Reception theory stresses reader's activeness.Translation of Chinese Menu in English Version reveals the universal principles of transnational strategies and methods of menu translation.Through analysis of Chinese...Reception theory stresses reader's activeness.Translation of Chinese Menu in English Version reveals the universal principles of transnational strategies and methods of menu translation.Through analysis of Chinese Menu in English Version,the article studies its text and examines the linking mechanism between reception theory and menu translation.A comparative conclusion shows that in menu translation attention is paid to the accuracy of the target text by translators,who are simultaneously aware of the paradox between expectation and acceptance of individual readers.展开更多
With the guidance of reception theory, based on the corpus of James Legge, the LCC and D. C. Lau's versions of Mencius, a comparative study will be conducted on the key philosophical term: Ren. After comparison, r...With the guidance of reception theory, based on the corpus of James Legge, the LCC and D. C. Lau's versions of Mencius, a comparative study will be conducted on the key philosophical term: Ren. After comparison, reasons for the differences will be stated. Targeting at missionaries, James adopted the 19 century old English and strived for faithfulness. Lau's translation work is of high academic value and receives good comments popularly in western sinology circle, being considered as the exemplary work for translating Chinese classics into English. Zhao et al. translated Mencius for modern readers, who might have acquired more knowledge of China and want to learn something about Mencius. Quantitative analysis shows that Ren appears 157 times in Mencius, and"benevolent/benevolence"gains a dominant position in these three versions.展开更多
Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthe...Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.展开更多
文摘Reception theory stresses reader's activeness.Translation of Chinese Menu in English Version reveals the universal principles of transnational strategies and methods of menu translation.Through analysis of Chinese Menu in English Version,the article studies its text and examines the linking mechanism between reception theory and menu translation.A comparative conclusion shows that in menu translation attention is paid to the accuracy of the target text by translators,who are simultaneously aware of the paradox between expectation and acceptance of individual readers.
文摘With the guidance of reception theory, based on the corpus of James Legge, the LCC and D. C. Lau's versions of Mencius, a comparative study will be conducted on the key philosophical term: Ren. After comparison, reasons for the differences will be stated. Targeting at missionaries, James adopted the 19 century old English and strived for faithfulness. Lau's translation work is of high academic value and receives good comments popularly in western sinology circle, being considered as the exemplary work for translating Chinese classics into English. Zhao et al. translated Mencius for modern readers, who might have acquired more knowledge of China and want to learn something about Mencius. Quantitative analysis shows that Ren appears 157 times in Mencius, and"benevolent/benevolence"gains a dominant position in these three versions.
基金This paper is sponsored by the Postgraduate Creative Foundation of Gannan Normal University entitled“模因论视域下康达维辞赋译本中文化负载词的英译研究”(YCX20A042).
文摘Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.
