Developed by Anna-Teresa Tymieniecka,phenomenology of life focuses on the thesis of“ontopoiesis”that unfolds an insightful vision upon the human positioning within the great plan of life.The complex and dynamic onto...Developed by Anna-Teresa Tymieniecka,phenomenology of life focuses on the thesis of“ontopoiesis”that unfolds an insightful vision upon the human positioning within the great plan of life.The complex and dynamic ontopoietic view enlightens the creative human condition to be understood in terms of metaphysics,ontology,epistemology,anthropology,cosmology,aesthetics,as well as ethics and environmental philosophy.Among many original thematisations,we find an idea of utmost importance for the ethical conduct of man/woman,namely,to be“Custodian of everything-there-is-alive”.It designates a peculiar status of human being within the web of life in its wholeness,which challenges us to deeply reflect,to value and structure our attitudes,deeds,and behaviours activating their moral potential in our relationship with the natural environment.The purpose of this paper is to emphasize some coordinates of Tymienieckan phenomenology in the horizon of environmental ethics,disclosing the significance of the unique situation man/woman has to be aware of,to assume and continuously manifest as the responsible moral agent concerned with a constructive,fulfilling,ordering in flux experience of life,within the unity and differentiation of human-nature harmony.展开更多
Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,ph...Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,phenomenology provides efficient opportunities for questioning and appropriating the meaning of musical works in their complexity,depth,and dynamics.Although music is considered to be the universal language to most people,this art form(of sounds organized in melody,harmony,rhythm,texture,“color”,temporality,etc.)raises serious difficulties when it is theoretically approached in view of a better knowledge and comprehension.A hermeneutic phenomenological analysis can lead us to deciphering much more as regards the“aesthetic object”,which herein is a musical composition signed by Rodion Shchedrin.The“object”of contemplation is“Balalaika”for violin solo pizzicato.It is an uncommon piece of contemporary music we will tackle by applying the phenomenological perspective belonging to Anna-Teresa Tymieniecka.In this essay,we try to emphasize part of the inspiring potential“phenomenology of the ontopoiesis of life”that shows for living and grasping the sense of a peculiar encounter;the perceiving subject does experience with an expression of the art that exactly took its name from the“Muses”.And it matters the more so as the aesthetic experience is articulating together with an ethical,very own human,one.展开更多
Despite Heidegger insists that Being and Time cannot be read as a kind of existential philosophy, such interpretation still holds in some aspect, for in it, the main content is a special kind of phenomenology of life,...Despite Heidegger insists that Being and Time cannot be read as a kind of existential philosophy, such interpretation still holds in some aspect, for in it, the main content is a special kind of phenomenology of life, even be called repeatedly as the foundation of the ontology of Being in general. The project of establishing an ontology of Being in general was ultimately never carried out. What Heidegger provides in Being and time is nothing but a phenomenology of life. It is peculiar that love and friendship as an important element of life is deliberately ignored. Such a deficiency of Heidegger, namely lacking love and friendship in fundamental ontology of Dasein, is probably the reason for his political fallacy during the II-World-War, notorious political mistake in his recent published Black Notebooks.展开更多
文摘Developed by Anna-Teresa Tymieniecka,phenomenology of life focuses on the thesis of“ontopoiesis”that unfolds an insightful vision upon the human positioning within the great plan of life.The complex and dynamic ontopoietic view enlightens the creative human condition to be understood in terms of metaphysics,ontology,epistemology,anthropology,cosmology,aesthetics,as well as ethics and environmental philosophy.Among many original thematisations,we find an idea of utmost importance for the ethical conduct of man/woman,namely,to be“Custodian of everything-there-is-alive”.It designates a peculiar status of human being within the web of life in its wholeness,which challenges us to deeply reflect,to value and structure our attitudes,deeds,and behaviours activating their moral potential in our relationship with the natural environment.The purpose of this paper is to emphasize some coordinates of Tymienieckan phenomenology in the horizon of environmental ethics,disclosing the significance of the unique situation man/woman has to be aware of,to assume and continuously manifest as the responsible moral agent concerned with a constructive,fulfilling,ordering in flux experience of life,within the unity and differentiation of human-nature harmony.
文摘Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,phenomenology provides efficient opportunities for questioning and appropriating the meaning of musical works in their complexity,depth,and dynamics.Although music is considered to be the universal language to most people,this art form(of sounds organized in melody,harmony,rhythm,texture,“color”,temporality,etc.)raises serious difficulties when it is theoretically approached in view of a better knowledge and comprehension.A hermeneutic phenomenological analysis can lead us to deciphering much more as regards the“aesthetic object”,which herein is a musical composition signed by Rodion Shchedrin.The“object”of contemplation is“Balalaika”for violin solo pizzicato.It is an uncommon piece of contemporary music we will tackle by applying the phenomenological perspective belonging to Anna-Teresa Tymieniecka.In this essay,we try to emphasize part of the inspiring potential“phenomenology of the ontopoiesis of life”that shows for living and grasping the sense of a peculiar encounter;the perceiving subject does experience with an expression of the art that exactly took its name from the“Muses”.And it matters the more so as the aesthetic experience is articulating together with an ethical,very own human,one.
文摘Despite Heidegger insists that Being and Time cannot be read as a kind of existential philosophy, such interpretation still holds in some aspect, for in it, the main content is a special kind of phenomenology of life, even be called repeatedly as the foundation of the ontology of Being in general. The project of establishing an ontology of Being in general was ultimately never carried out. What Heidegger provides in Being and time is nothing but a phenomenology of life. It is peculiar that love and friendship as an important element of life is deliberately ignored. Such a deficiency of Heidegger, namely lacking love and friendship in fundamental ontology of Dasein, is probably the reason for his political fallacy during the II-World-War, notorious political mistake in his recent published Black Notebooks.
