Research on the Classification of Western Literary Criticism Under M. H. Abrams’Fourfold Model

This study explores the application of Abrams’Fourfold Model in the classification of Western literary criticism.Abrams’framework categorizes literary criticism into four fundamental elements:text,author,world,and audience.The text is viewed as an independent entity with intrinsic artistic value,necessitating a detailed analysis of its structure,style,themes,and symbols.Author study delves into the creator’s life and socio-cultural context,often to uncover the work’s deeper meanings.Contextual study situates the work within its historical and social milieu,examining its reflection of or response to societal norms and events.Audience response analysis considers the diverse interpretations shaped by readers’backgrounds,emphasizing the reader’s role in constructing the work’s meaning.The study concludes that Abrams’Fourfold Model offers a comprehensive and flexible analytical tool,enabling critics to engage with literary works from multiple perspectives,thereby enriching the understanding of literary complexity and diversity.

Discussion on the Purposes of Literary Education in Contemporary China

The purposes of education,both immediate and in the future,are an issue to be pondered.A number of scholars have responded that education has different aims,including the cultivation of citizenship,a flourishing life,and powerful knowledge.This paper aims to explore whether these different general goals accurately fit literary education and attest to them in the form of questions.Under each section,the paper begins by outlining the theoretical analysis and proceeds to present the author’s judgment and reflections based on experiences related to the context of contemporary China.

On Ethical Literary Criticism and Game Theory--An Interview with Professor Nie Zhenzhao

In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic visiting to Central China Normal University.As early as in 2005,Huang Kaihong conducted an interview with Professor Nie Zhenzhao on the topic of the general introduction of ethical literary criticism.So around 11 years later,the second interview mainly covers not only the ethical literary criticism theory,but the game theory and the relationship between them as well.Professor Nie thinks whether the game theory can be applied to literature research is still under discussion.The theory of ethical literary criticism is a kind of methodology based on science and it can get the attention of literary critics at home and abroad,which is because it fits the practical needs of literary criticism,draws the literary criticism away from only emphasizing criticism genres and the research of criticism terms,and pays attention to the true nature of the literary text in literature research.After consulting Professor Nie Zhenzhao about some related questions from the perspective of game theory.Huang Kaihong gets some significant information concerning literature research and understands the latest core terms and the concrete application method of ethical literary criticism,especially the relationship between the instructing and aesthetic functions of literature.

Felski’s Literary Sociological Thought From the Perspective of Actor-Network Theory

The relationship between literature and society has been a subject of continuous exploration since the inception of literature itself.On the one hand,from Plato’s theory of mimesis onward,literature has consistently been viewed as a representation of social reality,positioning literature as subordinate to society.On the other hand,with the rise of structuralism and the New Criticism,certain schools of thought have focused exclusively on literature itself,deliberately overlooking the complex connections between literature and society.The growing tension between these two perspectives has increasingly placed contemporary literary studies in a polarized state,leading to a crisis in the legitimacy of literary scholarship.In response to this,Rita Felski’s exploration of the uses of literature embodies a new literary sociology that offers a way out of the current impasse in literary studies.

From Witch’s Ritual Performance to Writer’s Creation of Text—On Discussing How to“Treat Oneself”and“Cure Others”About Literature’s Function

In the post-modernistic movement to seek for the cultural root,literary anthropologists refocus and explore the original therapeutic function of literature,and make great efforts to restore the essence of disciplines’theory that“literature is human science”to the real context of cultural integration.Based on this,the article intends to treat witch’s great traditional ritual as a starting point,aiming at building up and enriching the ethnography of literary therapy.However,in order to change roles from witches to writers and promote the primitive return of literary therapy,writers make little traditional creation of text focus on interpretation of“treating themselves”and“curing others”about literature’s function.

Innovative Teaching Research on Literary Theory and Criticism

As a core compulsory course for English majors majoring in teacher education,Literary Theory and Criticism plays an important role in enhancing text understanding,cultivating critical thinking,and shaping correct values in the future development of students.Influenced by traditional teaching ideas,students have many difficulties when learning this course,such as insufficient theoretical understanding,inadequate ability improvement,and not enough investment in course learning.In response to the above issues,this course focuses closely on the fundamental task of“cultivating virtue and nurturing people”,relying on modern information technology and introducing research methods of digital humanities.This course uses“7C”teaching mode under the“three-level integration”,in which“teaching”and“education”are carried out synchronously,and“teacher”and“student”are developed together,in order to greatly enhance students’learning participation and course satisfaction.

On the Aesthetic Wonder and Unity at the Peak of Literary Theory in the Six Dynasties Key

The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.

International Politics of Western Literary Theory:Literary Theory as Doctrine and as Discipline

European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a short period of time,American new criticism,European psychoanalysis,semiotics,structuralism,hermeneutics,deconstructivism,and so on,as well as the western Marxism,feminism,new historicism,post-colonial criticism,and cultural studies,all the critical methods little referenced to postwar Western ideology and Soviet Ideology,and are even known for their profound criticism of some problems in capitalist society.These intuitively scientific or neutral literary theories flourished during the Cold War years that contained the Soviet Union.During this period,“political correctness”not only influenced the direction of social development in the West,but also directly influenced the academic pattern and the development trend of universities at that time,so that“literary criticism”,which was originally only based on personal experience,benefited and became“literary theory”in the discipline and curriculum system.As a result,the discipline of literary theory,which benefited from the Cold War pattern,is often in conflict with the specific literary theory that transcends ideology.However,the Cold War ended with the failure of the Soviet Union and its socialist realism theory system,and the western literary theory unexpectedly gained full legitimacy like Fukuyama’s“the end of history”.In the post-Cold War era,Western literary critics reasonably expanded the controversial theories and this has become the most concerned topic for 30 years.Thus,the international politics of the disguised Western literary theory was highlighted.Such Western literary theory has been generalized in China in the last 40 years,because Chinese academic yet has not understood the difference between theory as discipline and theory as doctrine,even anti-western in recent years.

On the Ethical Dimensions of Literary Criticism in the Realm of We Media

In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.

Reading of The Guiltless from the Perspective of Ethical Literary Criticism

The Guiltless is Hermann Broch’s last novel,and it is also a work that embodies Broch’s literary and artistic view.The novel takes place in a period of social and historical change,and the conflict between the old and the new ethical relations leads to the confusion of the ethical relations,which causes the relationship between the characters to become distorted.This paper tries to analyze the relationship between Baroness W and her family from the perspective of Ethical Literary Criticism in aspects of ethical environment,ethical selection and ethical identity.It reveals that in the period of social and historical change,in the environment of social ethics disorder,the distorted ethical selection of characters and the loss of ethical identity.Hermann Broch attempts to arouse readers’ethical reflection by depicting such an era and such characters.

Scottish Literary Heritage and National Identity:A Case Study of Boswell’s The Journal of a Tour to the Hebrides

For a long time,the history of“Scottish Literature”has been overshadowed by the concept of“British literature”,and thus Scottish literary heritage has been seen as“regional characteristics”.The Act of Union 1707 led to a growing concern for Scottish national identity.In The Journal of a Tour to the Hebrides,the famous Scottish-born biographer James Boswell chose to take advantage of Scottish literary heritage as a point of penetration to express his own Scottish national identity with Scotland in literature and Scottish literature.

Reception Theory and Creative Treason of Literary Translator

In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Applying much on Reception Theory,the present paper explores the issue of translator's creative treason in literary translation in two aspects:one is the translator's creative treason as reader and the other is the translator's creative treason as producer.

On the Study of Translation Approaches of Culture-loaded Words in Literary Works

Culture-loaded words refer to expressions and idioms that carry typically culture messages. The peculiarity of one culture cannot be understood or accepted by readers from another culture. The uniqueness very likely makes misunderstanding and may lead to cultural vacancy in other cultures. Due to the culture differences between Chinese and English, it is hard for a translator to achieve complete equivalence at the level of word. This paper discusses the translation approaches of Chinese cultureloaded words in literary works.

Roland Barthes and the Impossible Autobiography

Roland Barthes par Roland Barthes is an autobiographical work by the French literary theorist Roland Barthes,written in the early seventies of the twentieth century.According to the Latin alphabet,the book arranges and combines some passages with different themes,which gives the book the formal characteristics of the dictionary and violates the writing norms of traditional autobiographies.In addition,the book uses the first person,the second person,and the third person interchangeably to carry out a polyphonic narrative,which destroys the integrity and authenticity of the narrative subject,thus completing an avant-garde literary experiment.

A Comparative Study of Artificial Intelligence and Translation Software in Chinese-English Translation:A Focus on Literary and Technical Texts

In recent years,the domain of machine translation has experienced remarkable growth,particularly with the emergence of neural machine translation,which has significantly enhanced both the accuracy and fluency of translation.At the same time,AI also showed its tremendous advancement,with its capabilities now extending to assisting users in a multitude of tasks,including translation,garnering attention across various sectors.In this paper,the author selects representative sentences from both literary and scientific texts,and translates them using two translation software and two AI tools for comparison.The results show that all four translation tools are very efficient and can help with simple translation tasks.However,the accuracy of terminology needs to be improved,and it is difficult to make adjustments based on the characteristics of the target language.It is worth mentioning that one of the advantages of AI is its interactivity,which allows it to modify the translation according to the translator’s needs.

A Research on Guiding Effect of Marxist Literary Theory on Literary Creation

Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the Nature of Beauty","Anti-alienation and Aesthetics" as well as "Overall Emancipation of Human Beings" to demonstrate that with its contemporary values.

On Aesthetic Recognition of Literary Fuzziness and Translation

Due to the prevalence of fuzziness in literary works and in poetry in particular,the author puts forward the view that some skills such as rhetoric devices,abstraction,meaning manifestation,creation of imagination context are to be adopted in the translation of literary fuzziness from the perspective of aesthetic recognition to achieve an integration between the textual implication and the readers' expectation horizon.And the author takes the translation of Chinese classic poems for example,through detailed analysis and comparison,proves the feasibility of the viewpoint.

Novel Translation is an Art of Literary Re-creation——A Distinguished Art Feature in Chinese Version Tess of the D'urbervilles

Literary translation is the re-creation of the language art.To translate an English novel into Chinese one,translators need the skill of literature re-creation.Taking Zhang Guruo's translated version Tess of the D'urbervilles as an example,we perceive that translators have subjectivity and they should break the boundary between writing and translating.When a translator translates a piece of works,he must get rid of the constraint of the surface structures of the original works,and reproduces the flavor of the original novel.But the translators should try to show the original scenes in the original English novel to target readers.

Sustainable Development of Internet Literature in the Era of Games and Animation:Challenges and Opportunities

The rapid development of Internet literature not only made itself the source of information about animation and the gaming industry,but also boosted the creation of super writers who are now establishing themselves as IP(intellectual property)producers and providers.Rather than creating literary classics,these writers prefer producing commercial novels targeted at a certain group of readers.Meanwhile,the structure of their works tends to cater to the preferences of online games and animation,with the narrative and characters in the novel adjusting accordingly.These changes have enhanced the influence of Internet literature.But an excessive emphasis on IP gradually converts the novels into scripts for games with highly stereotyped content and structure.Fastpaced writing also renders their works with a lack of polish,including such serious problems as mismatched plots and repetitive narratives.Therefore,Internet literature is in urgent need of positive guidance,as its development will be stalled due to the excessive emphasis on IP.

A Feminist Reading of Hemingway’s Works-“Cat in the Rain”as an Example

As a famous American writer,there have been many different opinions on whether Hemingway is a typical masculinist writer.Through a brief analysis of the feminist consciousness in Hemingway’s works and a detailed feminist interpretation of“Cat in the Rain”,this paper holds that it is unfair and biased to stereotype Hemingway as a typical masculinist writer since there is a very strong feminist consciousness in his early works.