Retracing the Meeting of Structural Linguistics and French Symbolist Poetry:The Debate of The Cats by Charles Baudelaire

In 1962,the Russian linguist Romain Jakobson and the French anthropologist Claude Lévi-Strauss co-conducted a study on the poem The Cats(Les Chats)by Charles Baudelaire.Based on linguistic and ethnological references,their study focuses on a structural analysis of the famous Baudelairian sonnet at several levels such as phonological,phonetic,syntactic,prosodic,and semantic.Many critical papers were published as soon as this work appeared.Faced with the crowd of dispute and opposition,Jakobson and Lévi-Strauss wrote a series of journalistic or monographic articles to explain and defend themselves.Our study aims to be a systematic summary of the dispute,proposing to analyze the criticisms of Riffatere,Mounin,and Frandon,and giving a reading of Jakobson’s reply.In conclusion,we will try to relate this debate to the French New Criticism(la Nouvelle Critique)to understand its historical and theoretical importance.

The Land of Shu:Where Tang Poetry Rose and Fell

During the Tang Dynasty,the land of Shu was composed of the Ba and Shu areas,which were adjacent to present-day Hanzhong city of Shaanxi province to the north,northern Yunnan province to the south,Wushan county of Chongqing to the east,and Xichang city of Sichuan province to the west.In the nearly 300 years of rule under the dynasty,a number of poets,whether they were born or just worked and lived there for a short period of time,wrote many immortal poems,which constitute an integral part of Tang poetry.They range from Chen Zi’ang and Wang Bo of the early Tang to Li Shangyin,Wen Tingyun,and Wei Zhuang of the late Tang.The land of Shu is,therefore,the witness of the rise and fall of Tang poetry.

The New Trend of India's Rising as a Great Power

Since Modi took office as Indian prime minister in 2014,India has quickened its pace toward great power status.Although the Indian government did not issue relevant documents and did not systematically give official statements,from the perspective of Modi’s domestic and foreign policies the outline of its strategy of rising as a great power

The Major Western Cultural Influences on the Incubating Process of Ezra Pound＇s Early Poetics

This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.

The Travelling Muse Cathay and the Influence of Chinese Classical Poems on Ezra Pound＇s Poetics＊

This paper intends to study Ezra Pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of Pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and Pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. Pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What Pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. Pound changed a whole generation of poets and set a good example for those who desire to write in a new way

New Criticism and Poetry Interpretation

New Criticism is a dominant trend in literary criticism of the mid twentieth century.New Criticism,focusing on the text and emphasizing close reading,finds its excellence in poetry interpretation.This essay introduces the theoretical basis,the ap proach-close reading,and terms of New Criticism.The essay analyzes the metaphysical poem"Virtue"written by George Her bert by the use of New Criticism.

The Ancient Wellspring and the Source of the Future： The Creation of New Poetry and the New Man in Lu Xun＇s On the Power of Mara Poetry

Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engaged in the dramatic social and cultural transformations taking place in early twentieth- century China, Lu Xun was very concerned about how to build up the New Man and new society via new literature. Advocating Maratic poets who are full of the spirit of revolt and nonconformity, Lu Xun endeavored to disturb and reinvigorate Chinese minds by bringing in foreign dynamics and energies based upon modem individualism and humanism. At the same time, Lu Xun insisted that, while moving toward a bright future, people should constantly consider China＇s prosperous past. For Lu Xun, tradition was still of great relevance in creating and nurturing new poetry, new men, and a new society. To simply lump Lu Xun together with pure anti-traditionalists is problematic. Lu Xun is commonly seen as an iconoclastic pioneer in modem China; however, I argue that Lu Xun demonstrated a dialectical reflection on the relationship between tradition and modernity. Actually, Lu Xun envisioned a process by which, galvanized by imported Maratic spirit, selected cultural legacies would undergo modem reconfiguration and revitalization.

向海图强:奋力谱写中国式现代化广西篇章的重要使命与历史责任

党的十八大以来,习近平总书记分别于2017年、2021年和2023年三次视察广西。2023年12月,习近平总书记视察广西时强调,广西要“解放思想、创新求变,向海图强、开放发展”。广西背靠大西南、毗邻粤港澳、面向东南亚,具有沿江、沿海、沿边与东盟“一湾相挽十一国,良性互动东中西”的独特区位优势。向海之路为奋力谱写中国式现代化广西篇章指明方向,向海发展是广西破茧成蝶的根本出路,向海经济是广西高质量发展的重要引擎,向海图强已成为广西新时代新征程的新起点。向海图强既是广西的机遇和优势,也是广西的责任和使命。伴随着系列相关政策文件、战略规划和行动计划的相继颁布实施,广西向海经济发展新格局初步形成。平陆运河建成通航后,将形成广西及西南地区通往东盟的运距最短、最经济、最便捷的运输通道。陆江湾海的联动将撬动区域经济版图,推动形成国内国际双循环战略链接的枢纽。2023年12月习近平主席应邀访问越南具有标志性意义,确立了构建具有战略意义的中越命运共同体,开启了中越两党两国关系发展的新阶段,谱写了新时代中越关系的新篇章,将更有利于广西的向海图强、开放发展。

文学“小史”与历史“大事”——“新史学”与胡适《谈新诗》的批评理路

胡适兼具新史学家与新文学家的身份,他的新诗批评彰显了“以史入文”和“以文入史”的辩证法。一方面,他取径“新史学”的核心观念与方法,将“进化”史观、科学实证等融进《谈新诗》一文,使其呈现历史和科学的双重维度,依循着一条“以史入文”的批评理路。另一方面,他以《谈新诗》一文参与新诗史的建构又折射出其以新诗批评进入历史的文学诉求,体现了“以文入史”的批评意图。在文史互动视域下钩沉“新史学”与《谈新诗》的互动渊源与路径,为窥见“新史学”在胡适文学观念中的位置与功能、辨析“新史学”与“新文学”之间的隐秘联系,提供了一个具体而微的佐证。

超高层建筑设计的几个新趋势——以深圳为例

超高层建筑从萌芽诞生到发展至今已100多年,已在不同程度影响着人们的生活。该文基于深圳市近年30个超高层建筑案例,梳理超高层建筑设计呈现出新趋势的契机和在整体规划和建筑设计层面上的特点,分析归纳出超高层建筑设计城市枢纽化、垂直城市化、空间开放化、功能复合化和结构表皮一体化的五个趋势,以期为今后的超高层建筑设计提供一些方向和策略。

“形式的反作用”与“时代折光”——论贺敬之的新古体诗

新古体诗是贺敬之在新的历史阶段的又一艺术创新。面对社会语境的变化,立足自身承担的文艺工作使命,贺敬之创建新的抒情方式,以“形式的反作用”传达出面向丰富的“时代的折光”。贺敬之一方面清楚旧体诗具有形式束缚内容的一面;另一方面也敏锐意识到,旧体诗在表现某些特定题材的时候有其优长所在。通过对旧体诗取其便利、去其束缚,贺敬之打造出“新古体诗”这一兼具传统特色与当代品格的艺术形式。结合贺敬之对创作观念的阐述,分析其诗作可以看出,新古体诗兼具形式再造和内容重塑的双重意义。贺敬之一方面改造“古体”,激发今日之诗情,抒写当代之感思;另一方面依托古代典故等历史内容翻陈出新,其诗作折射出时代的光影流变。如同新歌剧、政治抒情诗一样,新古体诗是贺敬之辩证地理解诗心、诗思、诗情与“形式的反作用”之间的关系,循时代之脉搏、发人民之心声、创艺术新形制的实践成果。

新工业诗歌:“新感性”及“西部”多维审美——兼谈马行的诗歌

随着20世纪末“打工诗”的盛行,工业诗歌的语言在市场化、消费化及数字时代发展中不断被标准化、同质化,断开了与人类、世界的密切关联。马行不再囿于集体抒情或个体视角,在勘探队员、诗人的双重维度上,从人性、物性、神性的角度深入工业日常探讨当代“西部”书写所表现出来的多维审美意蕴。诗人感性中的莽苍广阔的荒野,折射出“新感性”的忧虑与省思,在新工业诗歌中反思工业技术的物化、工业中心化,展示了新工业诗歌的开拓性、创造性,从单一诗化的“感性”中重构“新感性”中物与人、自然与现实、工业与新工业的关系,以敏感、活跃及超越意志进行纯净、豁达的哲理观照,从而构筑新工业诗歌中感性与理性、自然与科技的“和美”关系,展现“新工业诗歌”多维审美中建构“西部”大地上诗意栖居可能。

白话诗的“新”逻辑--闻一多新格律诗理论及意义重估

闻一多是中国现代新诗的一个醒目存在,学界对其新格律诗理论的认知却始终存在一些模糊认识。回到历史现场,重新认识闻一多对新诗发展所做的努力,有不少新的发现。闻一多新格律诗理论回应了新诗对于白话诗“新”质的发展要求,在诗形和诗质两个方面展开了积极探索,将民族性与时代性、诗形与诗质、听觉美学与视觉美学糅合在一起,奠定了现代诗歌接受由听觉美学向视觉美学转换的理论基础,拓宽了新诗的审美空间。他扎根民族土壤思考新诗发展的努力,开启了中国现代诗歌思考中国经验的阀门。

民初新式知识分子重释“天下兴亡匹夫有责”论

民初一些知识分子以报刊为阵地大声疾呼并努力诠释“天下兴亡匹夫有责”。他们赋予此一流行话语以时代新义,其中“天下”与“国家”由异趋同聚合为近代共和国,而“匹夫”则由传统臣民一跃而为近代国民。“天下”与“匹夫”的关系遂转变为国家与国民的新关系。而近代语境下的“匹夫有责”的“责”则凸显为自觉弘扬中华民族传统优秀道义精神,视其为天赋人权精神中应有之义,具体外现为职责、责任、良心与诚信等道德素养,蕴含着浓郁的政治文化与社会文化等价值诉求。这从一个侧面透露出“天下兴亡匹夫有责”渐成中国近代爱国主义的代名词。

新工业诗歌:孤独的升华和形上之思——以马行《地球的工号》为例

新工业诗歌以中国科技和工业的迅猛发展为背景,关注在现代文明、现代社会中普通人的生命意义及工业社会中人的孤独和异化。马行跟随地质勘探队深入广袤无垠之地,西部的自然环境既有残酷艰难的一面,也有壮美广阔的一面。马行怀着真挚的工人情感为石油工人群体立言,书写了一种“工业田园”式的图景,在诗意的栖居中消解了“异化”的孤独,体现出一种昂扬乐观的诗意精神,进一步阐发对宇宙和人生的深度思考。

《唐音》“不录乐府”辨——兼论《唐音》乐府诗对朝鲜汉诗的影响

杨士弘《唐音》收录大量乐府诗,从文学角度构建“乐府唐音”,体现了元、明、清乐府观念的分化。其《凡例》言不收乐府,乐府将“类编续刊”,但与实际选诗不符。明初魏氏仁实堂刊本删掉此条凡例,解决文本失序的问题;但也有可能杨士弘受到当时重视礼乐和讽喻的乐府观念的影响,区分汉魏晋南北朝乐府与唐乐府,认为唐代不入乐、用近体且偏于抒情的拟歌辞并非正宗“乐府”。《唐音》所收唐体乐府并非元、明、清拟古乐府的主要对象,但在东亚汉文化圈的朝鲜半岛却因为《唐音》的广泛影响,唐体乐府被视为唐诗代表和汉诗典范,尤其在中期宗唐思潮中大量拟效,甚至因此对乐府概念产生“误读”。

易代之际文学研究的新成果--评张兵等著《明清之际:诗人心态与诗歌走向》

探究明清之际的诗人心态与诗歌走向,具有重要的学术价值和理论意义。张兵教授等撰著的《明清之际:诗人心态与诗歌走向》一书高度关注易代之际的文人心态与文学生态,有力推动了学界对易代之际诗歌研究乃至明清文学研究的进展。该书在时段定位、选题角度、研究方法等方面特征明显,值得关注。该书在邓之诚、严迪昌等前辈学者的启示下,吸取和借鉴学界相关研究成果,聚焦明清之际这一特殊历史时段的诗人心态与诗歌走向,既能与学界研究该问题的热度相吻合,又具有鲜明的前沿意识,且能因时间定位的准确具体而使研究内容细致深入。书中聚焦具体的历史事实和诗歌文本,深入细致地探究了诗人心态的变化如何严重影响了诗歌创作和诗风走向。本书采用文艺生态学等研究方法,将明清之际的诗坛看作一个相互影响和制约的生态系统,关注历史事件、文学社团、诗人群体、诗歌创作、诗学批评等要素,在具体研究中又能将宏观和微观、群体和个案结合起来,进而凸显鲜明的问题意识。

植物诗词中农耕文化融入高职园林植物类课程的探索与实践——立足“三农”情怀教育

通过阐述高职院校园林植物类课程中“三农”情怀教育的重要意义,详细分析新农科背景下园林植物类课程培养师生热爱“三农”教育现状,解释挖掘植物诗词中农耕文化元素融入园林植物类课程的缘由,通过在园林植物类课程中融入农耕文化的教学设计思路视角,用4个典型教学案例详细介绍农耕文化融入园林植物类课程在课程教学过程中的具体实施步骤,并总结农耕文化融入高职园林植物类课程的效果和意义,通过农耕文化融入园林植物类课程教法改革实施探索,让学生更好理解园林植物类课程专业知识的同时具备热爱“三农”情怀,提升教育者的人文素养的同时增强教育者“三农”情怀的责任感和使命感,从而给园林植物类课程教学课堂专业知识注入活力,激发学生热爱“三农”,继承和发扬中华优秀诗词农耕文化的同时愿意建设新农村,对在乡村振兴中发挥专业优势有着积极的意义。

中华优秀传统文化及其当代价值研究

中华优秀传统文化包含儒家思想、道家哲学、古代诗词文化、中医文化、茶道文化、传统节日及传统手工艺等。新时代新阶段,这些优秀传统文化在现代社会依然具备多元价值,充分认识并发挥中华优秀传统文化的当代价值不仅是推动社会主义文化繁荣的重要方式,也是建立民族文化自信,有力提高文化软实力的内在要求。基于此,该文分析了中华优秀传统文化内容,论述了中华优秀传统文化当代价值,提出了新时代传承和弘扬中华优秀传统文化的策略,力求能够提高人们对中华优秀传统文化的认识和尊重,利用其维护社会秩序、推动经济发展,让中华优秀传统文化可以在新时代持续焕发光芒。