Cement Resources, Agrominerals, Construction, Marble, Dimension and Decor Stone Resources, Gemstone and Jewelry Resources of Pakistan

Large deposits of cement raw material and resources like limestone, gypsum and shales/clays found from the Koh Sulaiman area of South Punjab (Saraikistan) and Balochistan Provinces, Pakistan. The installation of cement industries especially in South Punjab/Saraikistan Province due to close occurrences of resources should develop the area and increase the export. The Koh Sulaiman regions of South Punjab (Saraikistan) have huge gypsum deposits which deserve for further exploitation. Pakistan is agricultural country and fertility of cultivated lands is vital. Fertilizer resources like phosphate deposits are moderate but the deposits of phosphate and potash bearing rocks are very vast and need their further explorations and exploitation in the Indus Basin. Pakistan has very large construction, dimension and decor stone deposits like limestone, marble, dolomite and igneous rocks like granite, dolerite, serpentine, etc. which needs further exploitation for the development of the areas and increase export. Pakistan is spending a lot of earnings for importing glass, glass wares, pottery, clay, etc. while Pakistan has these resources which needs exploitation of own resources. The best structures and geotectonic elements like the Northern and Western Indus Sutures and Karakoram Suture and Indus placers which are rich in gemstones and jewelry resources. To increase gems and jewelry export, these industries requires reduction in gemstones smuggling and encouragement for gem appraisal and jewelry industry at high level for value addition. In short, Pakistan is rich in natural resources but poor in development. Try should be made to develop and export the own mineral commodities like cement, gypsum, marble, gemstones and jewelry.

Exclusive Jewelry Joits

There are shown the wide possibilities of combined micro plasma welding methods. They permit, for example, to do the local surfacing without essential deformations of rather thin jewelry elements, including a big growth a rise or layer of metal which exceeds it thickness in 2~8 times at the space with the approximately the same sizes. Such opportunities are based on the various possibilities of the joint producing-with different participation of metal parts and filler material. It may be added as a standard paste, wire, strip, etc. An operator can easy choose-where it is reasonable to apply only welding or brazing process as well as their combinations-due to his qualification, the concrete jewelry good design, needed accuracy of the given joint adjustment and, of course, the operators fantasy. At the same time he has excellentchances to repair the spoiled jewelry good or its element. All these processes are very easy for realization and theymay be even made by beginners and not only in jewelry, but also forrepairing of copper tubes, brass heat exchangers, various bronze goods, in dental purposes.

Nano-Microplate Gold Clay for Handcraft Jewelry and Decoration

Gold clay is a crafting medium consisting of gold particles mixed with an organic binder and water for making jewelry or decoration.The clay can be shaped by hand,textured,carved,formed or using molds.After drying and burning,the organic binder and water were decomposed and the gold particles were transformed to its final metal state.Although,gold clay is very expensive,it is useful to decorate the silver clay designed jewelry or small sculptures.In this research,nano-microplate gold and specific organic binder was used for producing nano-microplate gold clay.The objectives of this research are to study binder's type and ratios for optimum producing gold clay,and to study the heating condition for making silver and gold clay jewelry.The result showed that the clay can be fired with heating temperature at 900°C for an hour by electric kiln.The physical properties of the gold clay at different heating temperatures were determined.Furthermore,prototype of jewelry using the clay was

Jewelry and Precious Stones from China

Jewelry and precious stones on the world market have an annual transaction volume of over US $ 100 billion. Since 1985, they have enjoyed a large growth in exports from China. In 1990, the export volume was US $ 157 million, in 1991——US $ 250 million, in 1992——US $ 250 million, in 1993——US $ 670 million and in 1994——US $

The Treasure： Women, Halakha1 and Jewelry in Medieval Northern France and Germany2

The Colmar treasure display in Cluny Museum in Paris was missing with one of its most important items, a key, made of silver. This key was rediscovered in June 2014. This paper describes its rediscover and the reason of its importance. Based on medieval Jewish sources, it appears to be a unique key-jewel, a key that was exclusively designed and worn by Jewish women on Shabbat （Saturday）. By that women changed the Jewish rule, to date. The Colmar key is the only tangible sample of a key converted into Shabbat jewelry piece; the story of the key also reveals the special relations between Jewish women and Jewish sages and between Jewish women and Christian women in medieval northern France and Germany.

Yangrou Hutong:Beijing’s Low-Key Jewelry District

YANGROU Hutong is 600 years old.Located in the Xisi area of Beijing’s Xicheng District,the area was originally a trading market for cattle,which usually ended up in the imperial kitchen.But with the name Yangrou(meaning mutton),butchers and mutton stores replaced the cattle traders starting in the Ming Dynasty (1368-1644).In those days,cries of sellers and the pungent smell of mutton overwhelmed every passerby. But today,those smells and sounds are

新中式品牌首饰设计策略研究

基于前期调研,在确定了首饰风格构成要素和设计特征的基础上,选择12个案例,运用实证分析之多元回归法,进行了首饰风格构成要素与新中式品牌首饰设计的相关性分析;首饰风格设计特征与新中式品牌首饰设计相关性分析;新中式品牌首饰风格构成要素对首饰风格设计特征影响分析。结果表明,新中式品牌首饰包括了视觉层要素、技术层要素、功能层要素、精神层要素四大风格构成要素与形式表现、款式呈现、审美情趣、互动体验、佩戴场合、控制成本六大设计特征。风格构成各要素均与设计特征呈正相关影响关系,不同风格构成要素对设计特征的影响存在差异。最后,将首饰风格构成要素、设计特征相结合,为新中式品牌首饰设计提供了理论依据及设计策略。

唐代美学下的首饰探究

唐代美学以其包容开放、多元广博,气势恢宏、自由奔放泽被后世。唐文化博大包容,其以正统儒学思想为核心,融合了儒释佛文化,将魏晋时期传入我国的佛学文化融入大唐生活,在艺术形式上表现出复杂和开放、豪放与婉约、尚法与尚意、空灵与充实等美学特点交融并存。唐代美学下的大唐首饰则雍容华美、端庄大气、精美灵动,无论是其外部视觉特征的华美多元、表面纹饰的深厚寓意,还是材料的纷繁多呈等方面都蕴含着大国风范。本文聚焦唐代美学基础上的首饰类别与特征,探讨唐代首饰文化的可持续性传承设计问题。

从山海经到皮影--AI生成式首饰设计再探

工业4.0时代,产品设计、制造业向智能化转型,艺术设计方法论由此需要多维度探索。期望通过AI的深度介入,探讨生成式人工智能对于以传统文化为背景,具有现代审美旨趣的文创设计的作用。以首饰设计为例,通过深入的问卷调查,分析现代人对具有传统文化内涵的文创产品的喜好,详细解读皮影文化元素、山海经文化要素在首饰设计中的可借鉴性。应用AI生成技术,深入探讨文化与创意的融合方法,与AI算法共创生成首饰设计方案,并增加AR虚拟互动功能以丰富用户体验,不仅为非物质文化遗产的创新与发展提供了新视角,同时也为数字时代的文化产品设计方法提供了路径探索和新方向的思考。

浅析民国首饰设计中的时代性与时尚性

民国受西方影响颇深,又经历了自我思想革命,因而该时期首饰多元,是传统向现代转型的重要里程碑。文章以民国首饰为研究对象,探究民国首饰设计中的时代性与时尚性、分析两者之间的关联与差异。该时期首饰设计肩负时代责任,着眼本土文化,以兼容并蓄的态度将中西风格融合创新,为现代首饰设计提供发展新思路。

湘西苗族银饰数字化创新设计与开发研究

通过提取湘西苗族银质耳饰及现代银质耳饰的文化元素,对苗族银饰进行数字化创新设计,建立一套现代少数民族新美学体系,并开发相应的数字化商业运营策略,以期用现代的语言和设计手法传承悠久的文化,促进苗族传统文化的保护与发展。

从榺花到华勝:首饰“胜”的工具起源考

华胜作为汉晋时期流行的首饰,是古代服饰文化的重要组成部分。本文以榺花与华胜的名物对应关系为据,结合两汉礼俗文化,论证了华胜起源于织机构件榺花,并基于西王母神话东传的文化背景,将华胜的成型时间推至两汉之际。在华胜的象征意义上,本文认为起源于榺花的华胜影响了西王母早期形象的塑造,两汉纺织技术的革新促进了西王母戴胜、持纴形象的变迁。

基于加速萃取的仿真饰品中镍释放量快速预报方法

针对饰品中镍释放量标准方法测试周期长等问题,对标准方法中迁移温度、迁移时间、模拟汗液酸度、迁移液体积等关键迁移条件,以及不同迁移温度和时间下镍释放规律进行研究,提出了基于加速萃取的适用于不同基质仿真饰品中镍释放量测定的快速预报方法。采用面积为2.7 cm2的仿真饰品样品,悬挂于测试容器中,按样品测试面积(cm2)和模拟汗液体积(mL)比约1∶1加入2.7 mL模拟汗液,完全浸没样品,密封后于50℃静置31 h。加入1 mL 5%(体积分数)硝酸溶液,用模拟汗液定容至5 mL,采用电感耦合等离子体原子发射光谱法进行测定。结果显示:迁移温度相较其他迁移条件对镍释放量影响大,于30,40,50℃迁移24,48,72,168,240 h时50℃下镍释放量和相对镍释放率(上述方法和标准EN1811:2015镍释放量的比值)均较大;50℃下相对镍释放率与迁移时间的回归模型为幂函数,100%相对镍释放率下迁移时间为31 h,远低于标准EN1811:2015所用的168 h。方法应用于铜合金、镍合金、不锈钢和铜锌合金样品(仿真饰品)的分析,所得结果和EN1811:2015的一致,测定值的相对标准偏差(n=5)小于6.0%。

隋代莫高窟壁画菩萨像璎珞造型在首饰设计中的应用

随着全球一体化的推进,首饰设计产业面临着国际竞争,具有民族特色的设计是保持竞争力的关键因素之一。敦煌莫高窟壁画菩萨像璎珞融合了外来宗教文化与中国本土文化,从隋代开始出现了与前代差异明显的新风格,极富创造性,对现代首饰设计具有重要的借鉴意义。本文以隋代莫高窟壁画菩萨像璎珞造型为基础设计制作了《鸣沙踏歌》首饰,提取了隋代407窟和420窟中的壁画菩萨像璎珞,采用短璎珞、中璎珞和“U形+延长链+八字形”长璎珞相结合的造型;采用380窟三兔共耳藻井中的蓝、绿、红配色,利用铜、玛瑙、蝶贝、天河石等材料,设计出具有表现隋代莫高窟壁画菩萨像璎珞造型美感的现代首饰。将莫高窟壁画菩萨像璎珞的造型和色彩应用在现代首饰设计中,顺应了首饰设计民族化和时代发展潮流,是对莫高窟艺术传播与保护的新方式。

中国设计师原创婚礼首饰品牌--以梵誓为例

中国正处于消费快速升级的阶段,新一代消费者更注重审美、个性与情感需求的表达。婚礼首饰市场长期存在设计同质化、品牌文化内涵薄弱和缺乏创新等问题,使消费需求无法被完全满足,从而形成了市场空缺。如今,设计师原创品牌的出现正在尝试解决这些问题,并随着消费者对其关注度的提升对行业未来有着重要影响。基于此,本文首先介绍了中国婚礼首饰的历史与现状,指出了新一代消费者的消费特征,阐述了在当前的消费背景下设计师原创品牌存在的必要性与优势;其次,以梵誓为例,分析了从消费对象的选择、产品体系的构建、品牌文化建设到销售与服务这一系列的品牌行为,最后得出了设计师原创婚礼首饰品牌建立并发展所需的条件,分别是小而精的品牌定位、极具辨识度的产品体系、生动细腻的品牌文化以及高附加值的的客户服务,并从这些方面为创业者们提供了合理的建议。

对近十年广西珠宝产业发展状况的考察及思考

广西本土宝玉石资源丰富,珠宝产业在我国起步较早,但发展至今,广西珠宝产业在全国市场上的占有量及影响力均不高,很多依靠本土优势资源形成的产业基地没有获得可持续发展;近年来,东盟、特别是越南市场的强势崛起,为广西珠宝产业发展带来新机遇的同时,也带来了巨大压力。本文在充分调研近十年广西珠宝产业发展状况的基础上,对广西珠宝产业发展的基础及问题进行了系统的分析,认为广西珠宝产业在区域经济地理环境、宝玉石资源、人才培育、旅游资源等方面,虽然仍然存在一定的优势,但在产业集聚推动及发展规划、外向型区域及企业品牌建设、设计加工产业支撑、开拓型专业人才数量、结构以及市场管理规范等方面均存在明显的短板,如何才能在与东盟市场的区域竞合中获得生存发展空间及竞争优势,笔者认为如下几个问题值得深思:(1)如何才能进一步解放思想,针对区域发展的竞争态势提出创新性的产业发展规划;(2)如何依托国家大力拓展东盟市场的机遇,用活用足国家给广西的优惠政策,把握好区域市场开发主动权;(3)如何进一步加大与大湾区相关产业的产业集聚发展的互动及衔接,依靠集聚发展形成规模效应,扬长补短,构建新的现代珠宝产业发展模式。

哈尼族婚嫁文化在现代首饰设计中的美学运用研究

哈尼族婚嫁文化是中国民族文化的重要组成部分,蕴含了极其丰富的美学元素和深厚的历史文化内涵。本研究的目的是探讨哈尼族婚俗文化在现代首饰设计中的美学运用,分析其色彩、图案、材质和功能,并明确这些美学元素在现代首饰设计中的传承与创新。通过将哈尼族婚嫁文化与现代首饰设计的美学原则相结合进行深入的研究,创造出既具有民族特色又符合当代审美潮流的首饰设计作品,并对如何更好地将哈尼族婚嫁文化融入现代首饰设计中提出了未来研究方向的建议。研究结果表明,哈尼族婚礼文化的融入不仅能够为首饰设计增添一抹浓厚的文化底色,而且对于推动民族文化活态传承与创新发展具有不容小觑的战略价值。