The Application of Modern Art Techniques in T.S. Eliot's The Waste Land

The literature in 20th century is mainly characterized by irrationalism presented in modernism. Under the background, this paper aims to explore how Eliot attempts to use modern art techniques in The Waste Land to reveal a real life to readers.

A Brief Analysis on the Differences between the Aesthetic Modernity Pursuits of Modern and Contemporary Chinese Art and the Modern Art of the West

Aesthetic Modernity is a western concept.It was based on the development of the historical view.This article focuses on the aesthetic modernity pursuits of modern and contemporary Chinese art and compares it with the western culture and modern art under the concept of aesthetics.It also analyses the problems and causes in the process of modernity of Chinese modern and con⁃temporary art,and presents the advice to the further development of Chinese art.

Exploration of the Integration of Ethnic Music Elements into Modern Piano Art Creation

Piano originated in Western countries,so a large number of Western cultural elements are used in piano art creation,mainly to present Western humanistic thoughts and spiritual cultural cores to the audience.In recent years,with the modernization of piano art and culture in China,many Chinese listeners have begun to demand more ethnic and folk piano pieces with Chinese characteristics.In order to meet the audience’s pursuit of modern Chinese piano art,more and more creators are integrating ethnic music elements into modern piano art creation.This article explores the integration significance of ethnic music elements in modern piano art creation and the current situation of Chinese modern piano art creation,and finds that ethnic music elements have positive help in enhancing the novelty,ethnic characteristics,and timeliness of piano art creation.Based on this,this article proposes several strategies for integrating traditional ethnic music elements into modern piano art creation,including adapting traditional ethnic music elements,creating pentatonic tunes,and modifying work titles.The aim is to provide references and inspiration for the development of Chinese piano art creation and culture.

Application of Modern Construction Art in Landscape Architecture Planning and Design

The continuous progress of urbanization has driven the continuous development and innovation of landscape planning and design.Focused on the important design method of modern construction art,this study analyzed its concepts and characteristics,and made deep exploration to its application in landscape planning and design.The results indicated that modern construction art had a significant impact on landscape spatial planning and layout,spatial design forms,and spatial ornaments.The use of modern construction art concepts could make landscape design more scientific,artistic,and humane,creating higher quality leisure and entertainment venues for audiences.

“liberal arts”的源与流——古今之变中的审视

“古今之变”是审视liberal arts流变的中心线索。古典liberal arts是具有内在统一性并指向完满品格的整全性知识体系。欧洲三次文艺复兴对liberal arts的再造展现了其历史流变中的不变逻辑,即为特定时代的受教育者提供共同价值。德国古典大学赋予了liberal arts在古典意义上的完美形态,而新人文主义的自我塑造观念孕育了博雅教育的现代转向。科学革命终结了古典学术的内在统一性与道德理想,瓦解了古典liberal arts。美国现代大学则借助古典资源,经由三次改革浪潮重建了liberal arts。然而,古典教育凝聚文明精华的共同价值、塑造意义与学术整合力量,同现代科学的智识自由、价值分殊与学科分化特性相冲突,这是古今之变为现代大学再造liberal arts所深植的困境,liberal arts只能在钟摆的两端之间不断权衡。

Restraints and Countermeasures for the Sustainable Development of China's Modern Flower Arrangement Art

Factors that influence the development of China's modern flower arrangement art are analyzed in this study,countermeasures and suggestions are proposed for the future development.

798 Transforms Modern Art Scene

Booming zone in Beijing is morphing from an Eden of creation into a high-end art market 1n 10 years, an abandoned factory complex has developed into one of Beijing’s cultural landmarks, the

Old Beijing Temples Share the Hill with Modern Art

THE western hills, with their grand peaks, forests and springs, clasp Beijing in its arms, protecting the area’s temples and stone sculptures. The beautiful, meandering Miaofeng Hill begins 50 kilometers northwest of Beijing. Beside its main peak is a group of towering stones which, from a distance look like blooming lotuses. Amid the towering stones, a single boulder glows in the sunshine. For this reason it is called Golden Lotus Peak. At one time the hill monks worshipped different deities.

Contextual Relations between Modern Architecture and Science, Art and Technology in Social Changes

Modern architecture has been not only influenced by political, economic, cultural and social factors in its development history, but also related to the development of science, art and technology. By taking the time sequence of modern architecture development in social changes as the longitudinal axis, and the influence of the three technological revolutions, science and technology (physics, chemistry, biology), art development on modern architecture as the horizontal axis, this study through the overlay analysis elaborated the correlation between modern architecture and the development of science, art and technology in social changes, and summarized five characteristics and laws of modern architecture. It provided a theoretic reference for knowing the history of architecture, and creating the future architecture, and also for the future development of local and national architecture.

Modern Chinese Art in the 21^(st) Century

The vast size of China and the enormity ofher population guarantee that,culturallyand economically,the nation will play

Master Artist Zhang Ding——The Pinnacle in the Ilistory of Modern China's Art

He designed the national emblem of thePeople’s depublic of China, was a primary painterof the mural in the Beijing Capital Airport, ananimator of "Ne Zha Makes Havoc of the Sea", arenowned cartoonist, one of the founders of

MODERN TIBETAN ART

The endlessly emergence of Tibetan artists has been driven by the great contributions from the Art Department of Tibetan University for a long time.The Tibetan artist contingent features young artists.They are vigorous and transmit creative thought. They control the most splendid and far-reaching foreground. While enmeshed in the boundless ocean of Tibetan culture and living day and night with the landscape,divinities,and people, they took different approaches in their lives and pursue their unique creat...

“Mimēsis”的辩证法:阿多诺对“技术”的媒介美学批判

在阿多诺针对大众媒介技术展开的现代美学批判中,“Mimēsis”(摹仿)的辩证法是核心向度之一。在对本雅明关于技术复制与现代艺术命运关系之思考的容受中,通过指认技术复制是“摹仿的绝对化”而真正艺术是“摹仿行为的庇护所”,阿多诺揭示了“摹仿”在技术时代的美学中仍然能够作为一个批判概念得以存留的可能性和必要性。其根本原因在于:作为摹仿绝对化的技术复制无论其表面上多么繁荣多样,其实质只是“重复”;但如果媒介技术的“复制”功能成为技术时代艺术的重要摹仿对象,在生产差异之“重复”的“摹仿辩证法”中,复制的技术便可以被艺术的摹仿技艺所吸收转化,从而实现技术的美学“救赎”。

现代绘画艺术中的形式美与情感表达

现代绘画艺术注重形式美与情感表达的融合,通过独特的艺术语言和表现手法,传递艺术家的情感和思想。形式美和情感表达显示了现代绘画艺术的特点,艺术家运用形式元素和表现手法来表达情感,能更好地理解和欣赏现代绘画艺术。

融合视角下现代皮革制品设计对中国传统艺术的借鉴与创新研究

全球化时代的到来给我国的皮革制品设计带来了巨大的冲击和挑战。文章针对融合视角下现代皮革制品设计的现状进行总结,详细阐述了现代皮革制品设计借鉴中国传统艺术并进行创新的必要性与可行性,以案例的形式对融合视角下现代皮革制品设计对中国传统艺术如皮雕、刺绣、绘画等的借鉴与创新方法进行了详细分析,旨在为现代皮革制品设计的创新及其与中国传统艺术融合提供借鉴。

中国古代剑文化演变特征研究——基于《古今刀剑录》与《名剑记》的文献比较

通过对陶弘景《古今刀剑录》和李承勋《名剑记》的文本细读和历史背景分析,考察了两书在内容选择、视角取向等方面的异同,并研析各自的时代语境进行诠释,以此反映中国古代不同时期的剑文化演变特征。研究发现,《古今刀剑录》着重于冶炼技术,反映个人经历;而《名剑记》则侧重记录历史文化,体现士人尚武精神。两书均反映其对应时代的社会文化特征。研究旨在通过古代刀剑文化研究加深对中华文明历史积淀的认识,并激励当代社会传承并创新宝贵历史文化遗产。

现代立体漆艺创作的表现形式与审美特性

漆艺艺术也称大漆艺术,是我国最为古老的传统艺术形式之一,早在春秋战国时期便已出现。最早大漆艺术多以工具性特征为主,凭借漆的防腐、耐酸等特性被广泛用于涂饰工艺,随着时代的变迁,越来越多的新材料被运用到大漆艺术中,大漆艺术也渐渐由工艺而进化成了一门具有别样美感的艺术形式。随着更多新材料和新工艺的出现,现代大漆艺术已完全蜕变成为一种独立的艺术形式,其中最具代表性的当属当代的立体漆艺艺术。以现代立体漆艺为研究对象,分析现代立体漆艺创作的造型思路和装饰技法,探讨现代立体漆艺创作的表现形式和审美特征。

在传统与现代的“新石器”中“生长”——吴昊宇陶瓷艺术解读

本文深入解读了吴昊宇的陶瓷艺术作品,特别是他的“新石器”系列,展现了他将传统与现代、自然与人造材料融合的创新手法。他巧妙地结合了白色石头与柔软纸张,创造出既坚硬又柔软、易损又恒定的作品,模糊了材料界限,提升了观众的视觉与情感体验。他在“新石器”中寻找到了一种连接现代与古老文化记忆的路径,通过陶瓷这一具有中国文化特色的材料,探讨人类使用工具的历史与文化意义。吴昊宇的“生长”系列与“破立”系列作品展示了更加自由与野性的创作风格,反映了艺术家对传统陶瓷技艺的深刻理解与创新。他的日用器物六堡茶器作品,不仅体现了他对形态的精妙掌握,也展示了他将传统与现代元素融合的独特视角,为中国陶艺界带来了新的气息与视野。