Literary image is the universal phenomenon in literary works. The construction of literary images depends on the vague indication and allusive function in language. This paper mainly probes into the construction of li...Literary image is the universal phenomenon in literary works. The construction of literary images depends on the vague indication and allusive function in language. This paper mainly probes into the construction of literary images from vague language in the following aspects： the use of polysemy, homonymy and pun; the application of indefiniteness; through divergence of language; and the exaggeration of numerals with vague indication.展开更多
W.B.Yeats(1865-1939),Noble Prize winner for literature in 1923,is an influential Irish poet,playwright and critic.This paper will discuss that Yeats is devoted to seek and construct Irish cultural identity in his poet...W.B.Yeats(1865-1939),Noble Prize winner for literature in 1923,is an influential Irish poet,playwright and critic.This paper will discuss that Yeats is devoted to seek and construct Irish cultural identity in his poetry because of the Irish cultural and identity crisis as well as his own identity anxiety.Yeats endeavours to establish a distinctly Irish cultural identity through reviving Irish traditional folklore,myths and legends,hybridising English language,and absorbing oriental culture in his poetry.展开更多
The process of reconstructing the history of the literary family is also a process of logical construction. By focusing on the transformation of political and cultural institutions and sorting through the historical e...The process of reconstructing the history of the literary family is also a process of logical construction. By focusing on the transformation of political and cultural institutions and sorting through the historical evolution both of literature and of distinguished families, we can describe the historical evolution of the literary family in Chinese dynastic history, that is, the succession and the orderly progress of its three forms over three periods. The first period from the Han Dynasty to the Northern and Southern Dynasties saw the emergence of＂literary families of classical scholars,＂ and their evolutionary successors, ＂literary families with hereditary power.＂ In the second period of Sui and Tang Dynasties, this latter group coexisted and to some extent merged with ＂literary families of scholar-officials＂ in a composite form. The third period of Song, Ming and Qing Dynasties witnessed the continuation and transformation of the mainstream form of ＂literary families of scholar-officials.＂ In addition to the above groups, there existed a multiplicity of other forms. To construct an academic paradigm of the history of the literary family, we need to integrate four levels of research into an organic unity： research on individual literary families, research on families in specific periods and in specific regions, and research on the literary family across history.展开更多
文摘Literary image is the universal phenomenon in literary works. The construction of literary images depends on the vague indication and allusive function in language. This paper mainly probes into the construction of literary images from vague language in the following aspects： the use of polysemy, homonymy and pun; the application of indefiniteness; through divergence of language; and the exaggeration of numerals with vague indication.
文摘W.B.Yeats(1865-1939),Noble Prize winner for literature in 1923,is an influential Irish poet,playwright and critic.This paper will discuss that Yeats is devoted to seek and construct Irish cultural identity in his poetry because of the Irish cultural and identity crisis as well as his own identity anxiety.Yeats endeavours to establish a distinctly Irish cultural identity through reviving Irish traditional folklore,myths and legends,hybridising English language,and absorbing oriental culture in his poetry.
基金supported by the support plan for the development of Marxist theoretical discipline in Shanghai in 2017(Marxist theory teaching research on“Young and Middle-aged Talents”project)In 2017,The special topic on“Chinese Citizens’Political Identity Since the 18th CPC National Congress”in the“Research on Xi Jinping’s Important Thoughts In The New Era”held by Shanghai International Studies UniversityThe research has been funded by the basic scientific research fee of the central colleges and universities
文摘The process of reconstructing the history of the literary family is also a process of logical construction. By focusing on the transformation of political and cultural institutions and sorting through the historical evolution both of literature and of distinguished families, we can describe the historical evolution of the literary family in Chinese dynastic history, that is, the succession and the orderly progress of its three forms over three periods. The first period from the Han Dynasty to the Northern and Southern Dynasties saw the emergence of＂literary families of classical scholars,＂ and their evolutionary successors, ＂literary families with hereditary power.＂ In the second period of Sui and Tang Dynasties, this latter group coexisted and to some extent merged with ＂literary families of scholar-officials＂ in a composite form. The third period of Song, Ming and Qing Dynasties witnessed the continuation and transformation of the mainstream form of ＂literary families of scholar-officials.＂ In addition to the above groups, there existed a multiplicity of other forms. To construct an academic paradigm of the history of the literary family, we need to integrate four levels of research into an organic unity： research on individual literary families, research on families in specific periods and in specific regions, and research on the literary family across history.
