Frontier of Military Defense Buildings in the Western Regions of the Han and Tang Dynasties Based on CiteSpace

Under the guidance of the “the Belt and Road” policy, the academic community continues to study the historical relics of the western regions and military facilities along the silk road in recent years. Focusing on the military defense buildings in the western regions of the Han and Tang Dynasties, CiteSpace software is used to conduct statistical and visual analysis on the hot issues of relevant literature in the military buildings on the silk road. Based on the analysis of frontier hot issues, the research trend of future topics is analyzed and predicted. The research shows that the frontier hot spots of military architecture in the western regions of Han and Tang Dynasties are extensive, and the research trend is steadily rising.

A Brief Analysis of Competitive Sports Depicted on the Portrait Bricks and Stones of the Han Dynasty

The emergence of competitive sports in ancient China is closely related to military activities.With the evolution and development of society,many sporting events have been introduced to and accepted by,the people and later carried forward from generation to generation.In the Han Dynasty,thanks to the strong national strength and booming economy,competitive sports witnessed rapid development.People at that time,from imperial officials to common people,were all keen on various competitive sports and such sports were also very popular among the folk.Along with this,there emerged multiple monographs on sports.Portrait bricks are the remnants of the lavish burial rituals of the Han Dynasty.As the economy grew and social wealth amassed,the lavish burial custom prevailing since the Spring and Autumn Period reached its peak in the Han Dynasty,especially in the Eastern Han Dynasty.People would bury in tombs along with various articles they used before they died.They would also paint the life of the tomb owner on bricks to decorate the tomb by embedding them in the tomb chamber.The images on the portrait bricks unearthed from the tombs of the Han Dynasty are the most intuitive and convincing physical evidence to reflect the development of competitive sports at that time.We conduct a preliminary study on competitive sports in the Han Dynasty by using the portrait bricks of the Han Dynasty unearthed in Sichuan province and the Yellow River basin as examples,aiming to do our bit to build a sporting powerhouse and a healthy China.

A Textual Research on the Image of＂Gaomei God＂ in the Stone Relief of the Han Dynasty

As the most primitive and the highest-level media in ancient Chinese society, Gaomei God played a pivotal role in the social life of the Han Dynasty. The stone relief is a vivid portrayal of the Han Dynasty society, and we can use the format routine method to fred out the image of Gaomei God in it. Starting from the Gaomei portrait, a research on typology is carried out before the portrait is divided into three types on the basis of its development and evolution, which is followed by a comprehensive analysis of its time, distribution area, configuration combination, carving techniques, image composition, development in a way to sum up the law of Gaomei portrait.

Glimpse of the Han Dynasty from Han Stone Relief——Take the Han stone relief in Tengzhou For Example

Han stone relief is a kind of unique burial art in China and has a far-reaching influence in the whole history of art.Han stone relief is discovered in quite a few districts in China.Tengzhou is one of the districts that discovers Han stone relief at the earliest and has relatively abundant remains.The article takes Han stone relief that is in Tengzhou Shandong as an example,analyzes the subjects and contents of it,as well as its values,and explores the mainstream ideology which is reflected by these stone portraits at that time.

Simulated Spatiotemporal Characteristics of Climate Change in China during the Han Dynasty(1–200 A.D.)

In this study,a 2000-year simulation forced by transient,external forcings is carried out with the Community Earth System Model.The authors investigate the spatiotemporal features of climate change in the Han Dynasty(1–200 A.D.)using the empirical orthogonal function(EOF)method.The leading EOF mode of the annua mean temperature anomalies shows a uniform variation of temperature over the whole of China,while the second EOF mode indicates opposite variations of temperature between western and eastern China.For the annual mean precipitation anomalies,the first EOF mode indicates a meridional dipole pattern over eastern China,with increased(decreased)precipitation to the south of the Yangtze River and decreased(increased)precipitation to the north.The leading mode of the 850 h Pa winds and sea level pressure in summer exhibits a southwesterly(northeasterly)anomaly over South China,which is associated with a strengthened(reduced)meridional sea level pressure gradient.Compared to reconstructions,the model can capture the majority of features of climate changes in the Han Dynasty,though it underestimates the magnitude.

Comparative Analysis of Imperial Gardens in the Han Dynasty

The Han Dynasty was the foundation period of Chinese feudal society and an important period for the growth and development of imperial gardens.Therefore,the Han Dynasty has always been a hot topic in the study of Chinese classical garden history.This study analyzed the background and mainstream thoughts of the Han Dynasty,compared creative ideas,construction techniques,and garden construction achievements of imperial gardens in the Han Dynasty,and elaborated on the similarities and differences between creative ideas,gardening techniques,and social functions of imperial gardens in the Han Dynasty.It is hoped that through this study,the status of the gardening art of the Han Dynasty in the history of Chinese classical gardens can be evaluated more scientifically and objectively,and some reliable theoretical basis for modern garden design is provided.

Changxin Palace Lamp A Beam of Light from the Han Dynasty

A palace maid in the Western Han Dynasty sat on her bare.feet, eyebrows slender, face plump, wearing headdress and dressed in curving-front robe. For more than two thousand years, she has never moved a step by herself However, she has set out from the Western Han Dynasty, bringing a distant beam of light. She was born for the light, holding the lamp in both hands and projecting the light forward. When you watch this lamp, it seems that you can see the era which it illuminated.

Xu-style Garden Architecture of the Han Dynasty: Hanging Waterside Pavilion

Based on the Han Dynasty stone reliefs unearthed in the ancient Xuzhou area,a kind of pavilion above the water—hanging waterside pavilion(Xuan Shui Xie,built above the water with stilts and brackets as the base and seeming hanging on the water)was systematically collected and classifi ed into 2 major categories:single-bracket column hanging waterside pavilion and multiple-bracket column hanging waterside pavilion.The research showed that hanging waterside pavilion got ride of traditional pavilion’s reliance on rammed earth foundation.In addition to working as a connection part,brackets,or bucket arches(Dougong)had also tremendous load-bearing capacity,straight and curved brackets co-formed a giant multiple bracket system,staircases and one-side hanging structure were used to support the upper construction,so that a new towering but light wooden structure hanging above the water was created,which was an innovation of bracket technique of the Han Dynasty,and also a creative design in the development of wooden architecture.

On the Creation Background and the Influence of Wei Zhuang’s Famous Poem:Lament of a Northwestern Woman

Lament of a Northwestern Woman(Qin Fu Yin),composed by Wei Zhuang after the Huangchao uprising,is a long poem that showcases the sufferings of the civilians and embodies the people’s character of the poem,which is the profound empathy and compassion of the poet towards the civilians’plight.The poem was written during the reign of Emperor Xizong of the Tang Dynasty in the year Gengmao(883 AD).2023 is also the year Gengmao,so this poem has existed for a remarkable 1140 years.For over a millennium,this long poem remained submerged in history until the opening of the Dunhuang Grottoes at the turn of the 20th century.The deep compassion and commiseration towards the underprivileged masses conveyed in this long poem are reminiscent of Du Fu’s renowned“Three Poems of Separation.”Moreover,it is widely believed that this poem foretells the decline of the Tang Dynasty.

Impact of Hermit Culture of the Wei and Jin Dynasties on Location Aesthetics of Villa

This paper introduced the origination of seclusion culture, analyzed historical background, causes, and aesthetic performances of hermit culture, took living style and life attitude of Tao Yuanming for example to summarize the location characteristics of villas under the impact of hermit culture in the Wei and Jin Dynasty. On this basis, site selection of Tianquan Julong International Eco-villa in Longquanyi District, Chengdu City was analyzed, and profound influence of hermit culture on the location aesthetics of modern villa explored.

Brief History of Xu-style Gardens in the Qin and Han Dynasties

This paper studied the gardening activities and characteristics of Xu-style gardens in the Qin and Han Dynasties by combining ancient literature with the study of Han Dynasty stone reliefs.The results showed that by Qin and Han Dynasties,the imperial(royal)gardens and private gardens in ancient Xuzhou had developed in parallel.Imperial(royal)gardens were built by or for vassal kings,First Emperor of Qin Dynasty,Emperor Gaozu of Han Dynasty Liu Bang,for example,Pei Palace,Yanqi Tai,Xima Tai,Hanzu Temple,Lingguang Palace of Lu and so on.As for private gardens,stone reliefs in medium or small tombs owned by the bigwigs or the rich were collected from ancient Xuzhou,and from which we can see clearly the development of private garden from the court,the yard to the garden,rich garden plants and animal species,garden architecture types such as hall,building,pavilion,platform,boat,corridor,gate,gatetower,ornamental column etc.,particularly,hanging waterside pavilion was a unique architectural form of Xu-style garden.These achievements showed that Xu-style garden architecture had been transformed from the pre-Qin incubation period to the generation period.

An Analysis of the Shi Clan Connections in the Wei-Jin and North-South Dynasties Based on the Character Network of Shishuoxinyu

Shishuoxinyu is a collection of anecdotal stories about the words and deeds of Wei and Jin characters. In this paper, we build a complex network with characters in Shishuoxinyu to analyze the scholarly connections in the Wei-Jin and North-South dynasties. The ER random graph, WS small-world network, BA scale-free network, and experimental network are constructed for comparison. The network properties of the experimental network were analyzed using the average degree, average clustering coefficient, and average path length. Degree centrality, mesoscopic centrality, and proximity centrality were selected to understand the importance of the experimental network nodes, and it was found that the king guide had the highest importance in the whole experimental network. Then, through the observation of network degree distribution, this experimental network is considered as a scale-free network with robustness and vulnerability, which is in line with the political characteristics of the Wei-Jin and Northern Dynasties. Finally, ten larger-scale Shi clans are selected to construct a new network for inter-clan linkage analysis. This study helps to uncover the reasons for the rise and fall of the Shi clans during the Wei-Jin and North-South dynasties.

Analysis of Buddhist sculpture art in Wei, Jin, southern and Northern Dynasties

The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.

The Influence of the Southern Silk Road on the Social Development of the Southwestern Yi in the Qin and Han Dynasties

The Southern Silk Road ran through Sichuan,Yunnan,and other provinces of China.It was a vital transport artery that linked the region of the southwestern Yi(barbarian tribes)to the Central Plains and influenced politics,economy,and culture in the region of the southwestern Yi in ancient times.The imperial governments of the Qin and Han dynasties kept developing regions along the Southern Silk Road.Their relentless efforts brought about social development in the region of the southwestern Yi in three aspects.Politically,they established the county system and step by step integrated the southwestern frontier and the inland into an administrative whole;economically,they implemented“presenting generous gifts and tax exemption,”spread the advanced production technology from the Central Plains,and promoted local economic growth;ideologically,they spread Confucianism and culture,and promoted cultural exchange and development.

Orientation and choice of Hanwei symbolic word

Universal feature of human symbolic thinking makes the symbol words exist in Chinese language vocabulary dimensional systems, expressing the symbolic significance in addition to expressing the concept, they both have a commonality when they are chose, but also has differences. This paper discusses on the Orientation and choice of Hanwei symbolic word.

Intellectual Liberty during the Han Dynasty： A Comparative Study of the Religious Criticism of Lucian and Wang Chong

Wang Chong was an eminent thinker in the Eastern Han dynasty in China, during which religion was an integral part of day-to-day politics. This religious-political context was similar to that experienced by Lucian in Rome during the second century A.D. By comparing their religious criticisms and personal experiences, this paper uncovers the scale of intellectual liberty during the ancient Han era, a matter of interest and debate among historians. This paper argues that the intellectual liberty that Wang Chong enjoyed was very similar to that experienced by Lucian in ancient Rome as part of the Second Sophistic, and thus, this paper offers insights into the degree of freedom of thought enjoyed by intellectuals of the Eastern Han clynastv in China.

The meridian distribution on the lacquer figure unearthed in the Han dynasty tomb in Chengdu Laoguan mountain

In 2012,a lacquer figure was unearthed from the Han dynasty tomb(188 BC-87 BC) at Chengdu Laoguanshan.The lines intaglioed on the Laoguan mountain lacquer figure were similar to the meridians.Objective:To investigate the relationship between the lines on this Laoguanshan lacquer figure and the regular meridians so as to explore the development of meridian system in ancient China.Methods:Based on collecting the photos of the Laoguan mountain lacquer figure and the representative acupuncture classics,the double evidence method(combining the unearthed relics/literature and extant literature) was performed to investigate the relationship between the lines on this Laoguanshan lacquer figure and the regular meridians.Furthermore,the development of regular meridians theory was analyzed from the number,distribution,direction and branches.Results:The routes of the 28 longitudinal white lines on the Laoguan mountain lacquer figure are similar to the regular meridians in the ancient literature including Huángdì Nèijīng 《黄帝内经》 Yellow Emperor’s Inner Classic).The number,distribution and branches of the meridians intaglioed on the Laoguanshan lacquer figure suggested the evolution of the regular-meridian system from the eleven-meridian system to the twelve-meridian system.Conclusions:The meridian system of Laoguanshan lacquer figure was a link connecting the preceding and the following.The Laoguanshan lacquer figure played an important role in the development of the early meridian theory.