逻辑理路和实践进路。本文以文化记忆理论视角明确了三线工业遗产具备时间、空间、功能三个维度且存在互济、内嵌的逻辑关系,通过建构的方式形... 三线工业遗产是我国社会主义工业化独立自主探索的典型代表,亟需厘清从记忆传承到文化认同的逻辑理路和实践进路。本文以文化记忆理论视角明确了三线工业遗产具备时间、空间、功能三个维度且存在互济、内嵌的逻辑关系,通过建构的方式形成凝聚性结构空间;分析了文化记忆空间营造的过程中的文化记忆要素特性,从文本、意象、仪式三系统进行文化表征、符号象征化的实践路径探讨;总结出参与—唤醒—认同的递进式活化路径,最后提出记忆重现、场景营造、记忆共创的可行性设计策略,为提升三线精神在中华民族红色精神传承中的结构性力量提供有益参考。 展开更多
关键词 文化记忆 三线工业遗产 文化空间 活化 设计策略
下载PDF
民族志动画中的跨越“在场”与记忆“再现”——基于湘西苗族仙娘仪式影像的实践反思 被引量:1
19
作者 李刚 潘静文 《上海大学学报(社会科学版)》 CSSCI 北大核心 2024年第2期29-39,共11页
文化记忆是一个民族凝聚群体、实现文化认同的重要内核,其中族群仪式作为一种具体的文化行为深嵌于特定的社会情景场域,对集体记忆和文化记忆的构筑起到关键作用,一直是人类学研究的重要议题。民族志动画通过一套特别的视觉媒介符号体... 文化记忆是一个民族凝聚群体、实现文化认同的重要内核,其中族群仪式作为一种具体的文化行为深嵌于特定的社会情景场域,对集体记忆和文化记忆的构筑起到关键作用,一直是人类学研究的重要议题。民族志动画通过一套特别的视觉媒介符号体系进行知识生产与意义呈现,在表达回忆、经历等抽象经验方面可跨越“在场”时空屏障,为新时代的影视人类学提供新的范式实验和新的模态可能。基于湘西苗族仙娘仪式影像实践,通过与文化持有者开展互为主体性合作和反身性对话,可生成饱含原住民真切情感的民族志动画影像文本,在影像志的“抒写”中实现仪式记忆的“再现”与族群文化记忆的表达。 展开更多
关键词 民族志动画 仪式影像 文化记忆 影视人类学 多模态
下载PDF
老字号品牌文化记忆的叙事性视觉再生设计研究 被引量:1
20
作者 刘俊 《温州大学学报(社会科学版)》 2024年第4期56-69,共14页
在当今社会,消费结构和理念正在经历深刻变革,老字号品牌文化记忆因未被转化为可满足现代传播需求的形式,亟需有效激活其再生价值并提升品牌效应。深入分析老字号品牌文化记忆内涵及当代传承状况,探究叙事性视觉再生设计方法体系和当代... 在当今社会,消费结构和理念正在经历深刻变革,老字号品牌文化记忆因未被转化为可满足现代传播需求的形式,亟需有效激活其再生价值并提升品牌效应。深入分析老字号品牌文化记忆内涵及当代传承状况,探究叙事性视觉再生设计方法体系和当代叙事性传播模式,提出将老字号品牌的文化记忆与叙事性视觉设计相结合的创新理念。进一步探索品牌年轻化、数字化、多维化的视觉再生设计策略,为老字号品牌的复兴和形象升级提供切实可行的设计思路。 展开更多
关键词 老字号品牌 文化记忆 叙事性视觉设计 再生设计
下载PDF
上一页 1 2 146 下一页 到第
使用帮助 返回顶部