Interpretation,Construction and Exhibition-Seeking the Positive Significance of Ancient Architecture Model Making in the Teaching of History of Chinese Architecture

On the basis of a special project for teaching reform, in order to change the boring and dull situation of History of Chinese Architecture in students, ancient architecture model was introduced in the teaching process of the pure history course. Through the interpretation, construction, and exhibition stages,the ability of students in grasping the knowledge of architecture history can be strengthened. Then, from the historical background, physical composition, artistic conception of space, structural system, detailed structure, and architectural evolution, the positive significance of ancient architecture model to the teaching of the History of Chinese Architecture was discussed, in the hope of providing certain theoretical basis for the teaching of the History of Chinese Architecture.

The Art of Combining History and Fiction

SIMON Sebag Montefiore is tall, lean and full of energy. Born in London in 1965, he is one of the world’s best-selling authors of history and fiction. The celebrated historian is also a fellow of the Royal Society of Literature.

Revisiting History Through Crime Fiction： Shiono Nanami＇s Scarlet Venice in The Renaissance Trilogy of Murder

The paper explores an ambiguous intersection between history and fiction in Scarlet Venice （Hi no Venezia, in original） （1988） by Japanese novelist and historiographer, Shiono Nanami （1937-）. As a prominent transnational writer who has worked on the Italian Renaissance and the Roman antiquity for about 40 years, Shiono fictionalizes the political culture of 16th century Venice in the context of the Eastern Mediterranean history. Based on her The Tales of the Sea Capital （1981）, historiography par excellence, the novel portrays the political maneuver of the Republic of Venice from viewpoints of diplomacy. With this thematic approach to history, the novel centers on the life and death of Alvise Gritti （1480-1534）, an illegitimate son of famed Venetian Doge, Andrea Gritti. In the metaphorical/metafictional structure of historical crime fiction, the novel unveils the austerity of Venetian polity, while contrasting it with the liberalism fostered in Sultan Suleiman＇s Ottoman court. In conclusion, the author interprets that Alvise Gritti is a victim of the political intricacy with which Venice was wrestling, implying that the republic is the metaphorical murderer. Whereas Alvise＇s death commemorates a drastic step taken by Venice for political negotiation, Shiono＇s recent writings suggest that Japan should model the rigid pragmatism in Venetian politics, along with its effective use of intelligence in diplomacy

The Earliest Translations of Chinese Fiction into English Focus on The General History of China

The first works of Chinese vernacular fiction available in the West were published 1735,when the French Jesuit Jean-Baptiste Du Halde compiled translations of three pieces of Chinese vernacular fiction from Jingu qiguan(Marvels Ancient and Modern).These were later translated into English in The General History of China(1736)edited by John Watts.The three stories are"Lu Dalang gives money to re-unite his family","Zhuangzi bangs a drum and becomes an immortal",and"The bad servant sues his master because of a private grudge".The stories are framed by a dual purpose:they were a means to understand the nature of Chinese society,and they were also a pivot in the changing views of China.The moral content of the stories is played out in ambiguous ways,varying between simplistic moral lessons of good and bad rewards for good and bad deeds,and a more amoral tone.

Fiction, Docudrama and Joumalism in the Globo Group （Grupo Globo）： A Memory of the Brazilian Military Dictatorship Directed at the General Public

From the early days of the moving image and its recordings of facts and events considered to be historical, followed by the consolidation of the classic narrative cinema grammar in the 1910s reaffirmed until today by a large part of the television production that turns to the past, without disregarding authorial aesthetic experiences produced especially since the 1920s, history has been present for over more than a century in several types of media. Movie theaters, people＇s homes and, nowadays, thanks to new media technology, any and every place are spaces for projecting historical narratives. They are both entertainment--by deploying strategies for constructing a ＂truth＂ about the past--and critical reflection, going against a belief in that possibility, in rendering explicit their nature as a language. Since all of these narratives presuppose an audience, a public, within different genres, styles and formats, with more realist overtones, more to the general public＇s taste, or anti-naturalist, in experiences for smaller audiences, it seems pertinent to discuss these issues considering that audiovisual narratives are powerful agents in constructing a memory of the past. Particularly in this text, we will examine how the most powerful communication enterprise in Brazil - Global Group - had construct a memory of the Brazilian military dictatorship （1964-1985） until 2016.

＂The Drama of the Tua Line＂, a Fictional Narrative and Literary Dialogue With the Contemporary Portuguese Railway Technology

This paper is a socio-literary approach to the book 《TUA》 COLECTANEA LITERARIA： Mem6rias do Vale e da Linha Ferrea, a collection of literary texts on the Tua centenarian railway, like the Swiss or French Alps railways, highlighting the analysis of the short story ＂The Tua Line drama＂ which builds a fictional dialogue between objects of a technological museum about the past and the future of the Tua railway, which is now disabled. It aims to focus on and discuss relations between technology and literature within its contemporary social context and to understand their complex and dynamic interrelations of interest regarding musealization. This paper will discuss the source base, methods and theory. The source base consists of literary publications appearing throughout the twentieth century. These texts, with originate from various authors, both classic and anonymous （novels, poetry, short stories, popular literature, news columns）, illustrate the action of/in the history of individuals and populations in relation to the Tua Valley, River, line and train, over the course of more than 100 years. Narratives, characters, events and episodes in various timeframes make up the set of literary fictions that provide an approximate and sensitive vision of the Tun Valley and realities around the construction, operation and closing of the railway line. Memories, identities, and historical contexts where norms, customs and social representations operate under various logics or social worlds which illustrate, by means of the fictional production of an imaginary realism, the socio-historical meaning of the Tua Valley and line. The methods employed are a longitudinal qualitative analysis of the occurrence of these themes during this period, and a socio-historical content analysis, drawing from literary studies, which aims to identify the main patterns of fictional narrative, in which sociotechnical knowledge regarding railways was packaged. The interdisciplinary analysis which is made is developed in the socio-historical framework （M. Block）, the ＂sociology of action＂ （Thevenot ＆ Boltanski）, the theory of social representations （Durkheim） and literature theory （Todorov） and aims to open other avenues of academic research on this topic.

Facts and Fiction. Events and Stories in Relation to Texts and the World

This paper, as a part of a larger research project entitled Amazon. Realities in the Novels and the Imaginary Reports of Travelers, focuses on the following objectives： （1） the ＂referentiality＂ of the text to the external world （goal, empirical stuff）; and （2） understanding fictionality in terms of＂make-believe＂ and the principle of＂internal coherence＂. The main section sets out the theoretical foundation of the relation between facts/events and fiction, both as pragmatic and fictional texts. Then, the paper investigates in which forms and ways existing facts, data, occurrences, events and narratives in various kinds of texts constitute a representation and interpretation of the world. The central focus of the study is on the Amazon region. The study is an experiment in joining together different types of texts around the notion of＂referentiality＂; emphasizing reference to the external world （factuality）, the reading of the component elements of a language and a discourse （narratology）, historical reading against the horizon of expectation （reception theory） and the interpretation of the retrospective.

From Raccontami to I Medici, From Karol to Luisa Spagnoli： Narrative Formats and Collective Memory in Italian Fiction

This paper rethinks critically the Italian serial production of fiction, in recent years, placing it in relation to the dynamics of collective memory. The analysis starts from two Italian fiction： Raccontami, the history of a family returns the great changes of the 60s＇; I Medici dedicated to the biography of the great Florentine Renaissance banker family, exemplified by similar international productions （including the Borgia） and subject to strong promotion by Rai 1. Around these two lines of address is also the analysis of some miniseries among these biopics dedicated to figures of the national imagination such as pontiffs, doctors, partisans, entrepreneurs. If the twentieth century was defined as the ＂century of testimony＂ this is also due to the massive and pervasive presence of media that are often at the center of the processes of transformation and transition of the public and cultural life of societies. Television, in particular, confirms itself as the real, symbolic and rhetorical place in which historical events unfold, to be, on some occasions, a substitute simulacrum. Fiction, as a form of popular narrative and reworking, is an intermediary and central element in the processes of building the social imagery and collective memory, responding to the need for a typical tale of every society.

A Night at the Opera Beijing,China

Female Generals of the Yang Family,a fictional opera from Chinese history,tells the story of the Yang family's female generals safeguarding their homeland and the drama that ensues.The popular opera is performed regularly in Beijing by the China National Peking Opera Co. Peking Opera was inscribed.on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2010.

探寻历史意义的中国进路

基督宗教的历史意识内蕴着一种基于时间与永恒保持恒久张力和间距的终末论结构,现代性意识将此结构转化为内在主义的历史过程。于是,单一线性机制的历史叙事构成西方历史理解的核心,其本质是将终末论的历史完成转换为历史过程中的终极完美,于是有了历史完成即历史终结的历史终结论,以及基于历史意义不能在历史内部得以解决的历史虚无主义病理。这种历史意识的自我转换在于将历史从开端与终结的限制中解放出来,面向由连续和断裂组构的无尽、开放的历史过程。中国思想正面这一开放历史过程,并不诉诸超越的绝对普遍性,而是探寻在历史内部理解历史中意义的可能性。具体而言,中国思想构建基于天经、地义、人情组构的具体的历史普遍性,以“天下归仁”转换西方的自由为本的历史进程叙事,以“和而不同”“多元一体”构建多元文明的共生秩序。同时,基于中国思想传统,可以发展出一种不同于希腊“人学真理”和以色列“救赎真理”的“中道真理”;中道的生存真理基于仁的横向原理和中的纵向原理,构建了中国的“精神性天下”的根基。

美国现代中国文学史书写的美学范式与谱系

自20世纪60年代至今,美国的现代中国文学史书写思想多元,成就斐然。其书写路径最具代表性的是夏志清的新批评美学、许芥昱的政治美学以及王德威的后现代主义美学。不同时期美学范式的变迁反映了中美关系变迁、西方文学理论思潮冲击以及汉学史的内在流变等诸多因素。内外因素交织的历史语境生成了文学性历史与历史性文学的辩证以及解构主义思路。通过考察三位华裔学者不同的美学范式与交叉谱系,可以更好地揭示美国的现代中国文学史书写的整体脉络,为国内文学史研究提供互鉴与交流的跨文化阐释思路。

我国社会体育指导员制度实施30年:历程、意蕴与完善

我国社会体育指导员制度是改革开放后较早建立的体育制度,至今已实施30年。30年来,随着经济社会和体育事业发展,该制度不断调整和优化,对中国式体育现代化和全民健身发展发挥了重要作用,提供了基础性的工作支撑和规范保障。为做好该制度实施的总结思考和进一步推进的发展探讨,将制度发展历程划分为3个阶段,并描述概括其发展样态;从多个视角探究制度发展的多元推进动力与深刻时代意涵;进而从直面难题提升治理、落实《体育法》完善配套和解决各类社会体育指导员工作发展突出问题等重点方面,针对面临的各种现实需求与挑战,提出进一步发展完善该制度的应对方策。

科幻电影在医学史教学中的应用探索

新兴生物技术将成为人类社会重要的革新力量,但其中的技术风险引发诸多争议。为此,在医学史课程中引导学生关注新兴生物技术的过去与未来,了解科技发展的复杂性与多重可能性,树立其正确的历史观与未来观十分必要。在此方面,作为“思想实验”的科幻电影有着良好的辅助作用。本文将以两项典型的新兴生物技术为例,探讨将科幻电影融入医学史教学的可行性与现实意义。

高校党史教育常态化的时代意义与实践路径

习近平总书记多次强调要深刻总结党史育人经验,升华党史育人成果,建立党史育人常态化机制。党史教育常态化,是落实党的全面领导、落实高校“立德树人”根本任务以及坚定大学生理想信念的必然要求,可以深化马克思主义理论学习、优化思想政治教育体系以及弘扬中华优秀传统文化。高校党史教育通过以思政课教育教学为主线、以深化学习教育为保障、以弘扬中华优秀传统文化为拓展,协同打造新时代高校党史教育的协同机制、育人机制和载体机制。

茅维生平与文学活动及其意义

茅维的一生是极其悲剧的一生。名家之裔,自负才高,力求出生平筹划以匡济时艰,结果却怀才不遇,科举与仕进均无任何突破,甚至还被搅进党争,入狱破家,如此等等,深刻地折射出晚明社会现实的黑暗。然而,茅维把自己的日常生活、理想抱负和对黑暗现实的愤懑发之于诗文戏剧,其作品写实而果敢,从而成就了他在晚明文学史上的非凡意义。因为细节丰满,态度鲜明,他的诗文戏剧令人着迷,引人入胜,可为晚明文人的生态史和心灵史研究提供最生动的材料。

叙事·传统·尺度:刘慈欣科幻小说中的英雄史观

刘慈欣科幻小说对英雄的关注体现了一种英雄史观。英雄史观强调个别人物的功绩,常因忽略人民群众对历史发展的作用而备受批判。对于刘慈欣科幻小说来说,奠基其英雄史观的并不是个人英雄主义,而是一种基于技术崇拜的集体主义精神,加之刘慈欣对平民英雄的塑造,可以将其英雄叙事视为对托马斯·卡莱尔、悉尼·胡克、普列汉诺夫等人英雄史观理论的补充与修正。这启发了学者在面对英雄史观理论的缺陷与不足时,重新审视与平衡英雄、民主、历史规律三者之间的复杂关系,而不是全然从对立的视角去批判与否定。

作为世界历史事件的中国改革开放——基于马克思人的发展理论视角

中国改革开放不仅是中华民族发展史上的大事,也是具有世界历史意义的大事。它内以客观历史规律为根据,外以无数普通个人的积极参与为依托,将亿万群众的聪明才智汇聚成中国式现代化建设的洪流,推进中华民族实现从富起来到强起来的伟大飞跃。但在此过程中,出现了由个人主体性增强和个人价值扩张所带来的问题和隐患。党的二十届三中全会开启了进一步全面深化改革的新征程,在构建高水平社会主义市场经济体制、锚定基本实现社会主义现代化目标的道路上,妥善应对这些隐患和问题,能够在推进强国建设、民族复兴的同时不断推进人的现代化,改革开放也将因此逐渐展现它的世界历史意义。

青年大学生正确党史观的养成路径思考

正确党史观是对中国共产党及党的历史正向认知的理论和方法基础。青年大学生是否拥有正确党史观,对党的执政根基是否牢固和党的兴衰成败具有重大现实与长远意义。全面认识和深刻把握正确党史观的科学内涵,深入探求其形成过程;以系统学习、教育引导、实践养成、巩固强化等方式,探求青年大学生正确党史观的养成路径,以期培养和造就新时代知党爱党护党兴党的青年大学生。

侯外庐的方以智思想研究及其典范意义

全面评介方以智思想,是侯外庐后期学术研究的焦点。经过他与其学术团队的持续努力,方以智被遮蔽近三百年的思想全貌得以公之于世,恢复了其在中华民族文化史上的哲学地位。侯外庐的方以智思想研究,既具有《中国思想通史》理论与方法的一般特征,又存在自身特色。不仅以社会史研究为前提,深刻剖析方以智生平悲剧的矛盾根源及内在思想张力,而且以宏通的世界历史眼光,在中西启蒙思想的对比评价中,赋予方以智思想以世界性哲学意义。侯外庐的方以智思想研究业已成为历史,固然需要“批判地对待”,但他在研究中贯彻的史学理论、方法与目标,即以马克思主义历史科学的民族化来建立比较完整的马克思主义中国思想史体系,具有深远的典范意义,在今天仍能予人有益的启发。