Ecological Concepts in Traditional Vernacular Dwellings of Miao Nationality in Southeast Guizhou Province

Traditional vernacular dwellings of Miao Nationality in southeast Guizhou Province are reasonable and scientific in many aspects, such as site selection, construction, structure, direction, room layout, harmony between constructions and environment, moderate development of natural resources and so on, which demonstrate the ecological concepts of Miao people respecting the Nature, pursuing the harmonious coexistence between human beings and Nature. This study analyzed the gist of Miao people constructing vernacular dwellings, i.e. natural and harmonious ecological concepts, the principle of planning according to actual conditions, saving cost by utilizing local materials and sustainably developing architectural structure.

Cultural Inheritance of Miao Nationality in Western Hubei under the Background of Beautiful Countryside Construction

Miao nationality is an ancient minority with rich culture and long history,especially for its handicraft art.The Miao nationality migrated to western Hubei still retain their own cultural customs and has also experienced the integration of Tujia nationality and Han nationality,with high research and inheritance value.Based on the policy guidance of beautiful countryside construction and all-for-one tourism transformation,combined with the theory of local landscape design,the ways to revitalize the economy and inherit the culture of traditional villages of ethnic minorities in western Hubei are explored,so as to provide the reference for construction and development of traditional villages in other regions.

The Influence of Miao Nationality’s Culture in Yuan Xiang Region on the Later Poetry Creation of Qu Yuan

Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.

Marketing of Transnational Maize Seed Enterprises from the Perspective of Customer Equity

Customer is important equity of an enterprise. Customer equity is the total combined customer lifetime values of all of the company's customers. In the context of invasion of transnational seed companies,how to cope with huge crisis and challenge is a problem to be solved by national companies and government. From the perspective of customer equity driving factors and sub-driving factors,this paper made an empirical study on transnational and national maize seed enterprises using principal component analysis( PCA). Results indicated that the driving factors for customer equity of national and transnational maize seed enterprises are basically similar,while there are large differences in ranking of importance of principal components. Besides,there are great differences in sub-driving factors of customer equity.

THE "DIALOGUE" BETWEEN THE FIFTEENTH NATIONAL CONGRESS OF OCP AND GUANGDONG CUSTOMS——Interviewing Liu Wenjie, representative of the Congress, director of Guangdong Customs Branch Office, Director of Guangzhou Customs

The Fifteenth Natlonal Con-gress,a very important andgrand trans—century meeting inthe history Of CCP,was inaugu-rated in Beijing on September 12,1997. Guangdong Customs have sentrepresentatives to attend the Party’sCongress for the first time in his-tory.Among the two representa-tives is Liu Wenjie,director ofGuangdong CUStoms Branch Of-fice and of Guangzhou Customs.On September 23 after conclusionof the Coilgress,this reporter inte-Viewed directory Liu Wenjie in

On Musical Forms——One of Presentation of the Social Ideology

The aesthetics of musical form has transformed from the traditional rites and music to the modern Chinese music,showing both the image of China and the Chinese people and expressing the music aesthetics of the Chinese people. The regionalism of the musical form provides the modernized national legal connotation; at the same time,the modern ideology of the Chinese nation has experienced numerous changes and evolution,gradually developing into the big pattern of the musical ideology.

A Comparative Analysis of the Hat-culture Between Britain and China

The hat is not only a kind of essential need for human life,but also a significant part of dress culture.It carries profound meaning for both China and Britain.This paper will start with the history and development of British and Chinese hats.The author will elaborate on the usage of hats in the two peoples'daily lives and langnages,and the role hats play in showing etiquette,social status,national characteristies and customs of the British and Chinese.Based on the actual situation,through the analysis and comparison of the hat-culture between Britain and China,the author will provide some findings on the topic which will give people enlightenments about the inheritance of social culture.

海南黎族传统习惯规则的法治化思考

长期以来,海南黎族乡村已形成具有普遍约束力的传统习惯规则,在调适人际关系、村民纠纷、维护族内稳定及规范生活秩序等方面发挥着重要作用。从现实意义来看,黎族传统习惯规则背后所蕴含的法观念与时代要求和现代理念在一定程度上较为契合,有其存在的意义和价值。与此同时,部分不合时宜的传统习惯规则仍需进一步甄别和扬弃,应当纳入法治化轨道予以调适。

南京国民政府废除常关制度探略

民国初期,常关数量众多,其税收是政府的重要财政收入之一。但是常关无论其性质还是实践结果,都具有浓厚的封建性和明显的落后性,因此,社会各界废除常关制度的呼声不断高涨。南京国民政府成立后,着手以一种新的统税制度代替旧有的通过税制度,在此前提下,1931年宣布废除常关制度。

从国际粮食问题会议到世界贸易暨就业组织会议——中国与战后国际经济秩序的重建

盟国重建战后国际经济秩序的努力始于1943年国际粮食问题会议,其后又历经布雷顿森林会议、世界贸易暨就业组织会议,最终搭建了战后国际经济秩序的框架。从国际粮食问题会议起,中国参与了国际经济秩序重建的全过程。虽然并不具备足够的经济实力,但中国仍在若干重要规则上为发展中国家发声建言,尽可能为工业落后国家争取了一定的发展环境。很大程度上,中国在国际经济问题上的发言权得益于政治上的四强地位。

黔南苗族传统纹样的演变及其美学特征

黔南苗族传统纹样是黔南苗族人民生活方式、精神信仰与审美风格的集中体现,是研究其历史文化的重要窗口。文章以黔南苗族传统纹样作为研究对象,采用调查研究法与比较互证法,从黔南苗族传统纹样的基本形态入手,探究其成型及演化过程,进而从纹样造型方式、构成形式、色彩风格与美学内涵四个方面分析黔南苗族传统纹样的美学特征。研究发现:黔南苗族传统纹样源自其历史文化生活与宗教精神信仰,并随着族群的迁徙融合形成传承、再创与发展的良性循环,在此过程中形成了纹样特殊的美学表达形式,蕴含着黔南苗族“万物有灵”的美学内涵。该研究可为后续的苗族纹样创新设计提供借鉴,促进现代艺术风格融入新的设计语言。

苗族泥哨元素在文化创意产品设计中的应用

探索苗族泥哨元素的源起和发展以及在文化创意产品设计中的应用形式。以苗族泥哨元素为切入点,从泥哨的文化内涵、造型元素、纹样图案、色彩搭配4方面进行提取、演变,探讨如何应用于文化创意产品设计中。得出苗族泥哨造型、图案、色彩、文化内涵元素在文化创意产品设计中的设计方法。系统地探究苗族泥哨元素在文化创意产品设计中的应用,丰富文化创意产品的设计方法,对苗族泥哨进行活态传承与创新应用,为继承和弘扬中国非物质文化和传统文化贡献了力量。

冰嬉运动的历史转化与新时期的文化再生产

冰嬉是一种源于满族的传统冰上运动,曾在清朝时期达到鼎盛,素有“国俗”之称。但在现代化社会蓬勃发展以及中西方冰雪文化交相融合的背景下,冰嬉逐渐丧失其原有地位,面临赓续与发展的困境。通过对冰嬉运动文化生产过程进行剖析,发现在历史演进过程中,其实现从生产生活向军事竞赛的转化,从民俗运动向“国俗”典礼的转化,从文体活动向族群符号的转化。而新时期要促进冰嬉运动文化再生产,应当依托于国家政策的支持引导、本体文化的价值赋能、产业嵌入的推动助力,并具体借助完善政策体系,保障项目传承;深挖文化内涵,彰显精神特征;聚焦产业融合,推动活态演进加以实现。通过将传统项目融入现代化的语境中,推动优秀传统文化资源的转化与复兴,从而促使冰嬉运动在新时期焕发出更多生机与活力。

贵州苗族传统服饰研究

苗族服饰材料考究,工艺复杂,风格多样,形成了独特的服饰文化。从材料、色彩、装饰、款式四个方面分析贵州苗族服饰的美学风格、苗族服饰传达的文化内涵与苗族人民的精神寄托,有助于人们更加了解它。

“丈八八”形制影响下的大木构架尺度表达——以木格倒苗寨及土家大寨传统民居为例

川渝地区苗族、土家族木构技术中传承因袭的“丈八八”形制,是将“八”为尾数的数字运用于传统建筑尺寸设计的地方营造习俗。这种以简明易记的尺寸数字把握建筑空间尺度的营造习俗,是地方传统建筑营造技术的经验积累和智慧总结,也是传统建筑模数制度的发展延续和重要呈现。本文以叙永木格倒苗寨及秀山土家大寨传统民居为例,通过详实的实地调研和匠师访谈,探究“丈八八”形制在传统大木技术中的具体表达机制,分析不同地域间“丈八八”形制的关联和差异,并借此阐释川渝苗族、土家族传统建筑营造的一些重要规律和特征。

“从老根上发新芽”:梁漱溟“新礼俗”思想解析

在反思民族自救运动的过程中,梁漱溟提出以社会涵容政治的“新礼俗”构想。中国的民族复兴不可简单照搬西方制度,应从复兴“刚”的人生态度与重建伦理本位的社会构造两方面来激活“中国老根子里所蕴藏的力量”。在这个意义上,“新礼俗”可视为连接个人与社会的综合性构想,是梁漱溟乡村建设的独特方案。具体而言,他主张以中国人的理性主义开出民主精神,由此实现中西文化在中国实际社会的沟通调和;强调以乡村为实践起点,通过乡农学校这一实践载体,将知识分子与农民聚合在乡村,启发个体的人生向上思想,创建富有伦理情谊的现代团体组织。

体育文献视域下《冰嬉赋》的教育意蕴与价值指归

冰嬉作为中国古代北方民族具有冬季特色的冰上运动,随着清朝的建立而进入宫廷,经由武事训阅发展为国家盛典,并在乾隆朝获得“国俗”的盛誉。乾隆创作的《冰嬉赋》对这一运动的跃升具有决定性意义,可谓中国冰上运动第一文。赋文以富丽华美的词句对冰嬉进行铺陈叙事,赋予冰嬉以“身与心”“艺与礼”“仁与义”的教育意蕴,凸显冰嬉的体育效能和文化功能,对考察和研究中国古代冰上运动具有重要的文献价值,对建设今日之体育强国、教育强国、文化强国、健康中国,也具有重要的现实启示。

台江苗族民俗生活中的森林康养元素分析

社会的快速发展带来的压力使人们焦虑、抑郁情绪急剧上升,森林康养的模式也应随之调整。通过文献搜集、田野调查对台江苗族生活习俗进行分析、总结,并用相关现代科学知识加以佐证,发现台江苗族的艺术疗法、酸汤野味食疗和苗药疗法等教育学、营养学和医学元素可应用于森林康养活动中,为森林康养提供苗族康养模式。