The Aesthetic Characteristics of Emotional Abuse in The Japanese Movie“0.5mm”

The Japanese movie“0.5mm”connects the life clips between the nursing-care helper Sawa and several old people in the form of a road movie,highlighting many thought-provoking social problems,and revealing how the elements of emotional abuse hidden between the old people and their relatives and friends affect people’s dignity and decency,and at the same time trying to offset the persecution from the emotional abuse with the warm kindness between the elderly and the care workers.The film’s implicit description of emotional abuse and explicit display of good deeds are blended in the quiet and mysterious narrative character,achieving the effect of synchronizing the artistic narrative rhythm with the flow of life,reflecting the unique aesthetic characteristics of Japanese films.

Landscape Aesthetic Characteristics of Wulingyuan World Natural Heritage Property and Realization Path of Aesthetic Education Value

Wulingyuan is a world natural heritage property mainly dominated by rare quartz sandstone peak forest landscape at home and abroad and supplemented by karst landscapes,with a large number of geological and historical sites,biological and ecological landscape and unique cultural landscapes.Preserving the secluded and beautiful scenery environment,biological environment and ecosystem of subtropical zone,Wulingyuan presents a splendid and magnificent landscape,with high aesthetic value,and becomes an important practice base of aesthetic education.The aesthetic education value of Wulingyuan World Natural Heritage Property can be realized by systematically studying and presenting the aesthetic education value of Wulingyuan World Natural Heritage Property,developing a series of aesthetic education courses to lead tourists into the world of Wulingyuan aesthetic education,carrying out a series of popular science activities of“Wulingyuan World Natural Heritage Property Entering Campus”,and incorporating into the aesthetic education curriculum system of schools,etc.This paper analyzes the landscape aesthetic characteristics of Wulingyuan World Natural Heritage Property thoroughly,which indicates the direction for realizing the aesthetic education value of the property,and also provides a reference for realizing the aesthetic education value of similar world natural heritage property.

Aesthetic Characteristics Thinking of Minority Folk Art in Guizhou

Guizhou, with a cluster of multiple ethnic groups, is located in the southwest of China. In the province, there is up to 49 ethnic minorities whose population occupies around 1/3 of the total. Thanks to this, the multi-ethnic region is endowed with various folk art and culture of distinctive minority styles. This paper briefly discusses the outline of minority folk art in Guizhou, including its development and features, analyzes the aesthetic expression ways and characteristics of the art, and finally, puts forward some further thoughts from fine art, dancing art and batik art. This paper aims to further facilitate the development and innovation of the minority folk art of Guizhou, and add lustre to the progress of our national minority cultures.

Research on the Characteristics of Aesthetic Acceptance of Micro-Film Based on Micro-Age

With the development of society and the progress of information science and technology, it has entered into the "Micro-Era". In the micro-era micro-film was born, micro film playback time is short, and the amount of investment in the production cycle is short, forming a unique advantage, and micro-film aesthetic acceptance characteristics are different from the traditional film, the audience's aesthetic acceptance of features has also changed accordingly. This paper analyzes the relationship between micro-film and micro-era, and analyzes the micro-film to change the aesthetic acceptance of the audience from the aesthetic acceptance, aesthetic needs, aesthetic psychology and aesthetic experience to analyze and summarize. Hope to be able to cause domestic and foreign micro-film-related researchers and practitioners of thinking, and strive to micro-film can be further develop.

The Situational Variation and Aesthetic Features of Chinese Traditional Drama

As a specific name,Chinese traditional drama appeared in the 1960s,which specifically refers to the reserved plays of various traditional dramas that coexisted with modern dramas and newly edited historical dramas before the foundation of New China.Traditional drama has aesthetic characteristics such as freehand,stylization,singing and dancing,and it has profoundly affected the aesthetic taste of the Chinese people because of its rich spiritual and aesthetic accumulation.

The Aesthetic Art Mechanism of English Literature Translation

With the development of global economic integration in recent years, Chinese culture is influenced by the penetration of Western culture, and there are many excellent English literature works. This paper focuses on how to translate excellent English literature into appropriate Chinese. It shows the key meaning of English literary translation which embodies artistic characteristics and aesthetic value. Then it analyzes how to reflect aesthetic value and artistic characteristics in English literary translation.

久石让音乐作品的创作特色与审美分析

久石让音乐的Minimal Music与New Age Music创作风格,广受大众喜爱,令人陶醉,扣人心弦。他的影视配乐,在推动剧情与突出角色人物性格方面独树一帜。在此,特对其个人做配乐经历梳理,对其音乐作品做创作特色、乐器选用、特效音响创编以及审美主题的深入分析,以探讨其在影视配乐上的借鉴价值,为后续音乐领域研学者与创作者提供丰富的思路。

城市地标空间的建筑材料艺术特征研究

本文以武汉绿地中心大厦为例,对城市地标空间的建筑材料艺术特征进行了研究。同时,探讨了该建筑在材料选择上的艺术特征,包括色彩、质感和纹理等方面。并研究了建筑材料在美学价值、文化传承和可持续发展等方面的作用。结果表明:建筑材料在城市地标空间的建设中具有至关重要的作用,其艺术特征对于提升城市形象和文化品质具有重要意义。

从“形”到“势”:豫西剪纸的艺术特色及其在服饰设计中的应用探究

通过分析豫西剪纸的起源发展、色彩观念、题材类型、工艺技法和构图特征等内容,以“造形”与“造势”为主要切入点,论证豫西剪纸的艺术特征。通过剖析豫西剪纸在服饰设计中的应用现状,结合时尚界相关设计案例,探究豫西剪纸与现代服饰设计创新融合的方法与途径。

现代立体漆艺创作的表现形式与审美特性

漆艺艺术也称大漆艺术,是我国最为古老的传统艺术形式之一,早在春秋战国时期便已出现。最早大漆艺术多以工具性特征为主,凭借漆的防腐、耐酸等特性被广泛用于涂饰工艺,随着时代的变迁,越来越多的新材料被运用到大漆艺术中,大漆艺术也渐渐由工艺而进化成了一门具有别样美感的艺术形式。随着更多新材料和新工艺的出现,现代大漆艺术已完全蜕变成为一种独立的艺术形式,其中最具代表性的当属当代的立体漆艺艺术。以现代立体漆艺为研究对象,分析现代立体漆艺创作的造型思路和装饰技法,探讨现代立体漆艺创作的表现形式和审美特征。

2022—2023年度影视获奖作品的审美特征探析

2022—2023年度中国影视优秀作品的评奖已经结束,电影百花奖、金鸡奖、华表奖与电视飞天奖、星光奖、金鹰奖、白玉兰奖等各大奖项也已揭晓。这些获奖作品紧扣时代主题,书写人间正道,弘扬主旋律,表现真善美,充满正能量,注重内容与形式的完美融合,追求思想性与艺术性的有机统一,具有现实主义的艺术风格与审美特征,因而受到了社会公众的广泛欢迎和好评。此外,这些优秀作品的获奖还具有重要的启示意义,有利于引领当代影视创作的新风尚、新潮流,促进民族影视艺术的繁荣与发展。

唐代美学下的首饰探究

唐代美学以其包容开放、多元广博,气势恢宏、自由奔放泽被后世。唐文化博大包容,其以正统儒学思想为核心,融合了儒释佛文化,将魏晋时期传入我国的佛学文化融入大唐生活,在艺术形式上表现出复杂和开放、豪放与婉约、尚法与尚意、空灵与充实等美学特点交融并存。唐代美学下的大唐首饰则雍容华美、端庄大气、精美灵动,无论是其外部视觉特征的华美多元、表面纹饰的深厚寓意,还是材料的纷繁多呈等方面都蕴含着大国风范。本文聚焦唐代美学基础上的首饰类别与特征,探讨唐代首饰文化的可持续性传承设计问题。

徽州古民居生态美学特征的现代建筑设计应用探索

徽派古民居在中国传统建筑中占有重要地位,在其成型过程中受到徽州地理和文化影响,展现出独特的区域特色,在其造型、功能、装饰等诸多方面也自成一格,呈现出“天人合一”的协调美、“道法自然”的和谐美以及“古朴典雅”的整体美的生态美学特征。现代建筑设计可遵循特色地域文化与传统建造技术相融合、传统建筑文化与社会经济环境相适应、建筑空间形式与功能适用性相统一的原则,探索因地制宜,构建以“和”为美的地形界面;秩序井然,构建以“序”为美的空间界面;情景合一,构建以“情”为美的人文界面,做到古为今用的同时,彰显徽州古民居生态美学的科学构成、地域特色和价值理念。

黔南苗族传统纹样的演变及其美学特征

黔南苗族传统纹样是黔南苗族人民生活方式、精神信仰与审美风格的集中体现,是研究其历史文化的重要窗口。文章以黔南苗族传统纹样作为研究对象,采用调查研究法与比较互证法,从黔南苗族传统纹样的基本形态入手,探究其成型及演化过程,进而从纹样造型方式、构成形式、色彩风格与美学内涵四个方面分析黔南苗族传统纹样的美学特征。研究发现:黔南苗族传统纹样源自其历史文化生活与宗教精神信仰,并随着族群的迁徙融合形成传承、再创与发展的良性循环,在此过程中形成了纹样特殊的美学表达形式,蕴含着黔南苗族“万物有灵”的美学内涵。该研究可为后续的苗族纹样创新设计提供借鉴,促进现代艺术风格融入新的设计语言。

汉魏六朝乐府诗中服饰文化词英译对比分析——以许渊冲和汪榕培译本为例

汉魏六朝乐府诗中涉及诸多具有时代烙印的传统服饰,它们是中华民族特有的民族社会符号,像《孔雀东南飞》《陌上桑》等作品可谓是其中的典型代表。通过选取许渊冲和汪榕培两个权威译本中共同出现的诗歌进行分析,确定其中服饰文化词的具体数量及类别。同时从翻译方法和诗体美学两个层面入手,对其英译特点与内在文化内涵进行梳理分析,探讨服饰文化词在两译本中的直译意译之别以及在韵律、意象和修辞上的差异。

基于可拓语义和美度计算的苗族服饰纹样设计

针对目前苗族服饰中苗绣纹样设计只探讨其文化内涵而忽略自身的美学价值,且苗绣纹样的布局设计存在模糊性的问题,提出一种基于可拓语义和美度计算的苗族服饰纹样设计方法。通过提取苗族服饰中最具代表性的苗绣纹样的文化美学特征,构建可拓语义表征模型;并运用可拓变换获取纹样设计元素集;构建以平衡度、对称度、节奏度和整体度为主的美度指标体系,运用综合美度计算公式得到美度值最高的纹样布局样本,以此指导苗绣纹样设计元素的布局设计,最终得到新的纹样图案,以此研究黔东南苗族服饰纹样在现代服饰品设计中运用的可行性,为苗族服饰纹样的保护与传承以及创新设计提出新的发展方向。