The Ming dynasty （1368 - 1644） inherited the lens-standing culture in China, of course including the textile technology. Besides a large amount of sinsle color damask silk, many pattern woven silk including dragon r...The Ming dynasty （1368 - 1644） inherited the lens-standing culture in China, of course including the textile technology. Besides a large amount of sinsle color damask silk, many pattern woven silk including dragon robes, patterned costumes and luxurious silk textiles are found in complicated and colorful pattern woven brocade called zhuang hua. It was prevailed in Ming dynasty when compared with the frequency of the name chuang hua recorded in related historical documents. These pattern silk and brcrade were produced by the advanced pattern weavin8 technology, which was well developed in Ming dynasty. From historical documents of＂Tian gong kai wu＂, Exploitation of the works of nature, there is the detailed description of the draw loom （hua Io ji） which can weave normal patterned textiles. It also indicated that to produce dragon robes needed much more high technique, similar to the hua Io ）i but more complicated and difficult. A big draw loom is found to weave Nanjing Yen brocade today inherits the technolosy to weave zhuang hua brocade. After sorting the historical documents, it is found that some records are coincident with the existed materials, both the silk textiles and weaving technology. With these evidences research and exploration, this dissertatien tries to unravel the pattern weaving technolosy in the Ming dynasty.展开更多
In 2015, a previously unknown manuscript was discovered in the Nanjing Library. It contained a Chinese mining and metallurgy handbook, and was identified as a copy of the Kunyu gezhi 坤輿格致, known as the lost Chines...In 2015, a previously unknown manuscript was discovered in the Nanjing Library. It contained a Chinese mining and metallurgy handbook, and was identified as a copy of the Kunyu gezhi 坤輿格致, known as the lost Chinese translation of Georgius Agricola’s(1494–1555) De re metallica(1556) by Jesuit Adam Schall von Bell(1592–1666). A closer look at the text, however, reveals that, besides parts of Agricola’s book, content by at least four other European authors was included: Vannoccio Biringuccio(1480–1539), Modestinus Fachs(?–before 1595), Lazarus Ercker(1528/30–1594), and José de Acosta(1539/40–1599/1600). This study demonstrates how their books became available in China, why they were selected as sources for the Kunyu gezhi, and how they were eventually used and incorporated. From this, it becomes apparent that Schall and his collaborators spared no effort to conduct this ambitious knowledge transfer project, and to present European technology at its best to the emperor.展开更多
目的以明清脉案为例研究仲景脉法临床应用规律,为仲景脉法的临床应用提供参考。方法采用springboot集成快速开发框架,前端使用vue方式,基于es5的语法,开发工具IntelliJ IDEA 2020.1.1x64,构建中医古籍脉案研究数据库,通过不同关键词检索...目的以明清脉案为例研究仲景脉法临床应用规律,为仲景脉法的临床应用提供参考。方法采用springboot集成快速开发框架,前端使用vue方式,基于es5的语法,开发工具IntelliJ IDEA 2020.1.1x64,构建中医古籍脉案研究数据库,通过不同关键词检索,分别导出相关条文,研究明清中医脉案。结果纳入的247条脉案,单纯记录脉象,占39.68%;记录脉象加脉部,占60.32%,247条脉案脉象为各部脉象对比而来,占100%。研究发现脉象的记载中并非记载双手寸关尺六部各个脉象,而是通过脉象对比把握脉象细微变化,来分析疾病病机,此为脉诊的应用规律。结论仲景脉法应用上采用“主脉+主症”的形式,通过脉象的对比探知疾病的病机,通过把握脉象的细微变化,来把握疾病病机的变化。展开更多
The more than thirty legal disputes and cases mentioned in The Plum in the Golden Vase （Jinpingmei） make this late Ming novel an invaluable source for the study of law and legal culture in premodern China. This lect...The more than thirty legal disputes and cases mentioned in The Plum in the Golden Vase （Jinpingmei） make this late Ming novel an invaluable source for the study of law and legal culture in premodern China. This lecture illustrates that the cases in the novel describe in considerable detail each of the formal steps in the Ming process of legal adjudication. But the work also conveys the message that despite the formal process, the legal system does not deliver justice. However, an alternative system of justice that is mostly implicit in the text, the justice of a disinterested and moral Heaven, ultimately prevails. Finally, the contemporary implications of this traditional understanding of law and justice are explored.展开更多
Since the late Ming dynasty to 1856 Qing dynasty,"shu shui gong sha"is the authentic theorem of water-control in lower reaches of Huang-he river,but plan was always used period of time which appeared problem...Since the late Ming dynasty to 1856 Qing dynasty,"shu shui gong sha"is the authentic theorem of water-control in lower reaches of Huang-he river,but plan was always used period of time which appeared problem and to be fail.Based History geography’s view,we can see it was resulted in land-increasing and bayou-extending from bedload which be eroded by water.In Ming and Qing dynasty,the coastline varied prodigiouss near the bayou,the bayou reached 90 km eastwardly,which elongated the riverway in lower reaches of Huang-he river in disguised form,caused the gradient minish,the water flowed slowly,the bedload deposited on riverbed,which conduced the bank bursted easily in the flood season,result flood in a high frequency.Finally,the river to be hang river,the bank difficult to be maintained,the Huang-he river be compelled to flow northly to the Bo-hai sea,the "shu shui gong sha" failed.展开更多
文摘The Ming dynasty （1368 - 1644） inherited the lens-standing culture in China, of course including the textile technology. Besides a large amount of sinsle color damask silk, many pattern woven silk including dragon robes, patterned costumes and luxurious silk textiles are found in complicated and colorful pattern woven brocade called zhuang hua. It was prevailed in Ming dynasty when compared with the frequency of the name chuang hua recorded in related historical documents. These pattern silk and brcrade were produced by the advanced pattern weavin8 technology, which was well developed in Ming dynasty. From historical documents of＂Tian gong kai wu＂, Exploitation of the works of nature, there is the detailed description of the draw loom （hua Io ji） which can weave normal patterned textiles. It also indicated that to produce dragon robes needed much more high technique, similar to the hua Io ）i but more complicated and difficult. A big draw loom is found to weave Nanjing Yen brocade today inherits the technolosy to weave zhuang hua brocade. After sorting the historical documents, it is found that some records are coincident with the existed materials, both the silk textiles and weaving technology. With these evidences research and exploration, this dissertatien tries to unravel the pattern weaving technolosy in the Ming dynasty.
基金This research is part of“Translating Western Science,Technology and Medicine to Late Ming China:Convergences and Divergences in the Light of the Kunyu gezhi坤輿格致(Investigations of the Earth’s Interior1640)and the Taixi shuifa泰西水法(Hydromethods of the Great West1612),”a project supported by the German Research Foundation(DFG)from 2018 to 2021.
文摘In 2015, a previously unknown manuscript was discovered in the Nanjing Library. It contained a Chinese mining and metallurgy handbook, and was identified as a copy of the Kunyu gezhi 坤輿格致, known as the lost Chinese translation of Georgius Agricola’s(1494–1555) De re metallica(1556) by Jesuit Adam Schall von Bell(1592–1666). A closer look at the text, however, reveals that, besides parts of Agricola’s book, content by at least four other European authors was included: Vannoccio Biringuccio(1480–1539), Modestinus Fachs(?–before 1595), Lazarus Ercker(1528/30–1594), and José de Acosta(1539/40–1599/1600). This study demonstrates how their books became available in China, why they were selected as sources for the Kunyu gezhi, and how they were eventually used and incorporated. From this, it becomes apparent that Schall and his collaborators spared no effort to conduct this ambitious knowledge transfer project, and to present European technology at its best to the emperor.
文摘目的以明清脉案为例研究仲景脉法临床应用规律,为仲景脉法的临床应用提供参考。方法采用springboot集成快速开发框架,前端使用vue方式,基于es5的语法,开发工具IntelliJ IDEA 2020.1.1x64,构建中医古籍脉案研究数据库,通过不同关键词检索,分别导出相关条文,研究明清中医脉案。结果纳入的247条脉案,单纯记录脉象,占39.68%;记录脉象加脉部,占60.32%,247条脉案脉象为各部脉象对比而来,占100%。研究发现脉象的记载中并非记载双手寸关尺六部各个脉象,而是通过脉象对比把握脉象细微变化,来分析疾病病机,此为脉诊的应用规律。结论仲景脉法应用上采用“主脉+主症”的形式,通过脉象的对比探知疾病的病机,通过把握脉象的细微变化,来把握疾病病机的变化。
文摘The more than thirty legal disputes and cases mentioned in The Plum in the Golden Vase （Jinpingmei） make this late Ming novel an invaluable source for the study of law and legal culture in premodern China. This lecture illustrates that the cases in the novel describe in considerable detail each of the formal steps in the Ming process of legal adjudication. But the work also conveys the message that despite the formal process, the legal system does not deliver justice. However, an alternative system of justice that is mostly implicit in the text, the justice of a disinterested and moral Heaven, ultimately prevails. Finally, the contemporary implications of this traditional understanding of law and justice are explored.
文摘Since the late Ming dynasty to 1856 Qing dynasty,"shu shui gong sha"is the authentic theorem of water-control in lower reaches of Huang-he river,but plan was always used period of time which appeared problem and to be fail.Based History geography’s view,we can see it was resulted in land-increasing and bayou-extending from bedload which be eroded by water.In Ming and Qing dynasty,the coastline varied prodigiouss near the bayou,the bayou reached 90 km eastwardly,which elongated the riverway in lower reaches of Huang-he river in disguised form,caused the gradient minish,the water flowed slowly,the bedload deposited on riverbed,which conduced the bank bursted easily in the flood season,result flood in a high frequency.Finally,the river to be hang river,the bank difficult to be maintained,the Huang-he river be compelled to flow northly to the Bo-hai sea,the "shu shui gong sha" failed.
