Since the founding of the New China in 1949,with the gradual development of the history and the constant change of the realistic situation,China's national ideology has also undergone profound changes.As an import...Since the founding of the New China in 1949,with the gradual development of the history and the constant change of the realistic situation,China's national ideology has also undergone profound changes.As an important type of film,meteorological film plays an important role in the history of Chinese film.From the founding of New China to the end of 1970 s,Chinese meteorological films showed a strong atmosphere of class struggle and political propaganda style in ideology.From the beginning of 1980 s to the end of 1990 s,Chinese meteorological films showed new ideas in ideology and the characteristics of coexistence and spread of new viewpoints.Since the 21 stcentury,Chinese meteorological films have integrated into globalization ideologically and stuck nationalization.展开更多
With the development of the economy,film and television education has gradually received more and more attention.With the rapid development of new media technologies,there are still some problems in film and televisio...With the development of the economy,film and television education has gradually received more and more attention.With the rapid development of new media technologies,there are still some problems in film and television education in the new media environment.This paper mainly analyzes the problems faced by film and television education in the new media environment,and the development direction of film and television education in the new media era,and explores the forms of film and television education and film industry integration.展开更多
A new kind of amphiphilic copolymer was synthesized with azo bond functional side chains, and elementary studies about formation of I,B film, UV-visible spectra and photoelectrical properties of multilayers of this ki...A new kind of amphiphilic copolymer was synthesized with azo bond functional side chains, and elementary studies about formation of I,B film, UV-visible spectra and photoelectrical properties of multilayers of this kind of amphiphilic copolymer were reported.展开更多
The optical reflectance and transmittance spectra in the wavelength range of 300-2500 nm are used to compute the absorption coefficient of zinc oxide films annealed at different post-annealing temperatures 400, 500 an...The optical reflectance and transmittance spectra in the wavelength range of 300-2500 nm are used to compute the absorption coefficient of zinc oxide films annealed at different post-annealing temperatures 400, 500 and 600°C.The values of the cross point between the curves of the real and imaginary parts of the optical conductivity ɑ_1 and ɑ_1 with energy axis of films exhibit values that correspond to optical gaps and are about 3.25-3.3 eV. The maxima of peaks in plots dR/dλ and dT/dλ versus wavelength of films exhibit optical gaps at about 3.12-3.25 eV.The values of the fundamental indirect band gap obtained from the Tauc model are at about 3.14-3.2 eV. It can be seen that films annealed at 600°C have the minimum indirect optical band gap at about 3.15 eV. The films annealed at 600°C have Urbach＇s energy minimum of 1.38 eV and hence have minimum disorder. The dispersion energy d of films annealed at 500°C has the minimum value of 43 eV.展开更多
After the release of"Shock Wave 2,"the box office far surpassed the first film"Shock Wave 1."In addition to improving the quality of the narrative content,it is more important to promote the film i...After the release of"Shock Wave 2,"the box office far surpassed the first film"Shock Wave 1."In addition to improving the quality of the narrative content,it is more important to promote the film in the context of new media.Many new breakthroughs have been made.The film combined the advantages of new media in its propaganda orientation and has achieved a better propaganda effect than the traditional propaganda.Therefore,investigating the use of new media in"Shock Wave 2"and in finding places that can be used for reference based on successful experiences,they will have certain enlightenment for further successfill dissemination of Hong Kong police films and even Chinese films in the future.展开更多
As the lingerie’s top trend spotter,Ms Jos Berry directs an international team of designers based in Paris-Concepts Paris-and provides the latest trends for worldwide lingerie professionals. This Paris consultancy co...As the lingerie’s top trend spotter,Ms Jos Berry directs an international team of designers based in Paris-Concepts Paris-and provides the latest trends for worldwide lingerie professionals. This Paris consultancy company is devoted to a unique mix of services,such as trend book,online trend & news updates,color cards and design projects.展开更多
The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and i...The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and it stars Jean-Pierre Lēaud as a car-obsessed young man trying to get possession of a Porsche for a race. The film won the Golden Bear at the 17th Berlin International Film Festival and was also selected as the Belgian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee. Secondly, I analyze the reasons of misunderstanding the idea of the director in the film when it was shown in the the public. Thirdly, ＂entering＂ this movie in context of art： poetry, painting etc. Then to answer the question （hypothesis）： ＂Is the Polish Film New Wave a phenomenon that did not exist？＂ The methodology used for the paper is analysis and interpretation of the film itself; analysis of its reception in the 60s and now： poetics of receipt, cognitivism, comparative research.展开更多
基金Supported by Doctoral Research Start-up Fund Project of Pingdingshan University in 2017(PXY-BSQD-2018025)
文摘Since the founding of the New China in 1949,with the gradual development of the history and the constant change of the realistic situation,China's national ideology has also undergone profound changes.As an important type of film,meteorological film plays an important role in the history of Chinese film.From the founding of New China to the end of 1970 s,Chinese meteorological films showed a strong atmosphere of class struggle and political propaganda style in ideology.From the beginning of 1980 s to the end of 1990 s,Chinese meteorological films showed new ideas in ideology and the characteristics of coexistence and spread of new viewpoints.Since the 21 stcentury,Chinese meteorological films have integrated into globalization ideologically and stuck nationalization.
文摘With the development of the economy,film and television education has gradually received more and more attention.With the rapid development of new media technologies,there are still some problems in film and television education in the new media environment.This paper mainly analyzes the problems faced by film and television education in the new media environment,and the development direction of film and television education in the new media era,and explores the forms of film and television education and film industry integration.
基金The project is supported by the Key Laboratory of Molecular Spectroscopy and Structure, National Education Commission of China
文摘A new kind of amphiphilic copolymer was synthesized with azo bond functional side chains, and elementary studies about formation of I,B film, UV-visible spectra and photoelectrical properties of multilayers of this kind of amphiphilic copolymer were reported.
文摘The optical reflectance and transmittance spectra in the wavelength range of 300-2500 nm are used to compute the absorption coefficient of zinc oxide films annealed at different post-annealing temperatures 400, 500 and 600°C.The values of the cross point between the curves of the real and imaginary parts of the optical conductivity ɑ_1 and ɑ_1 with energy axis of films exhibit values that correspond to optical gaps and are about 3.25-3.3 eV. The maxima of peaks in plots dR/dλ and dT/dλ versus wavelength of films exhibit optical gaps at about 3.12-3.25 eV.The values of the fundamental indirect band gap obtained from the Tauc model are at about 3.14-3.2 eV. It can be seen that films annealed at 600°C have the minimum indirect optical band gap at about 3.15 eV. The films annealed at 600°C have Urbach＇s energy minimum of 1.38 eV and hence have minimum disorder. The dispersion energy d of films annealed at 500°C has the minimum value of 43 eV.
基金projectu“Analysis of the Dissemination Mode of Hong Kong Films in the Context of Media Convergence”(No.:CYYJS201919).
文摘After the release of"Shock Wave 2,"the box office far surpassed the first film"Shock Wave 1."In addition to improving the quality of the narrative content,it is more important to promote the film in the context of new media.Many new breakthroughs have been made.The film combined the advantages of new media in its propaganda orientation and has achieved a better propaganda effect than the traditional propaganda.Therefore,investigating the use of new media in"Shock Wave 2"and in finding places that can be used for reference based on successful experiences,they will have certain enlightenment for further successfill dissemination of Hong Kong police films and even Chinese films in the future.
文摘As the lingerie’s top trend spotter,Ms Jos Berry directs an international team of designers based in Paris-Concepts Paris-and provides the latest trends for worldwide lingerie professionals. This Paris consultancy company is devoted to a unique mix of services,such as trend book,online trend & news updates,color cards and design projects.
文摘The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and it stars Jean-Pierre Lēaud as a car-obsessed young man trying to get possession of a Porsche for a race. The film won the Golden Bear at the 17th Berlin International Film Festival and was also selected as the Belgian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee. Secondly, I analyze the reasons of misunderstanding the idea of the director in the film when it was shown in the the public. Thirdly, ＂entering＂ this movie in context of art： poetry, painting etc. Then to answer the question （hypothesis）： ＂Is the Polish Film New Wave a phenomenon that did not exist？＂ The methodology used for the paper is analysis and interpretation of the film itself; analysis of its reception in the 60s and now： poetics of receipt, cognitivism, comparative research.
