Performance art in every region and country depends mainly on rules, customs, and beliefs of that particular society hence; this art enjoys diversity with respect to its forms and contents. In contemporary lran, with ...Performance art in every region and country depends mainly on rules, customs, and beliefs of that particular society hence; this art enjoys diversity with respect to its forms and contents. In contemporary lran, with the emergence of new artistic movements, performance art incorporated more academic and enlighten aspects. New mass media and modern visual medium such as light, sound, moving, and changing images, video displays as well as application of new signs and symbols are some of the special characteristics of the contemporary performance art in Iran. Moreover, the performance art in Iran is not merely related to the contemporary era rather it encompasses a large number of traditional representations that have been prevalent among common people with much meaningful rules. Its popularity among common people is also a conceptual art which conveys a content-based meaning in a more dramatic sense. For centuries, the tradition of performance art in Iran can be observed in the rules of Ta＇aziehkhani （quite singing or passion play）, Shamayelgardani （icon handling）, Ru-howzi （performance on pool platform）, Marekegiri （mono drama）, Qhashoqhzani （spoon handling） and Aroosakgardani （puppet handling）. Aestheticism relying on traditional performing method is also the outcome of taste and elegance of common people. These performances have more folkloric aspects protruding from humane institutions and blended with their vernacular beliefs. In the traditional method of performance art, performers mostly enjoy their own taste and style and use handy means for executing their roles. In contemporary Iran, traditional method along with modern theme has been widespread among people particularly in villages and small townships although these are not called as art. The present study is an attempt to study existing challenges to modern and ancient art traditions as well as aesthetic values attributed to each of them.展开更多
Agricultural machinery represents modern method and modern condition of production, and Agricultural mechanization is the key basis and symbol of modern agriculture. Based on analyses of agricultural mechanization dev...Agricultural machinery represents modern method and modern condition of production, and Agricultural mechanization is the key basis and symbol of modern agriculture. Based on analyses of agricultural mechanization development in Guangdong Province from 1988 to 2008, production function was developed to estimate the effects of agricultural mechanization on agricultural production. The results indicated that the contribution of agricultural mechanization to production continues to increase. The agricultural mechanization increased by 1%, and grain production by0.35%. Therefore, government should encourage development of agricultural mechanization in order to improve agricultural production in Guangdong Province.展开更多
文摘Performance art in every region and country depends mainly on rules, customs, and beliefs of that particular society hence; this art enjoys diversity with respect to its forms and contents. In contemporary lran, with the emergence of new artistic movements, performance art incorporated more academic and enlighten aspects. New mass media and modern visual medium such as light, sound, moving, and changing images, video displays as well as application of new signs and symbols are some of the special characteristics of the contemporary performance art in Iran. Moreover, the performance art in Iran is not merely related to the contemporary era rather it encompasses a large number of traditional representations that have been prevalent among common people with much meaningful rules. Its popularity among common people is also a conceptual art which conveys a content-based meaning in a more dramatic sense. For centuries, the tradition of performance art in Iran can be observed in the rules of Ta＇aziehkhani （quite singing or passion play）, Shamayelgardani （icon handling）, Ru-howzi （performance on pool platform）, Marekegiri （mono drama）, Qhashoqhzani （spoon handling） and Aroosakgardani （puppet handling）. Aestheticism relying on traditional performing method is also the outcome of taste and elegance of common people. These performances have more folkloric aspects protruding from humane institutions and blended with their vernacular beliefs. In the traditional method of performance art, performers mostly enjoy their own taste and style and use handy means for executing their roles. In contemporary Iran, traditional method along with modern theme has been widespread among people particularly in villages and small townships although these are not called as art. The present study is an attempt to study existing challenges to modern and ancient art traditions as well as aesthetic values attributed to each of them.
文摘Agricultural machinery represents modern method and modern condition of production, and Agricultural mechanization is the key basis and symbol of modern agriculture. Based on analyses of agricultural mechanization development in Guangdong Province from 1988 to 2008, production function was developed to estimate the effects of agricultural mechanization on agricultural production. The results indicated that the contribution of agricultural mechanization to production continues to increase. The agricultural mechanization increased by 1%, and grain production by0.35%. Therefore, government should encourage development of agricultural mechanization in order to improve agricultural production in Guangdong Province.
