Writing style is the essential issue even at the early stage the beginners who learnto read and write have to confront.From the part-Notes on reading and writing beforethe part of exercises of each lesson in English B...Writing style is the essential issue even at the early stage the beginners who learnto read and write have to confront.From the part-Notes on reading and writing beforethe part of exercises of each lesson in English Book V-VⅢ we can come to see that the ed-itors attempt to mix the content(ideas)with the corresponding techniques.This is展开更多
The Triassic Jialingjiang Formation and Leikoupo Formation are characterized by thick salt layers. Three tectono-stratigraphic sequences can be identified according to detachment layers of Lower-Middle Triassic salt b...The Triassic Jialingjiang Formation and Leikoupo Formation are characterized by thick salt layers. Three tectono-stratigraphic sequences can be identified according to detachment layers of Lower-Middle Triassic salt beds in the northern Sichuan Basin, i.e. the sub-salt sequence composed of Sinian to the Lower Triassic Feixianguan Formation, the salt sequence of the Lower Triassic Jialingjiang Formation and Mid-Triassic Leikoupou Formation, and the supra-salt sequence composed of continental clastics of the Upper-Triassic Xujiahe Formation, Jurassic and Cretaceous. A series of specific structural styles, such as intensively deformed belt of basement-involved imbricated thrust belt, basement-involved and salt-detached superimposed deformed belt, buried salt-related detached belt, duplex, piling triangle zone and pop-up, developed in the northern Sichuan Basin. The relatively thin salt beds, associated with the structural deformation of the northern Sichuan Basin, might act as a large decollement layer. The deformation mechanisms in the northern Sichuan Basin included regional compression and shortening, plastic flow and detachment, tectonic upwelling and erosion, gravitational sliding and spreading. The source rocks in the northern Sichuan Basin are strata underlying the salt layer, such as the Cambrian, Silurian and Permian. The structural deformation related to the Triassic salt controlled the styles of traps for hydrocarbon. The formation and development of hydrocarbon traps in the northern Sichuan Basin might have a bearing upon the Lower-Middle Triassic salt sequences which were favorable to the hydrocarbon accumulation and preservation. The salt layers in the Lower-Middle Triassic formed the main cap rocks and are favorable for the accumulation and preservation of hydrocarbon.展开更多
Music is the art of sound,while chorus is the art of group vocal music.Choral art takes human voice as the carrier to express thoughts,emotions,and artistic images through sound.Harmonious,unified,balanced sound gives...Music is the art of sound,while chorus is the art of group vocal music.Choral art takes human voice as the carrier to express thoughts,emotions,and artistic images through sound.Harmonious,unified,balanced sound gives people the enjoyment of beauty and brings people-related pictorial association.As a unique form of vocal music art,chorus is also a comprehensive stage art belonging to the category of performance,which is a sister art belonging to the same and different families,such as dance and drama.In the visual arts such as dance and drama,the melody,timbre,and harmony of music match the figures appearing on the stage or screen.So that when we hear some kind of music there will belyrical beautiful,strong magnificent,or lively jumping,dark melancholy and so on feelings and associations.From ancient to modern times,in daily life,people sang and danced scenes were also their immediate reflection of music aesthetic feelings.Some of these aesthetic experiences are vague and some are specific.For example:We may think some music is humorous or sad,but when people hear the music,such as"the devil into the village",we will think of the scene in that movie.Which associated the Anti-Japanese War.In chorus,the influence of“form”on the aesthetic feeling of sound,or from the perspective of reverse thinking,canbe said to be the aesthetic expression of“form”by sound,which can relate to the breath of singing,the resonance position and the effect and change of the expression state.The audience can feel the chorus’s expression of aesthetic emotion directly from their hearing and then has a significant influence on the music sound and singing effect.In this paper,through the association of“form”to sound and aesthetic influence,with the help of some in the dance to tighten the intuitive posture,to chorus vertical sound insporation.Starting from the identity of visual perception and sound perception,this paper tries to understand our requirements for chorus singing from a reverse perspective.To maintain the breath of the chorus sound,to control the state,to establish the sound of harmony,unity and balance,as well as the performance of the overall sound effect,etc,to make a different angle of interpretation.展开更多
This article aims to discuss the strike two-dimensional wind vector on geostationary satellite imageries. The magnitude and direction of the wind vector are decided by the moving speed of the clouds. First, based on t...This article aims to discuss the strike two-dimensional wind vector on geostationary satellite imageries. The magnitude and direction of the wind vector are decided by the moving speed of the clouds. First, based on the features of the cloud map, we extract the characteristics of clouds and establish matching model for the clouds image. Maximum correlation coefficient between the target modules and tracking module is obtained by using infrared brightness temperature cross-correlation coefficient method. Then, the beginning and end of the wind vector can be ascertained. Using the spherical triangles of the law of cosines, we determine the magnitude and direction of the wind vector.展开更多
More recently,in China,some EFL teachers have produced textbooks with genre-based discourses as primary teaching units,which is different from those that use the traditional writing pedagogies based on either the proc...More recently,in China,some EFL teachers have produced textbooks with genre-based discourses as primary teaching units,which is different from those that use the traditional writing pedagogies based on either the process writing approach to on the Grammar Translation Method.On the basis of this previous point in relation to the research,therefore,the paper aims to analyze eight EFL student writing samples of TEM 4 that were written as part of class requirements in China that were produced by texttype or genre pedagogies,and to examine and interpret the language features and cohesive relations based on the theory of System⁃atic Functional Linguistics.This paper shows an analysis of logico-semantic and cohesive relations conducted from Chinese EFL students’writing samples in the real classroom to help college students have a well-organized pieces of writing based on different genres.展开更多
Objective:The aim of this study was to survey the coping style and related factors of elderly women with stress urinary incontinence(SUI)and provide a strong theoretical basis for promoting a positive coping style to ...Objective:The aim of this study was to survey the coping style and related factors of elderly women with stress urinary incontinence(SUI)and provide a strong theoretical basis for promoting a positive coping style to improve quality of life in these patients.Methods:Cross-sectional surveys addressing SUI cognition and coping techniques of 520 elderly women patients with SUI were administered between July 2013 and February 2014.Results:Elderly women with SUI had significantly higher avoidance and acceptanceresignation scores than the normal population(p<0.05).Age,marital status,education level and stress urinary incontinence cognitive level all influenced the medical coping style of these patients.Conclusions:Elderly female patients with SUI differ in the factors that influence their coping styles;therefore,clinical and community medical staff should include a comprehensive analysis that takes these factors into consideration when working with patients with SUI to guide them in adopting a positive coping style.展开更多
Attachment theory suggests that anxious attachment is associated with hypervigilance to threatening social stimuli, and avoidant attachment with avoidance or suppression of processing such stimuli. Twenty-five student...Attachment theory suggests that anxious attachment is associated with hypervigilance to threatening social stimuli, and avoidant attachment with avoidance or suppression of processing such stimuli. Twenty-five students viewed angry, fearful and neutral female faces in four visual oddball tasks, and completed the Attachment Style Questionnaire, the Autonomy-Connectedness Scale, and Anxiety and Depression subscales of the Symptom Checklist-90. When the oddballs were angry faces in a background of neutral frequents, we found higher levels of autonomy and secure attachment to be related to larger N100 and smaller P300 amplitudes;higher levels of anxious attachment were, on the contrary, associated with smaller N100 and larger P300 amplitudes. Variation in attachment is related to approaching, or withdrawing from threatening stimuli, and ERP-techniques add to our understanding of how the attachment system actually works.展开更多
Syntactic expressions in different texts are varied. They are restricted by registers, which are reflected in three aspects: differences in spoken text and written text, narrative text and non-narrative text, childre...Syntactic expressions in different texts are varied. They are restricted by registers, which are reflected in three aspects: differences in spoken text and written text, narrative text and non-narrative text, children text and adults text. In another word, the external form of Chinese text is restricted by occasions and conditions in which the language is used. Chinese text characteristic is the foundation of text teaching as a second language, but the reserch about Chinese text is rather not enough. This paper has practical value for teaching Chinese as a second language展开更多
This paper introduces the process of producing movement database on a virtual model for the Bianzhong choreography.It focus-es on analyzing the movement taxonomy and corresponding relationship under the dancing syntax...This paper introduces the process of producing movement database on a virtual model for the Bianzhong choreography.It focus-es on analyzing the movement taxonomy and corresponding relationship under the dancing syntax.We study the movement style identifica-tion theory based on the emotion model,present a movement connection method by defining the attributes of characteristically movement units and their related restriction,and give the application framework of the method in Movement Compilation System.展开更多
文摘Writing style is the essential issue even at the early stage the beginners who learnto read and write have to confront.From the part-Notes on reading and writing beforethe part of exercises of each lesson in English Book V-VⅢ we can come to see that the ed-itors attempt to mix the content(ideas)with the corresponding techniques.This is
基金the National Natural Science Foundation of China(Grant No.40672143,40472107 and 40172076)the National Major Fundamental Research and Development Project(Grant No.2005CB422107 and G1999043305)+1 种基金Development Foundation of Key Laboratory for Hydrocarbon Accumulation of the Education Ministry(Grant No.2003-01)Project of Southern Exploration and Development Division Company,SINOPEC(2003-04).
文摘The Triassic Jialingjiang Formation and Leikoupo Formation are characterized by thick salt layers. Three tectono-stratigraphic sequences can be identified according to detachment layers of Lower-Middle Triassic salt beds in the northern Sichuan Basin, i.e. the sub-salt sequence composed of Sinian to the Lower Triassic Feixianguan Formation, the salt sequence of the Lower Triassic Jialingjiang Formation and Mid-Triassic Leikoupou Formation, and the supra-salt sequence composed of continental clastics of the Upper-Triassic Xujiahe Formation, Jurassic and Cretaceous. A series of specific structural styles, such as intensively deformed belt of basement-involved imbricated thrust belt, basement-involved and salt-detached superimposed deformed belt, buried salt-related detached belt, duplex, piling triangle zone and pop-up, developed in the northern Sichuan Basin. The relatively thin salt beds, associated with the structural deformation of the northern Sichuan Basin, might act as a large decollement layer. The deformation mechanisms in the northern Sichuan Basin included regional compression and shortening, plastic flow and detachment, tectonic upwelling and erosion, gravitational sliding and spreading. The source rocks in the northern Sichuan Basin are strata underlying the salt layer, such as the Cambrian, Silurian and Permian. The structural deformation related to the Triassic salt controlled the styles of traps for hydrocarbon. The formation and development of hydrocarbon traps in the northern Sichuan Basin might have a bearing upon the Lower-Middle Triassic salt sequences which were favorable to the hydrocarbon accumulation and preservation. The salt layers in the Lower-Middle Triassic formed the main cap rocks and are favorable for the accumulation and preservation of hydrocarbon.
文摘Music is the art of sound,while chorus is the art of group vocal music.Choral art takes human voice as the carrier to express thoughts,emotions,and artistic images through sound.Harmonious,unified,balanced sound gives people the enjoyment of beauty and brings people-related pictorial association.As a unique form of vocal music art,chorus is also a comprehensive stage art belonging to the category of performance,which is a sister art belonging to the same and different families,such as dance and drama.In the visual arts such as dance and drama,the melody,timbre,and harmony of music match the figures appearing on the stage or screen.So that when we hear some kind of music there will belyrical beautiful,strong magnificent,or lively jumping,dark melancholy and so on feelings and associations.From ancient to modern times,in daily life,people sang and danced scenes were also their immediate reflection of music aesthetic feelings.Some of these aesthetic experiences are vague and some are specific.For example:We may think some music is humorous or sad,but when people hear the music,such as"the devil into the village",we will think of the scene in that movie.Which associated the Anti-Japanese War.In chorus,the influence of“form”on the aesthetic feeling of sound,or from the perspective of reverse thinking,canbe said to be the aesthetic expression of“form”by sound,which can relate to the breath of singing,the resonance position and the effect and change of the expression state.The audience can feel the chorus’s expression of aesthetic emotion directly from their hearing and then has a significant influence on the music sound and singing effect.In this paper,through the association of“form”to sound and aesthetic influence,with the help of some in the dance to tighten the intuitive posture,to chorus vertical sound insporation.Starting from the identity of visual perception and sound perception,this paper tries to understand our requirements for chorus singing from a reverse perspective.To maintain the breath of the chorus sound,to control the state,to establish the sound of harmony,unity and balance,as well as the performance of the overall sound effect,etc,to make a different angle of interpretation.
文摘This article aims to discuss the strike two-dimensional wind vector on geostationary satellite imageries. The magnitude and direction of the wind vector are decided by the moving speed of the clouds. First, based on the features of the cloud map, we extract the characteristics of clouds and establish matching model for the clouds image. Maximum correlation coefficient between the target modules and tracking module is obtained by using infrared brightness temperature cross-correlation coefficient method. Then, the beginning and end of the wind vector can be ascertained. Using the spherical triangles of the law of cosines, we determine the magnitude and direction of the wind vector.
文摘More recently,in China,some EFL teachers have produced textbooks with genre-based discourses as primary teaching units,which is different from those that use the traditional writing pedagogies based on either the process writing approach to on the Grammar Translation Method.On the basis of this previous point in relation to the research,therefore,the paper aims to analyze eight EFL student writing samples of TEM 4 that were written as part of class requirements in China that were produced by texttype or genre pedagogies,and to examine and interpret the language features and cohesive relations based on the theory of System⁃atic Functional Linguistics.This paper shows an analysis of logico-semantic and cohesive relations conducted from Chinese EFL students’writing samples in the real classroom to help college students have a well-organized pieces of writing based on different genres.
文摘Objective:The aim of this study was to survey the coping style and related factors of elderly women with stress urinary incontinence(SUI)and provide a strong theoretical basis for promoting a positive coping style to improve quality of life in these patients.Methods:Cross-sectional surveys addressing SUI cognition and coping techniques of 520 elderly women patients with SUI were administered between July 2013 and February 2014.Results:Elderly women with SUI had significantly higher avoidance and acceptanceresignation scores than the normal population(p<0.05).Age,marital status,education level and stress urinary incontinence cognitive level all influenced the medical coping style of these patients.Conclusions:Elderly female patients with SUI differ in the factors that influence their coping styles;therefore,clinical and community medical staff should include a comprehensive analysis that takes these factors into consideration when working with patients with SUI to guide them in adopting a positive coping style.
文摘Attachment theory suggests that anxious attachment is associated with hypervigilance to threatening social stimuli, and avoidant attachment with avoidance or suppression of processing such stimuli. Twenty-five students viewed angry, fearful and neutral female faces in four visual oddball tasks, and completed the Attachment Style Questionnaire, the Autonomy-Connectedness Scale, and Anxiety and Depression subscales of the Symptom Checklist-90. When the oddballs were angry faces in a background of neutral frequents, we found higher levels of autonomy and secure attachment to be related to larger N100 and smaller P300 amplitudes;higher levels of anxious attachment were, on the contrary, associated with smaller N100 and larger P300 amplitudes. Variation in attachment is related to approaching, or withdrawing from threatening stimuli, and ERP-techniques add to our understanding of how the attachment system actually works.
文摘Syntactic expressions in different texts are varied. They are restricted by registers, which are reflected in three aspects: differences in spoken text and written text, narrative text and non-narrative text, children text and adults text. In another word, the external form of Chinese text is restricted by occasions and conditions in which the language is used. Chinese text characteristic is the foundation of text teaching as a second language, but the reserch about Chinese text is rather not enough. This paper has practical value for teaching Chinese as a second language
文摘This paper introduces the process of producing movement database on a virtual model for the Bianzhong choreography.It focus-es on analyzing the movement taxonomy and corresponding relationship under the dancing syntax.We study the movement style identifica-tion theory based on the emotion model,present a movement connection method by defining the attributes of characteristically movement units and their related restriction,and give the application framework of the method in Movement Compilation System.