The emergence of the practice of quoting The Classic of Poetry(Shijing)is the result of a separation in the ethical function of rites and music.At first,quoting the Poetry is a means to correct people’s pronunciation...The emergence of the practice of quoting The Classic of Poetry(Shijing)is the result of a separation in the ethical function of rites and music.At first,quoting the Poetry is a means to correct people’s pronunciations,but gradually its function changes from the rectification of sound to the rectification of social norms,and by the time of the Warring States period,Qin dynasty,and Han dynasty,the expression"the Poetry says''(Shiyue)has become an emblem of social values through which the writer justifies his own arguments.But although more than 400 cases of such use of the Poetry can be found in Han rhapsodies(Fu),none of the rhapsody-titled works contain expressions such as“the Poetry says•”On the one hand,this results from the sound and rhythmical requirements of chanting the rhapsody.On the other,this shows the gradual reawakening of the writers’self-consciousness in a period when old political and social orders are restored.This stylistic change releases the creative energy of the literary language that helps reconstruct the artistic conception of rhapsodies and stimulates the emergence and flourishing of new literary genres such as five-syllable-line poetry(Wuyanshi),seven-syllable-line poetry(Qiyanshi),parallel prose(Piantiwen),and Chu-style prose(Saotiwen).展开更多
Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literatu...Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literature.Yuan Ke is one of the most exceptional scholars who has made significant contributions to the popularity and promotion of Chinese mythology.He has collected,sorted out,and transformed related materials into stories to facilitate the systematic development of Chinese mythology.Moreover,he proposed and constructed a broad mythology theory,making him a leading figure in contemporary Chinese mythology research.Upon reflecting on the development of Chinese mythology,it is evident that Yuan Ke has progressed from a learner to a trailblazer and finally to the architect of his own comprehensive mythological framework.展开更多
基金the Start-up Research Grant(2020-00005-FAH)sponsored by the University of Macao,and the Major projects of the National Social Science Foundation of China(No.17ZDA249).
文摘The emergence of the practice of quoting The Classic of Poetry(Shijing)is the result of a separation in the ethical function of rites and music.At first,quoting the Poetry is a means to correct people’s pronunciations,but gradually its function changes from the rectification of sound to the rectification of social norms,and by the time of the Warring States period,Qin dynasty,and Han dynasty,the expression"the Poetry says''(Shiyue)has become an emblem of social values through which the writer justifies his own arguments.But although more than 400 cases of such use of the Poetry can be found in Han rhapsodies(Fu),none of the rhapsody-titled works contain expressions such as“the Poetry says•”On the one hand,this results from the sound and rhythmical requirements of chanting the rhapsody.On the other,this shows the gradual reawakening of the writers’self-consciousness in a period when old political and social orders are restored.This stylistic change releases the creative energy of the literary language that helps reconstruct the artistic conception of rhapsodies and stimulates the emergence and flourishing of new literary genres such as five-syllable-line poetry(Wuyanshi),seven-syllable-line poetry(Qiyanshi),parallel prose(Piantiwen),and Chu-style prose(Saotiwen).
基金a phased achievement of“Literature Research of the Classic of Mountains and Seas,”a special fund project for basic scientific research business expenses of Southwest Minzu University(Project No.:2022SPYZX07YB)。
文摘Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literature.Yuan Ke is one of the most exceptional scholars who has made significant contributions to the popularity and promotion of Chinese mythology.He has collected,sorted out,and transformed related materials into stories to facilitate the systematic development of Chinese mythology.Moreover,he proposed and constructed a broad mythology theory,making him a leading figure in contemporary Chinese mythology research.Upon reflecting on the development of Chinese mythology,it is evident that Yuan Ke has progressed from a learner to a trailblazer and finally to the architect of his own comprehensive mythological framework.
