By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan origin...By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan original animation through combining several important problems of animation innovation as a starting point.展开更多
COLORED drawings adorning traditional wooden structures in China are a decorative necessity.This artistic form is unique and distinct,representing some of the best oriental design.A richly ornamented building is often...COLORED drawings adorning traditional wooden structures in China are a decorative necessity.This artistic form is unique and distinct,representing some of the best oriental design.A richly ornamented building is often admired for its carved beams and painted rafters.Exquisite paintings draw the visitor’s eye away from the entire construction to the detailed decorations,展开更多
In China,there is no shortage of painters with solid essential skills.Almost all the professionals have the ability in that aspect.There are also many who have personal style and are free from vulgarity.
The first time when I received the pictures from Shen Yao,Director of the Art Publishing Department,I was participating in a bridge competition in Shanghai.Maybe because I was absentminded about it at that time,
This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the in...This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.展开更多
Xiaonan Garden is the back garden at the Weng family＇s former residence, a famed mansion in Jiangnan. Various architectural colored paintings in the Jiangnan style, including a rare paster colored painting, are prese...Xiaonan Garden is the back garden at the Weng family＇s former residence, a famed mansion in Jiangnan. Various architectural colored paintings in the Jiangnan style, including a rare paster colored painting, are preserved in the garden. This study examines the wooden support, pigments, and structure of the painting and conducts a series of conservation experiments in situ and in the laboratory. Several conservation problems, such as the manually brushed lime, re-adherence of flaking painting layers, and consolidation of gold foil, were solved, and good results were obtained. Virtual recovery provided a solid foundation for protection and example of research on architectural colored paintings in Jiangnan.展开更多
A couple stand out in the midst of dancing senior citizens in Beijing’s Purple Bamboo Park on January 24At the break of dawn on a crisp cold January morning,seniors sauntered into the Purple Bamboo Park in Beijing’s...A couple stand out in the midst of dancing senior citizens in Beijing’s Purple Bamboo Park on January 24At the break of dawn on a crisp cold January morning,seniors sauntered into the Purple Bamboo Park in Beijing’s Haidian District.展开更多
文摘By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan original animation through combining several important problems of animation innovation as a starting point.
文摘COLORED drawings adorning traditional wooden structures in China are a decorative necessity.This artistic form is unique and distinct,representing some of the best oriental design.A richly ornamented building is often admired for its carved beams and painted rafters.Exquisite paintings draw the visitor’s eye away from the entire construction to the detailed decorations,
文摘In China,there is no shortage of painters with solid essential skills.Almost all the professionals have the ability in that aspect.There are also many who have personal style and are free from vulgarity.
文摘The first time when I received the pictures from Shen Yao,Director of the Art Publishing Department,I was participating in a bridge competition in Shanghai.Maybe because I was absentminded about it at that time,
文摘This paper analyzes Park Saengkwang(1904-1985)’s artwork,created in the 1980s and influenced by Musok,Korean Shamanism.It explores Musok’s thematic significance in the development of his distinctive style and the inspiration behind his stylistic changes.Park’s ink paintings are done in bold and intense colors and create an intriguing,mysterious mood,inviting the viewers to the primordial visual experience and exposing its viewers to Korean Shamanism,which has endured the perception that fluctuated between positive and negative throughout Korean history.The practice became a fitting cultural emblem associated with the national identity during the 1970s and 1980s,and thus became a way for Park to explicitly articulate his cultural roots,creating a visual connotation of“Korean.”His art,portraying gut,Korean shamanistic communal rituals,could be conceived as a pictorial rendering of the idea of kibok,praying for good fortune,and served as a pujŏk,talisman paper,that possesses magical healing and protecting power.By striving to overcome the stylistic conflicts between Korean and Japanese,or traditional and Western,Park’s art accomplished the visual rhetoric of national aesthetic sensitivity that built on the communal thoughts and cultural experience of shamanism in the modern history of Korea.
文摘Xiaonan Garden is the back garden at the Weng family＇s former residence, a famed mansion in Jiangnan. Various architectural colored paintings in the Jiangnan style, including a rare paster colored painting, are preserved in the garden. This study examines the wooden support, pigments, and structure of the painting and conducts a series of conservation experiments in situ and in the laboratory. Several conservation problems, such as the manually brushed lime, re-adherence of flaking painting layers, and consolidation of gold foil, were solved, and good results were obtained. Virtual recovery provided a solid foundation for protection and example of research on architectural colored paintings in Jiangnan.
文摘A couple stand out in the midst of dancing senior citizens in Beijing’s Purple Bamboo Park on January 24At the break of dawn on a crisp cold January morning,seniors sauntered into the Purple Bamboo Park in Beijing’s Haidian District.
