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On the Stylistic and Cultural Awareness of Chen Yan's Novels: Taking The Protagonist and The Backstage Clan as Examples
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作者 LIU Qiong 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2023年第1期35-56,共22页
The Protagonist is another full-length masterpiece of realism by Chen Yan following his previous novel The Backstage Clan.His rich experience in drama creation enables Chen Yan to skillfullyemployclassical literature ... The Protagonist is another full-length masterpiece of realism by Chen Yan following his previous novel The Backstage Clan.His rich experience in drama creation enables Chen Yan to skillfullyemployclassical literature and traditional opera librettos,and be keener on entering a narrative where novel and opera communicate without any barriers,thereby forming his distinctive narrative aesthetic.In addition,Chen Yan has proficiently created in the abovementioned books typical characters such as Diao Shunzi and Yi Qin'e,creating a blueprint for how these two novels will be passed down to later generations.Unlike The Backstage Clan,which focuses on the extraordinary nature of ordinary people,The Protagonist presents the potential of the rise of ordinary people and a panorama of man and culture by portraying the legendary lives of the protagonist and the secondary protagonist. 展开更多
关键词 Chen Yan the protagonist the Backstage Clan stylistic awareness cultural awareness
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How Are Traditional Chinese Opera and Drama Integrated into Fiction? An Analysis Based on Chen Yan's Novels The Comedy and The Protagonist
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作者 WU Yiqin 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2023年第1期17-34,共18页
Chen Yan's novels are steeped in traditional Chinese culture.The Comedy and The Protagonist draw on and use traditional national art resources such as Chinese opera and drama to discover anew and create"tradi... Chen Yan's novels are steeped in traditional Chinese culture.The Comedy and The Protagonist draw on and use traditional national art resources such as Chinese opera and drama to discover anew and create"tradition"from a modern perspective.Traditional Chinese opera and drama shape the narrative aesthetic nature of Chen Yan's novels both explicitly and implicitly.The difference between opera and drama,lyrical and impressionistic style,and narrative and action also forms its diverse narrative aesthetic style.The origin and distinction of style and form between Chen Yan's novels and traditional Chinese comedies and modern Chinese novels are profoundly influenced by time and history,which essentially determines the spiritual structure and narrative aesthetic of Chen Yan's novels. 展开更多
关键词 Chen Yan the Comedy the protagonist narrative aesthetic
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Using the Operatic Stage to Showcase the Changing Times and the Vicissitudes of Fate: A Study on The Protagonist by Chen Yan
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作者 WANG Chunlin 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2023年第1期57-67,共11页
Chen Yan has emerged as an outstanding novelist thanks to his rich experience in theatrical literature.His latest novel,The Protagonist,focuses on the heroine Yi Qin'e's forty-year on the stage,and creates a g... Chen Yan has emerged as an outstanding novelist thanks to his rich experience in theatrical literature.His latest novel,The Protagonist,focuses on the heroine Yi Qin'e's forty-year on the stage,and creates a group of characters living in obscurity under the social changes of the times,portraying a broader spectrum of life and society beyond the domain of drama and conveying his profound observations on life,the times,society,and the world.The epic artistic nature of the novel and the interplay between the fate of the characters and the social changes taking place at the time in the novel,along with Chen Yan's deep insight into the complexity of humanity are the keys to the successful presentation of the art and ideology of The Protagonist. 展开更多
关键词 Chen Yan the protagonist epic nature
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Artistic Modernity and the Dialectics of Comedy and Tragedy in Chen Yan's Novel'The Comedy
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作者 CUI Qinglei 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2023年第1期86-100,共15页
Chen Yan's new novel The Comedy is a continuation of his writing of the life and destiny of the artists in The Protagonist.Through shaping characters of the Chou(role of the clown)and describing the joy and sadnes... Chen Yan's new novel The Comedy is a continuation of his writing of the life and destiny of the artists in The Protagonist.Through shaping characters of the Chou(role of the clown)and describing the joy and sadness experienced by them,his new novel presents the artists’mixed feelings of sorrow and joy and reveals the crises and dilemmas encountered by traditional art against the background of modernity along with the possibility of transformation and conversion.Like The Protagonist,The Comedy follows Chen Yan's consistent realistic narrative techniques;unlike the solemn and grand aesthetic style of The Protagonist,however,the new novel develops its narrative with a comic approach more in tune with the characters'identity and inner spirit and shapes the characters and the story based on the dialectics of comedy and tragedy,thus enriching Chen Yan's original narrative style and contributing a new a aesthetic experience. 展开更多
关键词 Chen Yan the Comedy the protagonist modernity DIALECTICS
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