An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,Narrative Strategies,and Experiential Insights

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.

Research on Narrative Design of Creative Products Based on Regional Cultural Elements

The research explored the ways and means of narrative design in which regional cultural elements are integrated into cultural and creative products.It also researched a new way of thinking and methods of creative product design based on regional cultural elements in order to satisfy consumers’emotional and cultural experiences.Narrative theory takes the perspective of narrative expression in the design of cultural and creative products.The regional cultural elements were used for better interactive communication with consumers in the form of cultural and creative products.In the narrative of cultural and creative product design,intervening in the development of regional cultural and creative design from the perspective of narratology can better exert and create the cultural value of the region itself,with cultural and creative products playing an important role in“local cultural stories.”This research adopted a qualitative approach and provided ideas and guidance for the narrative design and expression of regional cultural elements in creative products through comparative analysis of case studies.The research highlighted the role of narrative design in creating multi-layered experiences,weaving regional cultural stories into products,and the importance of deep understanding and effective use of regional cultural elements in design.

In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration

The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.

Cultural Crisis in Rural Areas and Its Influence upon Revolutions in China in the Process of Modernization

The process of modernization accelerates the decline of the rural areas in China pausing malignant changes of the rural culture,such as lack of education and religious chaos and so on.Such cultural crisis in rural areas results in incredibility of the public power.As a social class farmers are marginalized.On the contrary,the decline of the rural culture provides the possibility of the rooting of the revolutionary ideas.Led and influenced by the Communist Party of China farmers become the principal part of modernization and revolution and the major driving force and hard core of the new- democratic revolution,having great effect upon the direction of China's modern history.

An Analysis on the Consequences of the Ideological and Cultural Revolution

The paper analyses a special moment-a so-called ＂revolutionar＂ campaign that was undertaken in all fields： social, cultural and religious ones in the contemporary history of Albania. And exactly, it analyses the dramatic turn undertaken by the dictatorial communist regime during the years of 1966-1969. As a result, in period of few years, Albanian was transformed into the only atheist country in the world, because since November 13, 1967, the religious activities were banned and this situation lasted until 1976 from the constitutional point of view.

The Narrator's Pangs in Pangs of Love : Uncertainty of Cultural Identity

Pangs of Love tells the experiences of Chinese American immigrants, and especially the pangs the narrator, as a second generation, feels in family, love and social affairs. Based on the analysis of the narrator's pangs, this paper argues that it is mainly the uncertainty of cultural identity that leads to the pangs of the narrator, and of the second generation Chinese Americans. This paper shows that the second generation can take advantage of their dual but conflicting cultural heritages to develop a renewed and specific cultural identity.

A Study on the Symbol-Based Narrative in the International Communication of Cities

Cultural symbols,a manifestation of cities’cultural resources,are not only signs that frame concepts but also forms that express meanings.Exploring the international communication of cities from the perspective of symbols,this paper analyzes in depth how cities create their cultural symbols in the dynamic process of international communication in an era of symbol-based digital media,and how they develop their narratives and explain meanings through the dissemination of symbols when telling their stories to international audiences,thus enhancing the efficiency and effectiveness of their international communication efforts.

Cultural Influence on Text Structures──A Comparative Study of Chinese and German Routine Narratives

Culturalexchangesenablepeopletorecognizedifferencesbetweentextstructuresindifferentlanguages.Asearlyasthe60's,Kaplanalreadypointedouttheinfluencethatculturehadupontextstructures,butculturalfactorshavenotyetreceiveddueattentioninmanylinguisticwritings...

Poverty Reduction, Cultural Narrative, and the Realization of Development Rights in South-South Cooperation

The development of any country or society requires a cultural context. A cultural narrative influence the process of development by shaping people’s views and actions, and thus policy. This paper first discusses the importance of cultural narratives, and then analyzes the different cultural narratives on poverty reduction, development, right to development, and South-South Cooperation. It illustrates how cultural narratives significantly influence social justice development and reforms.

Chinese-to-English Translation of Publicity on Chinese Minority Culture From Narrative Perspectives

Narrative is a literary notion.In narrative translation theory,narrative involves personal narrative,public narrative,disciplinary narrative,and meta-narrative.This paper adopts the notions of personal narrative,public narrative,and meta-narrative to analyze specific cases concerning the Chinese-to-English translation on Chinese minority culture publicity,proposes two narrative translation models,namely,the annotation narrative translation model and the manipulative narrative translation model,and explores the concrete translation procedures and the embodied meta-narrative,covering introduction to minority tales,minority festivals,and minority customs.Narrative translation research is part of the multidisciplinary or interdisciplinary turn in the 21st century,and this research is an organic part of cross-cultural communication translatology.

Vocalizing the "Local": Exploring the Cultural Milieu Along Coastal Maharashtra

The return to the study of localized aspects of culture and tradition is unravelling the various layers of a regional cultural milieu in academic study. Following the vein of regional exploration, this paper explores the case of Konkan, along the west coast of India, for the vernacular religious traditions. The mythic hero Parshurama mentioned in the text of Sahyadri Khanda features as a prominent hero along the Konkan coast and numerous places and performative traditions have retained the mythical base of this narrative as a part of local history. Ritual significance of naming certain sites and the connection between temples and other archaeological material sources with a narrative thread form the crux of this discussion on local culture in Konkan. The aspect of orality in the narrative scheme is often overlooked in the study of regional culture, and this exploration makes a case for the interdisciplinary approach of textual sources, ethnographic and oral accounts along with the data pertaining to material culture in such a study. The paper offers an entry point into the examination of religious texts and local performative tradition hinged on narratives of space that have shaped the vernacular culture to this day. This exploration will offer a case-study for an interdisciplinary investigation into local cultures that in turn enrich the knowledge on popular socio-religious currents.

Exploring Image Culture Through Narrative： A Study on Jennifer Egan＇s Twitter Fiction Black Box

Notable for the completeness with which it surrenders formally and artistically to the textual dictates of Twitter, Jennifer Egan＇s 2012 short science fiction Black Box is one of the most triumphant and fully-fledged fictions written in the form of new media. This paper explores the Twitter narrative employed in Black Box, pointing out that the serialized tweeting format of the story released via computer, mobile phone, or other electronic equipments brings readers immediate reading experience, allowing readers to sense the same feelings as the protagonist does. Through the experimental serialization of＂Twitter＂ narrative, Egan expresses her concerns and worries about the security of the American security as well as the whole world in the post-＂9.11＂ period and at the same time she embraces the virtues and pleasures of traditional storytelling delivered through a wholly new digital format. This paper concludes that Black Box is perhaps one of the boldest experiments of narrative form and is direct exploration into the contemporary image culture.

Interpretations on the Rainbow’s Cultural Image From Literary Anthropology

A cultural image is a kind of cultural symbol and cognitive schema,which can make the national wisdom and historical memory get together.From the view of literary anthropology,the article applies quadruple-evidence approaches to interpret cultural images of rainbow multi-dimensionally and systematically in the field of the great tradition.Meanwhile,in order to break through the concealment and misleadingness of ancient documentary records,we need rely on the multi-ethnic living ethnography from generation to generation and jade Huang(玉璜,semi-annular jade pendant)narrative in the form of hierophany.So we can find that the rainbow represents luckiness,a bumper harvest,and sexual intercourse.Moreover,we conclude that faith in rainbow culture in ancient times is the headstream of faith in dragon culture that rooted in the heart of all Chinese.Hence,quadruple-evidence approaches play more significant roles in the reconstruction and rebuilding of Chinese great tradition’s view of culture than before.

COVID-19,“Moral Panic”and Cultural Power in Digital Age

The outbreak of COVID-19 in late 2019 is still spreading all over the world.This sudden epidemic has not only led to a devastating disaster,but also triggered the psychological panic of all mankind.This psychological panic is mainly embodied at ontological level of life morality panic,and its essence is the panic which might end individual’s hope for freedom.However,when ontological thinking of life morality comes to practical level,some digital narratives that pay too much attention to“user experience”will cause panic at the level of moral practice in audience,and then arouse populist feelings hidden in people.The increasingly updated digital technology not only enhances independent expression and communication ability of social individuals,but also leads to a gradually enlarged vicious circle between digital production mechanism and feelings of“moral panic populism”.The rational implementation of cultural power through digital media may appropriately solve this problem.

论“三个务必”的生成逻辑、理论特质与实践指向

在党的二十大报告中,习近平总书记首次提出“三个务必”。“三个务必”的提出既是党领导人民站起来、富起来、强起来的必然趋势,同时也是顺应实现第二个百年奋斗目标新征程的发展趋势。“三个务必”内涵丰富、逻辑严密、彼此呼应,彰显出新时代建设社会主义现代化强国过程中,中国共产党人的奋斗目标、动力源泉、作风修养、精神面貌的集中统一。“三个务必”是中国共产党人牢记初心使命的重要体现,凸显了百年大党对理想信念的执着坚守、慎终如始的忧患意识和永不懈怠的进取精神。“三个务必”孕育于党的百年奋斗征程之中,形成于新时代取得的历史性成就、发生的历史性变革之中,既昭示出中国共产党人勇于自我革命的胆识和魄力,又体现了百年大党常戒常新的优良作风,是新时代新征程中国共产党走好新的赶考之路的重要遵循。“三个务必”映射出百年大党对于执政规律、党的建设规律的深刻认识,对于面向第二个百年奋斗目标新征程上全党统一思想、统一意志、统一行动,在成绩面前保持清醒和坚定,在困难面前敢于斗争、善于斗争,推进中国式现代化行稳致远具有重大的历史意义和现实价值。

列宁关于提升国家对外文化传播效能的重要思想述论

列宁不但是一位伟大的革命家,也是一位卓越的文化宣传家。他在领导俄国社会主义革命和建设中,为回应国外资本主义国家在文化思想领域对俄国十月革命和社会主义建设的污蔑和丑化,把马克思主义文化宣传思想与俄国具体的革命和建设实际相结合,根据自身长年的新闻文化宣传工作经验,提出了一系列具有创见性的关于提升国家对外文化传播效能的重要思想和实践举措。这些思想主要包括:构建共识性文化叙事,扩大对外文化传播的影响力;打造令文化受众认可的传播媒介,提升对外文化传播的公信力;紧盯受众需求开展调查研究,推进对外文化传播的精准化。在列宁逝世百年之际,深入发掘并学习这一思想对于进一步提升新时代我国对外文化传播效能,提升国家文化软实力影响力具有极为重要的实践指导和借鉴意义。

文化视角下的东野圭吾推理小说叙事手法研究

推理小说虽然是理性的,但并不能成为否定其感性意味的理由,因为任何一种叙事都带有文化色彩,在文化色彩的作用下,任何叙事都必然是感性的。东野圭吾凭借着独特的文化叙事手法在一部又一部推理小说中展现“逻辑”的感性一面,让读者在解读案情的同时不由自主地感慨人性。文化叙事手法赋予东野圭吾推理小说以更多的魅力,也让其推理小说具备了较比于传统推理小说而言更多的现实意义。

“第二个结合”视角下人类命运共同体思想探思

党的十八大以来,习近平总书记深入思考“世界怎么了、我们怎么办”这一关乎人类前途命运的重大课题,提出推动构建人类命运共同体的倡议。“人类命运共同体”提出十年来,经历了从理念、到思想、到实践以及不断完善的过程,成为中国特色社会主义的重大理论创新。这一思想涵盖相互区别又相互交叉的四层含义:是新时代中国的对外交往政策;是顺应经济全球化深入发展大势的中国智慧;是解决全球问题的“中国方案”;是世界各国人民前途所在。这一思想是马克思主义革命学说与中华传统“和合”文化、马克思主义追求人类解放的革命精神与“和合”精神相结合的产物,它强调社会主义国家和资本主义国家命运与共,具有重大的政治意义;同时对于马克思主义中国化时代化具有重要的方法论意义。

中国共产党治国理政思想之源探析

中国共产党治国理政思想源于马克思主义理论、中华优秀传统文化、新民主主义革命、世界优秀文明成果。马克思主义奠定了中国共产党治国理政的科学性和真理性、人民性和实践性、开放性和时代性。中华优秀传统文化浸润了中国共产党治国理政的和合思维、天下情怀、责任担当。新民主主义革命炼就了中国共产党治国理政的自强品格、斗争精神、统战本领。世界优秀文明成果拓宽了中国共产党治国理政的世界眼光、思维空间、有效方法。

“生命茶馆”——茶文化与生命叙事融合实践

本研究以民众生命认知现状调研为基础,运用中国茶文化思想融合生命叙事,通过茶叶品鉴、生命故事分享、生命作品阅读和反思性写作等活动对民众进行生命教育。旨在进一步推广有益民众心身健康的茶文化与生命叙事融合实践。