Ernest Hemingway, a famous American writer, is considered as one of tbe most impor-tant and Outstanding wriers of the 20th century in the world. This essay is to deal mainly with tbe writ-ing techniques OfThe Old Man ...Ernest Hemingway, a famous American writer, is considered as one of tbe most impor-tant and Outstanding wriers of the 20th century in the world. This essay is to deal mainly with tbe writ-ing techniques OfThe Old Man And the Sea as well as the character about the main hero, aiming to helpthe readers get a better understanding of the masterpiece by Hemingway-展开更多
This study seeks to determine the meaning of Luke 16：19-31. The question of whether this passage teaches intermediate state of the disembodied soul after death has been a theological conundrum. In Lucan context, both...This study seeks to determine the meaning of Luke 16：19-31. The question of whether this passage teaches intermediate state of the disembodied soul after death has been a theological conundrum. In Lucan context, both thematic and linguistic considerations suggest that the passage can be a pre-resurrection tradition. Having studied the setting in which Jesus tells this parable and Lucan context, this study, employing a quasi-allegorical method, concludes that the presentation of the unseen world represents events and class of people in the eschatological judgment.展开更多
Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engag...Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engaged in the dramatic social and cultural transformations taking place in early twentieth- century China, Lu Xun was very concerned about how to build up the New Man and new society via new literature. Advocating Maratic poets who are full of the spirit of revolt and nonconformity, Lu Xun endeavored to disturb and reinvigorate Chinese minds by bringing in foreign dynamics and energies based upon modem individualism and humanism. At the same time, Lu Xun insisted that, while moving toward a bright future, people should constantly consider China＇s prosperous past. For Lu Xun, tradition was still of great relevance in creating and nurturing new poetry, new men, and a new society. To simply lump Lu Xun together with pure anti-traditionalists is problematic. Lu Xun is commonly seen as an iconoclastic pioneer in modem China; however, I argue that Lu Xun demonstrated a dialectical reflection on the relationship between tradition and modernity. Actually, Lu Xun envisioned a process by which, galvanized by imported Maratic spirit, selected cultural legacies would undergo modem reconfiguration and revitalization.展开更多
文摘Ernest Hemingway, a famous American writer, is considered as one of tbe most impor-tant and Outstanding wriers of the 20th century in the world. This essay is to deal mainly with tbe writ-ing techniques OfThe Old Man And the Sea as well as the character about the main hero, aiming to helpthe readers get a better understanding of the masterpiece by Hemingway-
文摘This study seeks to determine the meaning of Luke 16：19-31. The question of whether this passage teaches intermediate state of the disembodied soul after death has been a theological conundrum. In Lucan context, both thematic and linguistic considerations suggest that the passage can be a pre-resurrection tradition. Having studied the setting in which Jesus tells this parable and Lucan context, this study, employing a quasi-allegorical method, concludes that the presentation of the unseen world represents events and class of people in the eschatological judgment.
文摘Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engaged in the dramatic social and cultural transformations taking place in early twentieth- century China, Lu Xun was very concerned about how to build up the New Man and new society via new literature. Advocating Maratic poets who are full of the spirit of revolt and nonconformity, Lu Xun endeavored to disturb and reinvigorate Chinese minds by bringing in foreign dynamics and energies based upon modem individualism and humanism. At the same time, Lu Xun insisted that, while moving toward a bright future, people should constantly consider China＇s prosperous past. For Lu Xun, tradition was still of great relevance in creating and nurturing new poetry, new men, and a new society. To simply lump Lu Xun together with pure anti-traditionalists is problematic. Lu Xun is commonly seen as an iconoclastic pioneer in modem China; however, I argue that Lu Xun demonstrated a dialectical reflection on the relationship between tradition and modernity. Actually, Lu Xun envisioned a process by which, galvanized by imported Maratic spirit, selected cultural legacies would undergo modem reconfiguration and revitalization.
