Exploration of the Inheritance and Innovation Carrier of National Culture in the Teaching Model of Art Design Major in Higher Vocational Colleges:Integrating Lijiang Baisha Murals into Higher Vocational Art Design Curriculum System

This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.

Brand New Exploration and Research on Characteristics of the Development of Each Cultural School in the Macro Development of National Culture

According to the overall development trend of the modern social development environment and social cultural atmosphere,it is necessary for the diversified coexistence of the national culture.Therefore,the cultural psychological school,constructivismschool and the universal evolution school have become the fundamental driving force for the development of the national cultures while their inherent development thoughts have also been provided with corresponding featured views.

Research on Development Mode and Strategies of Capitalization of Baise National Culture in China——A Case Study of Napo Black Cloth Zhuang

The paper had illustrated fruitful achievements Baise had gained in these years in terms of capitalization operation and capital increase of national culture,and generally analyzed deficiencies in capitalization of Baise national culture.It emphasized that utilization,integration and development of national cultural resources were not enough in intensity;capitalized degree of national culture was low and national cultural products were simple and low in level.Finally,the new mode was proposed to integrate national cultural resources,activate inner vitality of national cultural capital and renovate capitalization of national culture.

Research on the Transmission Paths of National Culture from the Perspective of the Belt and Road

The Belt and Road initiative has promoted the connotative development and export of Chinese culture.To ensure a good international display and going globally of Chinese culture,we could follow such paths as excavating the rich elements of traditional Chinese culture,shaping the fine works,creating culture brands with Chinese characteristics,developing new culture brands,opening up the cultural market,strengthening cultural dialogue,innovating cultural transmission paths by gathering the cultural forces at home and abroad,and enhancing the appeal of national culture so as to increase the closeness and recognition of people along the route.

Chinese Contemporary Art Design from the Perspective of National Culture

The progress of social economy drives the progress of humanity art. Due to historical condition reason, the pace of art design development in China is late. Since the reform and opening up, the art design obtains a long-term development in China. In order to adapt to the trend of world economy integration, all aspects of art design fields in China are learning from the foreign countries, however, it is hard to have a breakthrough creation in itself, and it lacks of domestic art design ＂localization＂ , which can not fully reflect the national culture and national elements. At the same time, the self-innovation power is weak, and the creation ability is insufficient, which also restricts the independent development of art design field to a higher level in China. The art design, as a comprehensive subject, is affected by many factors of society, science and technology and market for its own improvement. This paper mainly discusses from national culture level for art design, thinking that if the art design in China wants to develop higher, it needs to be based on the national culture and profound cultural base, constructing the art design products with Chinese national styles.

Application of Guizhou National Culture in Gardening Landscape in China——A Case Study of Landscape Design of Xiaohe Aerospace Park in China

Guizhou is a settlement of minorities and its colorful national cultures can provide materials for creation of characteristic landscape.Through the analysis of landscape design scheme of Xiaohe Aerospace Park,the paper has discussed the absorption of Guizhou national culture and its application in gardening landscape.With plants landscaping as the dominance,based on the actual situation of the site,bronze drum as a featured instrument of Buyi Nationality has been selected as the design factor,and plants landscaping has been conducted according to the shapes of symbols of twelve drum spectrums.Then,the pavement with the pattern of minority girls has been designed and made of green materials,forming the landscape effect of minority girls dancing on bronze drum.It shows that absorbing characteristic factors of Guizhou national culture and applying them in gardening landscape can improve the cultural connotation of landscape and help to inherit Guizhou national culture.

On the national culture used in the art of animation

Animation and comics are collectively known as ＂Anime ＂, it set video, audio, printing, advertising, clothing, toys, stationery, network, electronic, and many other arts and entertainment industry together in one, and plays a more important role in today＇ s increasingly rapid economic and social development. Ours is a country of many ethnic minorities, ethnic culture has a long history, and is erudite and colorful. If our animation art want to be niche in the world art of the forest, it is necessary to strengthen the national culture used in the creation. Animation art is inexhaustible creative theme of national culture. Once the elements of Chinese culture organically integrate into the anime, animation art will be able to make shine, so creating animation master piece with a unique and distinctive artistic style, and exuding boundless artistic charm. Obviously, Chinese national culture is inseparable elements of the creation of animation art. However, in recent years, it is rarely seen the use of traditional Chinese culture in China＇ s animation work. How Chinese elements go into anime and raising the standard of Chinese animation will work, and making our cotmtry the powerhouse into the world of animation as soon as possible, has very important significance. In this paper, we will explore the current status of Chinese animation, problems and how to apply Chinese elements and other relevant issues and propose a solution.

The Interrelationship between Culture and Capital Structure:Evidence from International Retailers

The present study investigates the influence of cultural factors in 2022 on the capital structure of global retailers.There are sixteen retailers from eight countries in the sample.In recent times,numerous academicians have taken an interest in examining the capital structure and business model of retailers,owing to their swift and consistent growth.However,the fact that the majority of research originates from the retailers’host country gives rise to debate regarding the applicability of the capital structure of said retailers to countries with distinct cultural environments.Consequently,academics have begun to investigate whether the capital structure of multinational retailers is impacted by the diversity of national cultures.

Multidimensional Interpretation of National Spirit and Literary Education:Cultural and Educational Value of Color Symbols in Tolstoy’s Works

This article analyzes the symbolic colors red,white,and blue in Lev Tolstoy’s works,exploring their interrelation and educational significance in reflecting the Russian national spirit.The article first reviews the symbolic significance of red,white,and blue in Russian history,and then analyzes in depth the multiple connotations of colors in Tolstoy’s classic works Anna Karenina,War and Peace,and Resurrection.Through the combination of color symbols with characters’destinies,inner conflict,and historical background,this paper explores how Tolstoy’s literary works reflect the historical changes and national spirit of Russia,especially the important value in education and cultural inheritance,providing a new perspective for the study of literary education and emphasizing the educational role of color symbols in literary works in shaping national spirit and cultural identity.

Research on Community Cultural Characteristic of She Nationality in East Fujian Province and Its Response to Geological Space

With the concept that culture was the product of certain natural environment and social condition, as there were less researches on response of community culture of She Nationality to geological space and on influence of geological space on She community culture, the study took community culture of She Nationality in East Fujian as the research subject, and analyzed distribution of She Nationality. By taking relevant documents on She Nationality of East Fujian Province for reference, through analysis of characteristic culture and geopolitical background of She community, it was considered that characteristic culture lied in united and friendly community culture, rough and practical sports culture, ancient medicine culture, food culture of mountainous feature and architectural culture. Furthermore, it analyzed response of She community culture to geological space from the perspectives of regional space, geological environment and climate; and pointed out the far-reaching influence of geological space on She community culture.

American Multinational Media and the Expansion of American Mass Culture

With the development of globalization and gradual intensification of mutual dependence of the world, "hard power" which includes economic and military strength is no longer the primary consideration for many countries. They tend to pay more attention to the attractiveness of their "soft power",which includes values,life style , ideology and so forth. Just as Joseph S. Ny , the famous professor of Harvard who puts forward the concept of soft power, says ,"only by widespread communication and diffusion can a country reinforces its soft power". This is mass media's function. Since the 1990s, tens of thousands cultural products brought in from America are exported to foreign countries, including popular music, films ,TV programs, magazines, books and so forth. By making advantage of its monopoly position in media circle, the United States pursues cultural hegemonism and expands its popular culture all over the world. This thesis takes a general view of the great advantages of America multi-national media groups and how they push forward the American popular culture all over the world.

Analysis of structural characteristics and spatial distribution of the national intangible cultural heritage in China and its policy implications

Based on an investigation of four published batches listing 3, 140 national intangible cultural heritage(ICH) projects in China and using GIS and some quantitative analysis methods, the spatial structure was investigated and the characteristics and distribution discussed. The distribution of ICHs in China is agglomerative and spatially dependent. From the view of ICH type, each type is distributed in different places, for different reasons, with history being the most important one we found. Nationwide, high-density cores are located in the Beijing-Tianjin-Hebei region and the Yangtze River Delta region. High densities of ICH are concentrated in flat, water-rich regions where broad-leaved forests dominate plains and low mountain areas-areas that have fertile soil, pleasant weather, a long history of culture, ethnic agglomeration, and development. This paper suggests that development of the ICH should be based on discovering unknown items, to break the existing pattern of strong cohesion and high density, and to seek a balanced development of the whole.

Cultural Confidence as a National Strategy: Significance and Construction

In the context of globalization, Western values keep expanding across the globe, maintaining their dominance. Domestically, the development of Chinese culture lags behind its economic growth. Globally, China has yet to develop a significant power of speech. Also, China's overseas image is not in line with its real strength. The introduction of cultural confidence, therefore, is a must move to tackle China's dilemma of international cultural communications and also an emergency measure to address a crisis of domestic cultural anxiety and identity. Cultural cognition, cultural communications, and cultural development are prerequisites for building and boosting cultural confidence. For the construction of cultural confidence, key actions include confronting the crisis of faith, conducting a self-examination of our culture, enhancing mainstream values, improving the compatible mechanisms, integrating traditional culture, and properly approaching Western culture.

Probing into the Sino-American Cross-National Marriage Failures:An Intercultural Perspective

With China’s opening to the outside world, Chinese people’s attitude toward marriage has been undergoing great changes. Cross National marriages(CNMs) emerge as a result of economic development, social progress, cultural exchanges and freedom of marriage. However, according to statistics, CNMs are not always successful and satisfactory as they look: the divorce rate is reported to be on the increase. The paper studies several Sino American CNM cases which ended in failure from an intercultural perspective, and on that bases it points out that it is not cultural differences but people’s attitudes toward cultural differences that lead to the breakdown of the CNMs. In this paper, ethnocentrism is specially discussed as a major barrier to successful intercultural communication. And suggestions such as developing empathy, learning about cultural adaptation are offered to improve the quality of the CNMs and the competence of intercultural communication.

Operationalizing Cultural Autonomy in International Law as a Form of Effective Participation in Decision-Making

According to most commentators,cultural autonomy is not a right recognized by positive international law.This article argues that the core elements of cultural autonomy can be derived from the right to effective participation guaranteed by Article 15 of the Framework Convention on the Protection of National Minorities(FCNM).The existing standards developed by the Advisory Committee on the Framework Convention are rather vague,and fail to regulate several issues important for effective participation.This is not determined by the wording of the Convention,but by the Committee’s choice to provide states with a very wide margin of appreciation.To fill in the gaps in the Committee’s jurisprudence,the article examines the case study of a recently adopted law on support for minority cultures in Slovakia.By using a qualitative-substantive approach,it specifies the content of cultural autonomy by defining its purpose,as well as the conditions under which it can be achieved.Applying the Committee’s general criteria to the specific problems raised by the Slovak law,the article establishes the core positive law requirements vis-à-vis the right to cultural autonomy.In closing,the article argues that the Committee should adopt detailed standards,similar to those proposed in the text,in order to enforce the right to effective participation in practice.Operationalizing effective participation leads in substance to the enforcement of the right to cultural autonomy,which is a developed form of the former.

2019 National Intangible Cultural Heritage Quyi Week Held in Jinan

With the recommendation of various provinces and selection of experts, 131 quyi categories from across the country were presented for the Quyi Week, of which 60 were at national-level and 34 were at provincial-level. Inheritors of intangible cultural heritage all over the country demonstrated the excellent programs with rich local features and profound cultural connotations by stage performances in theaters and residential areas, which comprehensively represented our country s achievements in the preservation of intangible cultural heritage of Quyi in recent years.