The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and i...The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and it stars Jean-Pierre Lēaud as a car-obsessed young man trying to get possession of a Porsche for a race. The film won the Golden Bear at the 17th Berlin International Film Festival and was also selected as the Belgian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee. Secondly, I analyze the reasons of misunderstanding the idea of the director in the film when it was shown in the the public. Thirdly, ＂entering＂ this movie in context of art： poetry, painting etc. Then to answer the question （hypothesis）： ＂Is the Polish Film New Wave a phenomenon that did not exist？＂ The methodology used for the paper is analysis and interpretation of the film itself; analysis of its reception in the 60s and now： poetics of receipt, cognitivism, comparative research.展开更多
The theme of the article is Polish movie Illumination directed by Krzysztof Zanussi to his own screenplay in 1972 （cinema premiere 1973）. ＂The film contains elements of Zanussi＇s intellectual biography as well as ...The theme of the article is Polish movie Illumination directed by Krzysztof Zanussi to his own screenplay in 1972 （cinema premiere 1973）. ＂The film contains elements of Zanussi＇s intellectual biography as well as documentary elements, e.g., appearances of philosopher Wiadyslaw Tatarkiewicz＂. It is one of the most important Polish films. The purpose of the text is to examine the philosophical contexts in this film, and the relationship between ＂orders＂, ＂art＂, and ＂science＂. The research method is： semiotics, psychology of perception and comparative research. The text will refer to the philosophical writings： Blaise Pascala＇s Thoughts, St. Augustine＇s Confessions and the monograph work of Krzysztof Zanussi, for example, Mariola Marczak＇s Anxiety and Longing, Movies and the Value, About the Films of KrzysztofZanussi （Publisher： University of Warmia and Mazury in Olsztyn, 2011） or Tomasza Ktysa, The Intellectual Cinema of KrzysztofZanussi, in ＂Bulletin de la Societe des Sciences et des Lettres de Lodez＂ （vol. XLV）; Serie： ＂Recherches sur les Arts＂ （vol. VI）; Polish Cinema in Ten Takes, edited by E. Nurczyfiska-Fidelska, Z. Batko （Publisher： Lodz Scientific Society in Lodz, 1995）.展开更多
文摘The aim of this essay is firstly to indicate a little-known film Le Dēpart made by the famous Polish director Jerzy Skolimowski in 1967 year as an example of the Polish New Wave. Although it was made in Belgium and it stars Jean-Pierre Lēaud as a car-obsessed young man trying to get possession of a Porsche for a race. The film won the Golden Bear at the 17th Berlin International Film Festival and was also selected as the Belgian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee. Secondly, I analyze the reasons of misunderstanding the idea of the director in the film when it was shown in the the public. Thirdly, ＂entering＂ this movie in context of art： poetry, painting etc. Then to answer the question （hypothesis）： ＂Is the Polish Film New Wave a phenomenon that did not exist？＂ The methodology used for the paper is analysis and interpretation of the film itself; analysis of its reception in the 60s and now： poetics of receipt, cognitivism, comparative research.
文摘The theme of the article is Polish movie Illumination directed by Krzysztof Zanussi to his own screenplay in 1972 （cinema premiere 1973）. ＂The film contains elements of Zanussi＇s intellectual biography as well as documentary elements, e.g., appearances of philosopher Wiadyslaw Tatarkiewicz＂. It is one of the most important Polish films. The purpose of the text is to examine the philosophical contexts in this film, and the relationship between ＂orders＂, ＂art＂, and ＂science＂. The research method is： semiotics, psychology of perception and comparative research. The text will refer to the philosophical writings： Blaise Pascala＇s Thoughts, St. Augustine＇s Confessions and the monograph work of Krzysztof Zanussi, for example, Mariola Marczak＇s Anxiety and Longing, Movies and the Value, About the Films of KrzysztofZanussi （Publisher： University of Warmia and Mazury in Olsztyn, 2011） or Tomasza Ktysa, The Intellectual Cinema of KrzysztofZanussi, in ＂Bulletin de la Societe des Sciences et des Lettres de Lodez＂ （vol. XLV）; Serie： ＂Recherches sur les Arts＂ （vol. VI）; Polish Cinema in Ten Takes, edited by E. Nurczyfiska-Fidelska, Z. Batko （Publisher： Lodz Scientific Society in Lodz, 1995）.
