This paper analyses the chanting of 21 five-syllable modem-style poems, which is Chinese traditional style of poem reciting with cadence and pleasant melody, in order to fmd out the prosodic hierarchy according to pau...This paper analyses the chanting of 21 five-syllable modem-style poems, which is Chinese traditional style of poem reciting with cadence and pleasant melody, in order to fmd out the prosodic hierarchy according to pause duration, and probe the phonetic features and methods of chanting. Results reveal that pause exists after ＂level-level＂ tonal combinations, which is a kind of metrical pattern of Chinese poetry. The duration of syllables doubles in sentence final position. An exclamation is added when the sentence ends with a checked syllable. The pitch of syllables with level tone is lower than that of syllables with oblique tones, alternation of level and oblique tones forms the chanting melody. Sentences and poems with same metrical pattern have the same chanting melody.展开更多
POEMS(polyneuropathy,organomegaly,endocrinopathy,M-protein and skin changes)综合征是一种单克隆浆细胞异常增殖的副肿瘤综合征,患病率约为0.3/10万[1]。该病累积神经、内分泌、骨骼、免疫及造血等系统,临床上诊断需要2个基本要素...POEMS(polyneuropathy,organomegaly,endocrinopathy,M-protein and skin changes)综合征是一种单克隆浆细胞异常增殖的副肿瘤综合征,患病率约为0.3/10万[1]。该病累积神经、内分泌、骨骼、免疫及造血等系统,临床上诊断需要2个基本要素:多发性周围神经病和单克隆浆细胞病[2]。周围神经病变是超过60%的POEMS综合征患者的首发症状,不少患者早期就诊于神经内科并被误诊为慢性炎性脱髓鞘性多发性神经根神经病(chronic inflammatory demyelinating polyneuropathy,CIDP)等原发性神经系统疾病[3]。由于神经病变进展缓慢、致残率高,多数患者就诊时症状严重且已造成神经不可逆性损伤,给患者生活带来极大不便,因此早识别、早诊断、及时治疗至关重要。本文报告1例采用达雷妥尤单抗(Daratumumab,Dara)联合方案治疗伴有严重周围神经病变的POEMS综合征,分析了神经病变的发病机制,并强调了POEMS综合征诊断的复杂性以及Daratumumab作为新一代药物在治疗中的潜在优势。展开更多
Zong Baihua’s aesthetic character and the creative philosophy of small poems are integrated and intertwined with each other,with distinctive aesthetic characteristics and unique artistic concepts.Whether it is his“r...Zong Baihua’s aesthetic character and the creative philosophy of small poems are integrated and intertwined with each other,with distinctive aesthetic characteristics and unique artistic concepts.Whether it is his“rounded and integrated aesthetics centered on Chinese art”,“vivid and charming natural cosmology”,or“personality aesthetics that mutually mirrors with the nature universe”,they all have extraordinary inspirations and guidance for us today to explore the reform of new literature and art,the reform of new poems,and even the contemplation of the cosmos,society,and life,with positive and profound significance.展开更多
The paper focuses on the respiratory prosody of seven-syllable modem-style poems chanted in Cantonese, especially the relationship between respiratory prosody and sentential pause-extension. By collecting and analyzin...The paper focuses on the respiratory prosody of seven-syllable modem-style poems chanted in Cantonese, especially the relationship between respiratory prosody and sentential pause-extension. By collecting and analyzing respiratory and acoustic-phonetic signals simultaneously, this research reveals a two level chest and abdominal breath reset in the respiratory signals： （1） In the first level （L1）, the breath reset appears at the beginning or the end of the clause. （2） In the second level （L2）, the breath reset appears in the middle of the clause, of which the position relates to different tone patterns. There is a strong connection between respiratory prosody and the sentential pause-extension when chanting the seven-syllable modem-style poems in Cantonese： with L1 breath reset corresponding to the longest pause-extension at the end of the clause, while L2 breath reset corresponding to the longer pause-extension in the middle of the clause, usually falling at the end of the second syllable of the clause with tone pattern of Level-start and Level-end, or at the end of the fourth syllable of the clause with other tone patterns.展开更多
文摘This paper analyses the chanting of 21 five-syllable modem-style poems, which is Chinese traditional style of poem reciting with cadence and pleasant melody, in order to fmd out the prosodic hierarchy according to pause duration, and probe the phonetic features and methods of chanting. Results reveal that pause exists after ＂level-level＂ tonal combinations, which is a kind of metrical pattern of Chinese poetry. The duration of syllables doubles in sentence final position. An exclamation is added when the sentence ends with a checked syllable. The pitch of syllables with level tone is lower than that of syllables with oblique tones, alternation of level and oblique tones forms the chanting melody. Sentences and poems with same metrical pattern have the same chanting melody.
文摘Zong Baihua’s aesthetic character and the creative philosophy of small poems are integrated and intertwined with each other,with distinctive aesthetic characteristics and unique artistic concepts.Whether it is his“rounded and integrated aesthetics centered on Chinese art”,“vivid and charming natural cosmology”,or“personality aesthetics that mutually mirrors with the nature universe”,they all have extraordinary inspirations and guidance for us today to explore the reform of new literature and art,the reform of new poems,and even the contemplation of the cosmos,society,and life,with positive and profound significance.
文摘The paper focuses on the respiratory prosody of seven-syllable modem-style poems chanted in Cantonese, especially the relationship between respiratory prosody and sentential pause-extension. By collecting and analyzing respiratory and acoustic-phonetic signals simultaneously, this research reveals a two level chest and abdominal breath reset in the respiratory signals： （1） In the first level （L1）, the breath reset appears at the beginning or the end of the clause. （2） In the second level （L2）, the breath reset appears in the middle of the clause, of which the position relates to different tone patterns. There is a strong connection between respiratory prosody and the sentential pause-extension when chanting the seven-syllable modem-style poems in Cantonese： with L1 breath reset corresponding to the longest pause-extension at the end of the clause, while L2 breath reset corresponding to the longer pause-extension in the middle of the clause, usually falling at the end of the second syllable of the clause with tone pattern of Level-start and Level-end, or at the end of the fourth syllable of the clause with other tone patterns.
