Interpreting the Merits In Aristotle's Poetics

Aristotle's Poetics represents the first major work of literature criticism. In this masterpiece,Aristotle expresses his literary and aesthetical theories. By introducing the merits in Aristotle's Poetics,this thesis tends to reveal Aristotle's large and enduring influence on modern literary criticism.

The Negotiation between Greenblatt and Jameson on Politics and Poetics in Contemporary China

Stephen Greenblatt who first introduces the term“New Historicism”,for these years has gradually entered the mainstream from the edge of the academic and has influenced many fields fundamentally.For Greenblatt,the relationship between society and literature,politics and poetics,is the key to the study of Cultural Poetics.Therefore,in the thesis of“Towards a Poetics of Culture”,he debated with Jameson,considering him asalien,and taking the contemporary China as an argument in order to demonstrate that the functional distinctions between politics and poetics should be separated.Moreover,he deemed that these two must be adjusted in order to adapt to each other.If we learn from the methodology of New Historicism that focuses on contexts and interpretation patterns,we will find that the divergence of their views can be eventually traced back to the theoretical,political and ideological differences.

The Three Stages of John Keats＇s Poetics

Apart from poetry, John Keats＇s concise remarks on poetics scatter miscellaneously in his other writings, whichhave been less studied compared with that of Keats＇s contemporary romantic poets. However, those terse remarksconstitute his deep perception on romantic poetry, many of which are now still glistening with their unique value.Based upon close reading upon Keats＇s poetical works and letters as well as later critics＇ books on poetry, thispaper intends to make a systematic study of Keats＇s poetics. Aiming at illustrating Keats＇ poetics, this paper fallsinto three parts--the first part being ＂Inspiration： Poetry as John Keats＇s Life＂, the second ＂Perspiration： NaturalGenius Plus Exquisite Revision＂, and the third ＂Perfection： the Aeolian Lyre＂.

Borges＇ Poetics of Visible Unrealities

Close reading and inter-textual analysis of Borges＇ essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges＇s poetics of reading and dreaming require another poetics of the work as a text that calls attention to its own artifice. In reading Borges＇ fiction, the separate roles and identities of reader, writer, and work of fiction merge and exchange roles, powers, and identities and are transformed into a single act of dreaming, which assumes cosmogonic and apocalyptic risks. In the dominant role given to the reader, the work of fiction as an object or work of art does not exist unless it is read. There is no determinate text, only a version of our own we re-write and invent every time we read the text. The author＇s reading is not a spontaneous evocation of vision, but an artifice, as artificial as the writing of the fiction. As writers and readers we are composed of texts and schemata, alphabets and artifacts, not merely mental perceptions and ideas. The reader requires a prior text to copy, translate, and recreate, and that text only exists as a fictional microcosm in so far as it is being read by a Reader who is able to actualize the revelation only imminent within it.

The Travelling Muse Cathay and the Influence of Chinese Classical Poems on Ezra Pound＇s Poetics＊

This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way

The Major Western Cultural Influences on the Incubating Process of Ezra Pound＇s Early Poetics

This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.

Interpreting The Clockmaker from the Perspective of Greenblatt’s Cultural Poetics

Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1836).Centering on Nova Scotia,the origin place of Canadian literature and the first British colony in Canada,the book conveys deep concerns on local reality under the British colonization in the 1830s.Haliburton as a Loyalist firmly opposes violent revolution against the British Empire whereas promotes gradual evolution in the colony.This is a typical demonstration of ideological contradictions in colonies.Greenblatt’s Cultural Poetics generally explores political consciousness and ideology in literary texts.It surpasses the dichotomy mode of Western radical ideology and never views the relationship between domination and resistance as a simple confrontation.From the perspective of Greenblatt’s Culture Poetics,this essay interprets the process of“improvisation of power”,“subversion”and“containment”in the colony reflected in The Clockmaker in order to explore Nova Scotians’awakening of independence awareness in the 1830s.

Urban Poetics in John Updike’s Sonnet“New York City”

Based on Robert E.Park’s theoretical frame of social urban study,the“psychophysical mechanism”,urban poetics mainly researches the mutual relations between the physical and the moral organizations of a city in urban poems,novels and dramas.This article considers John Updike as an urban poet since his poem collection Americana(2001)is a collection of urban poems.One of the representative poems,the sonnet“New York City”,depicts a despairing“separate nation”by presenting three typical physical cityscapes:television,beggars and skyscrapers.Each physical cityscape reveals its cultural value and social tradition of the city,and the psychological problems of the city dwellers.Tracing Updike’s personal urban experience and the poem’s intertextual space,this article explores his criticism on American big city:the alienated human relations,the anxiety of city life and the smallness of solipsism.His intention to parody John Milton’s Pandemonium in Paradise Lost,and to pay homage to Walt Whitman,reveals that this sonnet embodies rich connotations of urban poetics.

Yuan Kejia＇s Poetics and the western influence

Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic of the imagination＂, and ＂the drama doctrine＂ and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to ＂use all the cultural and academic achievements to come close to the literature and understand the literature＂, to develop the Chinese noetics.

An Analysis of the Non-mandatory Explicitation in Two English Versions of Chuanxilu from the Perspective of Poetics

Chuanxilu is a collection of Wang Yangming’s questions&answers and letters on learning.It is a masterpiece of Neo Confucianism since the pre-Qin period.This paper,from the perspective of translation poetics,takes two English versions of Chuanxilu as the main research objects,makes quantitative statistics and qualitative analysis of the non-mandatory explicitation in the translation,aiming to explore the influence of poetics on the translator’s English translation of Chuanxilu,so as to provide some enlightenment for the external translation and interpretation of Wang Yangming’s theory of mind.

A Comparative Analysis of Chinese and English Concrete Poetry Based on Cognitive Poetics and Multimodality——a Case Study of A War Symphony and l(a

Traditional approaches to interpret poetry have been poet-oriented, appearing alien to reader's understanding and appreciation, which are generally insensitive to the aesthetic and emotional reflection during the process of analyzing poetry. This essay aims to combine cognitive poetics with multimodal discourse analysis(MDA) to analyze concrete poems from readers' angle. In this research, figure and ground, conceptual metaphor, and image schema of cognitive poetics are adopted to interpret A War Symphony and l(a from the perspective of visual modality and auditory modality. Meanwhile, the differences between Chinese and English concrete poetry in modality choosing and meaning conveying as well as the reasons are explored. This research reveals that readers are able to comprehend poetic meaning according to their life experiences. The multi-dimensional perspective of visual and auditory modalities is conductive to exploring how readers challenge traditional reading mode to interpret poetic ideas. Meanwhile, three theories of cognitive poetics facilitate readers to perceive poetics effect with a cognitive mechanism.Therefore, all of these efforts are bound to arouse readers' interest in such a kind of anti-traditional poetry and broaden its popularity.

The Violation of Poetics by Waiting for Godot—From the Perspective of the Authenticity of Poetry

Poetics by Aristotle sets the dogmas for literature,while Waiting for Godot,the representative of the Theater of the Ab⁃surd,violates the former’s principles to achieve certain effects.The thesis will analyze the violation from the angle of Solidity or Authenticity of art and poetry,which are the likelinessandnecessity,and credibility.By digressing from the traditional rules,Wait⁃ing for Godot helps to create absurdity reflecting the inner loss of people after the war and to form a sense of alienation from reality.

Two Dimensions to Interpret the Poem “Mountain Graveyard” Based on Structuralist Poetics

To interpret and appreciate a poem from the perspective of Structuralist Poetics, its value will be revealed from two dimensions: its static structure and dynamic meaning. On one hand, Structuralist Poetics following the critic mode of New Criticism by analyzing its structure and language; on the other hand Structuralist Poetics goes beyond that static way of criticism and combines a poem with other literary works, readers'capabilities of reading and other factors together, thus constructs more meanings.

The Analysis of the Symbol Meaning of Harry Potter and the Half-Blood Prince—From the Perspective of Poetics

The Analysis of the Symbol Meaning of Harry Potter and the Half-Blood Prince—From the Perspective of

Ekphrasis in Robert Browning’s “Fra Lippo Lippi”

As an ekphrastic poem re-created from the painting Coronation of the Virgin,“Fra Lippo Lippi”lacks adequate scrutiny from the perspective of interart poetics.With regards to the core concept of ekphrasis,this paper makes an in-depth analysis of the features and functions of ekphrasis in the poem.The former lie in the poet’s identification with the painter,and his imaginative supplementation in“the verbal representation of visual representation”.The latter are embodied in the revelation of the invisible in the painting,namely,the desires and value of human beings,as well as the power of beauty and truth.Browning enriches the poem with both philosophical and artistic contemplation,thus strongly conveying the thematic implications of“know thyself”and the persistent pursuit of beauty and truth.It is hoped that this study can shed some light on the studies of Robert Browning and the poem itself,and contribute to the development of the interart poetics.

“Voices of Heaven and Rhymes of God”——My English and Chinese Poetry Written from the Bible in Rhyme and Rhythm is Worth over Fifteen Towns together

Thanks to Heavens bestow me natural gift and literary talent, so that I not only like English and Chinese poems, but also can write poems in English and Chinese. After my 2nd book English Letters and Essays published by Sichuan University Press in March 2016, I began to write my 3rd book Voices of Heaven and Rhymes of God-My English and Chinese poetry written from the Bible in Rhyme and Rhythm. Imitating the most famous British, American and Italian poets, I have written more than one thousand English and Chinese bilingual poems from free poems, prose, addresses and narratives in the nine copies of the Bible in fourteen kinds of English metrical stanzas of poems, such as couplet, tercet, quatrain, cinquain, sixain, septet, octive, Spenserian stanza, ten-line stanza, sonnet, crown sonnet and long-stanzas (12, 13, 18) in rhyme and rhythm, in iambic pentameter and iambic tetrameter. And my Chinese poems in the version are in five, six, seven, eight and nine Chinese characters. We know the story in the Spring and Autumn Dynasty, Bian He’s Jade is the Jade of jades, the Treasure of treasures, and it is worth fifteen towns together. And I think my treasury Voices of Heaven and Rhymes of God is the Gem of jades and treasures, cause it brings us proverbs, wisdom, courage, confidence, strength, lifestyle etc. from the Bible, it really brings us heavenly grace, gift and wisdom. Voices of Heaven and Rhymes of God will be submitted out respectfully to common people;its soul is praising the Heavens sincerely, and hearing a universal singing.

The Impersonal Theory of Poetry in “Tradition and the Individual Talent” by TS Eliot

Eliot,an important poet,playwright,and literary critic of the nineteenth century in the United States,was the founder of Western modernism.He pioneered the modern poetic criticism.His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century.His famous poetics theory declaration“Tradition and the Individual Talent”is an immortal classic in the field of poetics theory,in which he proposed the concept of“Traditional,”the theory of“Impersonal”poetry,“Objective Correlative,”and so on.All had a profound influence on the 20th-century poetry creation.This paper aims to analyze and discuss the important“Impersonal”theory from the three aspects of its connotation,the relationship between“Personality”and its intertextuality with New Criticism,so as to further understand Eliot’s poetic concepts.

Thinking on the Artistic Conception Creation of Plant Landscaping Design in Chinese Style Garden

In modern Chinese style garden, the designer could express the emotions in garden creation to produce artistic conception with landscape plants, which could make the sightseers desire to integrate with the nature and led to sympathizing with the concept, thereby motivating and arousing people＇s emotion to return to and close to nature. Through the 6 specific characteristics of ＂shape, color, aroma, shadow, sound and art＂ of landscape plants, some ways to build artistic conception in Chinese style garden were introduced in this study to provide references for the creation of artistic conception creation through senses in the future landscaping design.

Artistic Classical Chinese Gardens and Construction of Poetic Images in Modern Landscape

With regard to the artistic features of classical Chinese gardens,its ubiquitous poetic scenery is represented through the aspects of spatial sequence,landscape layout,hill piling and waterways dredging,plant configuration,architecture creation as well as various elements in classical garden.Emphasis is given to the close relationship between it and the traditional Chinese poetry and drawing,as it is resulted from the cultural feature of artistic classical garden and as art-and conception-centered as poetry and drawing.The connotation of conception is also analyzed,that is,inter-dependence,imaginary-real design,and correlation.Moreover,reality-and conception-centered methods in classical Chinese gardens are also introduced along with other conception creating methods such as configuration,view borrowing,empathy and symbolism.On this basis,discussion about key elements in conception creation in modern landscape design is carried out while emphasizing the understanding of environment,practice,experience,and method,so as to demonstrate the sense of place and create spatial artistic beauty through wider means.

从《艺术作品的本源》管窥海德格尔后期艺术思想

"诗意栖居"是海德格尔后期哲学思想的主旋律,而《艺术作品的本源》则从文艺美学的角度对其做出深度的呼应。通过文本分析,我们认为后期海德格尔建构了"诗艺一体"的存在主义艺术观;同时,语言符号的神圣性在他的艺术阐释语境中复归并承担起构建"存在之家"的"诗话"功能。