Research on the origin of the theory of“heart as monarch”in Huang Di Nei Jing(Yellow Emperor’s Internal Classic)

Scholars have previously attributed the theoretical origin of“the heart is the monarch/ruler”to the monarchical view of politics.However,according to the latest unearthed documents and relevant documents handed down from ancient times,it can be found that the theory of“the heart is the monarch”might derive from the importance of attachment to the“Zhong”ideology in traditional culture,which promoted the concept that the heart as the center of body,should be the ruler and was later evolved as the“monarch”.Similar cognitive views were all mentioned in Confucianism,Taoism,eclectics scholars and other pre-Qin literature,but only in the system of traditional Chinese medicine,they played a significant role in building the heart-centered theory of Zang-Fu.Traditional Chinese medicine is a discipline developed mainly by clinical practice with the fundamental purpose of curing diseases and saving people.Although the philosophy of traditional Chinese medicine(TCM)roots in the pre-Qin Dynasty,the development is unique to the other philosophies.With rich cultural connotations and philosophical thoughts,TCM is certainly the key to the treasures of Chinese civilization and deserves more attention and exploration.

Influence of Chinese and Western Culture on Modern Church Architecture in Yan’an Area

Based on the historical records and field investigation, this paper aims at elaborating the architectural styles, interior space design and architectural landscape of modern church architecture in Yan’an, analyzing the influence of Chinese and western culture on modern church architecture in Yan’an and expounding the historical and cultural value as church architecture, which will play a great role in the protection, inheritance and utilization of modern architecture in Yan’an area.

The Origin of the“Cultural Strategy”Perspective in Yan’an Literature and Art Research

The field relationship of literature in the Yan’an period is the first thing worthy of attention.In order to become an independent literary history,the literature of Yan’an period must be able to be distinguished from“Sui literary literature”and“new Chinese literature”.The complex field relationship in the Yan’an period makes the“cultural strategy”an indispensable perspective for studying literature in this period.

A Critical Discourse Analysis of News Reports Concerning Huang Yan Island Dispute

To find out different discourse features of these two different news reports and different ideologies reflected in the these two news reporting,Fairclough’s three-dimensional model of critical discourse analysis is adopted as the basic theoretical framework.And a contrastive analysis of news reports concerned with Huang Yan Island dispute from Reuters and Xinhua is carried out.The data of this article is collected from the official website of Reuters and Xinhua respectively,including one news report on Huang Yan island dispute from Reuters and two news reports from Xinhua.By comparing and analyzing the news resources reporting mode,the hidden political,historical and cultural ideologies behind the news discourse can be exposed.And Fairclough’s three-dimensional model of critical discourse analysis is an useful tool for interpreting the news reports to explore the hidden ideology.

Global Localization and Overseas Dissemination of Huang Di Nei Jing English Translation

Aiming to promote overseas acceptance level of the domestic English version of Huang Di Nei Jing Su Wen on the premise of preserving the cultural characteristics of traditional Chinese medicine (TCM), this paper made a comparative analysis of different translations of Chinese character "和"(he) in three English versions of Su Wen, based on the discourse theory of "global localization". The analysis reveals that Li’s translation uses the strategy of transliteration plus interpretation to preserve the original Chinese classic’s style, thinking, and ideas, but the effect is not satisfactory. Veith’s free translation enables overseas readers to understand the content relatively easily, but fails to convey the rich TCM cultural connotation. Unschuld’s translation strictly follows the principles of linguistics in order to reflect the original thinking and idea to the utmost extent, and at the same time takes into account the expressions commonly used by the readers of English-speaking countries. That’s the reason why his translation enjoys the greatest popularity among professionals and the general public alike overseas. It is also clear from the analysis that different social historical contexts in which Su Wen was translated and each translator’s subjectivity determine translation’s target audiences, purposes, and ultimately translation strategies. Therefore, in order to speed up the "going out" of TCM culture, domestic translators are suggested to determine target audience and translation purpose in the first place, and study overseas readers’ knowledge background, information needs, reading habits, and value orientation before deciding the translation strategies.

Nationality and Universality: Cultural Consciousness and Fusion of Horizons in Mo Yan’s Novels from an Intercultural Perspective

Within the structure of globalisation,the field of world culture faces challenges that are manifested in the decline of national culture and the crisis of homogeneity of world culture.In this case,world culture should be promoted as a viable path to prosperity and development if it is done on the basis of adhering to the higher consciousness of national culture,developing intercultural dialogue,with the intention forming a situation of mutual learning and promoting the fusion of horizons.The Chinese Culture,Qilu genetic code and native writing embody Mo Yan’s conscious adherence to national culture,his thorough knowledge of “Seeking Roots” and “Vanguard”,the fusion of national and international characteristics and the integration of his hometown and other countries.These show his enthusiasm and courage in launching intercultural dialogue and reaching towards the fusion of horizons.How to face cultural challenges under this changing world pattern?The successful experience of Mo Yan’s novels provides us with vivid examples.

从“黄炎之后”到“炎黄之后”:早期话语中炎帝身份的转变

作为中华民族的人文始祖,炎帝身份在中国早期话语中存在着一个明显的转变过程。在炎帝身份转变的四个阶段中,春秋时期的炎帝逐渐分化为具有盛德的炎帝和被黄帝征伐的炎帝,前者往往被视为炎帝本人,且在时间上先于黄帝统治天下,其后与神农合体,上升为“三皇”,并与黄帝组合成前后接续的定式;后者则逐渐被贴上无道、反叛的标签,以至被视为非炎帝本人,而是炎帝后裔或其他人。炎帝身份的转换与分化,深层原因在于华夏大地族群融合的客观进程,其中蕴含着华夏地区文化自觉意识的丰富和提升,这为中华民族共同体意识的文化身份认同提供了重要的观念基石。

黄炎培人格教育思想融入高职院校体育文化育人体系研究

教育的核心在于培养全面健康发展的人。黄炎培人格教育思想与高职院校体育文化高度契合,两者都以塑造健全人格为共同价值遵循,以促进学生全面发展为相同逻辑基点,以探索职业文化与体育文化融合育人之路为共同目标指向,在学生个人成长、行业发展、服务国家和社会等方面展现出独特价值。该文重点分析黄炎培人格教育思想融入高职院校体育文化育人体系的内在逻辑、三维价值及实践路径,以强健体格和健全人格为融合育人的出发点和落脚点,系统解读职业文化与体育文化融合育人的新路径,为培养新时代高素质技术技能人才提供重要参考。

炎帝时代和文明起源

炎帝时代处于文明起源的重要时期。依据先秦文献记载和考古学研究成果,推定炎帝时代的年代在距今7000年至5000年之间,与炎帝部族集团相对应的考古学文化遗存是分布在陇原东部、关中、晋西南及豫西地区的“典型仰韶文化”。其发展过程可分为四个阶段,体现了文明起源的过程。第一个阶段为平等社会,第二个阶段社会逐步发生分化,第三个阶段社会发生剧变,第四个阶段产生“王室文化遗存”进入古国时代。整个发展过程呈现出稳定和连续发展演变的特点,具有包容性特征、创新性内涵,属于文明起源的一种原生态发展模式。通过对炎帝时代典型仰韶文化文明起源现象的分析,可以看出中国在距今5000年前后呈现出一个文明化浪潮。

饮食·精神·和合:葛亮长篇小说《燕食记》的间性价值

葛亮的《燕食记》笔触深入近代岭南的聚散流徙,以饮食“间性”形象地彰显了国人的生存观念和生活哲学。小说上中下三阙分别以般若素筵、莲蓉月饼、粤沪合璧等岭南饮食和特色美食的他者形象,对话人间情谊、气节操守、孝亲礼数等主体精神和文化内容,实现个体本能、物质欲望和理想情怀的关联和平衡,指向和合共生的文化诉求与生活理想。岭南饮食叙事被赋予了形而下和形而上的双重意味,具有十分重要的当代文化建构价值和生活实践意义。

非遗医药企业数字营销的实践探索与路径优化——以片仔癀为例

数字营销具有覆盖面广、交互性强、形式多样、投放精准、性价比高等优点,逐渐成为企业营销战略的重要组成部分。非遗医药企业拥有悠久的历史和深厚的文化底蕴,但是部分企业营销策略滞后于数字时代,营业状况不容乐观。基于非遗医药企业片仔癀数字营销实践的典型案例,针对片仔癀数字营销存在问题,企业应运用数字媒体塑造品牌,加强数字营销平台产品联动,利用数字技术拓展营销方式,强化线上线下渠道协同营销等优化策略。片仔癀数字营销案例的剖析能为同类型非遗医药企业开展数字营销实践提供借鉴。

中医经典海外传播研究——以《黄帝内经》海外课堂为例

中医经典海外传播对中医药国际化具有重要意义,然而目前中医经典海外传播存在课程覆盖面有限、语言障碍、师资明显不足等困境。通过考察法国汉学家伊丽莎白(Elisabeth Rochat de la Vallée,中文名罗姹)在美国科罗拉中医教学时的《黄帝内经》课堂,发现其以“汉字立论”的跨国际授课方式对中医经典的海外传播与教授具有借鉴意义。未来,中医经典海外传播应加大人才培养力度,保持积极的开放态度,并与更多海外汉学家建立联系。

燕赵医学流派源流管窥

从燕赵大地悠久的历史积淀、独特的地域文化、当地中药产业等角度,分析了燕赵医学流派形成与发展的背景,归纳了燕赵医学流派历史上的三次高峰,并梳理了学术发展特点。燕赵医家在理论发展上守正创新,在临床技术上探索中西汇通之路,在教育传承上扎根践行。纵观燕赵医学流派发展过程,学术思想的交融与守正创新是燕赵医学流派长久发展的重要原因。在新的历史时期,燕赵医学迎来了新的发展机遇,期待其在传承与创新中取得更大成就。

武侠文化分析及武侠影视启示——以《黄飞鸿》系列电影为研究案例

武侠影视作品在弘扬中华优秀传统文化方面,有着得天独厚的优势,徐克镜头下的黄飞鸿不仅有传统武侠人物的优秀品质与道德精神,还有升华为在民族危难之际献身国家与民族大业的英雄式民族情感,通过武侠作品弘扬中华优秀传统文化提示当下武侠电影应以武为外衣,弘扬中华尚武精神;以侠为内核,弘扬中华优秀传统文化;以武侠命题,讲好中国故事。如今,武侠影视业已成为中国文化出口的代表性产品,为提升中国的软实力发挥着重要作用。

节日文化实践中的民族交往交流交融——以云南澜沧拉祜族九皇会为例

民族节日庆典和仪式操演既是民族文化展示的窗口,又是民族文化不断交融、创新和再生产的过程。九皇会最初与道教和佛教文化有关,自明末清初传入云南澜沧赛罕拉祜族地区后,逐渐与拉祜族文化融合,形成了具有地方特色的祈福祭祀活动和年俗礼仪。随着时代的变迁,九皇会也从单纯的民间祈福祭祀活动演变成了大众化的民俗节日庆典,实现了民族节日文化习俗的共享与文化赓续,成为当下拉祜族、汉族、哈尼族、佤族等民族交流互动的平台。作为跨越村落和族群的多民族共享的传统节日,九皇会及其文化实践为各民族交往交流交融提供了一个生动的案例。

“余”字本义的“帝自称说”汉字字源学考辩——基于“炎黄崇拜”假说

“余”字本义释义存在多种解说。但究竟哪种解说合乎逻辑思辨和推理的科学性标准,需要进行汉字字源学层面的考证辨析。该文提出“余”字本义的“帝自称说”,借助“炎黄崇拜”假说的理论工具,从“余”字字族、“亼”字字族、专有名称、专有地名、专有自称5个维度进行了系统的考辩,得出“余”应为上古华夏文明中帝对自己的专有称谓,“余”字造字构型应当从亼从木。其中“亼”字字根代表了“△”形帝陵、神庙或神坛,是“炎黄崇拜”的标志性建筑形制;“木”字字根为“炎黄”二帝来自神授之权杖的简体造型。该文的探索性研究旨在为“余”字本义的“帝自称说”提供有力论证的同时,亦能够验证“炎黄崇拜”假说在建构汉字字源学理论体系中的有效性。

“萌文化”视域下的炎帝IP形象设计研究

炎帝作为中华民族的人文始祖,长期以来被视为是庄严、古老的形象。以萌化手法重新塑造炎帝IP形象,能打破严肃与刻板的传统印象,赋予其更多艺术的时代感和亲民性,营造出轻松活泼的氛围,以促进炎帝文化传播与传承。

黄帝姓氏文化视域下曹魏政权的世系建构

由于曹操祖上的微贱与其父曹嵩的身世不明,他亲作《家传》以建构曹魏世系。曹魏政权建构家族世系的主线是从“曹氏族出自邾”“曹叔振铎之后”到“曹氏系世,出自有虞氏”,最终确立虞舜为始祖,是曹丕以后曹魏政权的共识。曹魏政权坚持曹氏“出自有虞氏”,成功地解决了祖上微贱与代汉自立的矛盾,故历史人物舜在代汉的政治变革中具有不可替代的重要意义。曹魏政权确立舜为始祖并大力宣扬“其先出于黄帝”,不仅顺利地实现了代汉的目的,还取得了正统的地位,同时有利于强化中原汉民族与北方少数民族的凝聚力,体现了高超的政治智慧。

新媒体环境下东北小延安文化融入高校思政教育的优化策略

东北小延安文化作为东北地区红色文化瑰宝,凭借其深远的精神意蕴与多元化的教育价值,为高校思想政治教育提供了更为优质且丰富的教育资源。在当前新媒体环境的背景下,将这一红色文化资源有效融入高校思想政治教育体系之中,可通过构建理论课程新格局、拓展文化融入新形式、深化育人新模式三大策略提升其实效性。这一系列举措旨在促进地方红色文化资源——东北小延安文化创新性地融入思想政治教育之中,不仅赋予红色文化新的生命力与活力,更显著提升了高校思想政治教育的育人成效,有力推动了立德树人教育目标的全面实现。