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Translation Ecology Analysis of The Book of Songs & Book of Poetry
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作者 毕蕾 《海外英语》 2013年第3X期164-165,共2页
Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze ... Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology. 展开更多
关键词 BOOK of poetry the BOOK of songS SOCIAL environmen
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The Evolution of the Ci Poetry of the Song Dynasty
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《China & The World Cultural Exchange》 1997年第5期45-46,共2页
关键词 the Evolution of the Ci poetry of the song Dynasty
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The Comparison Between“Winebibber Spirit”and“Dionysian Spirit”in Wine Poetry
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作者 LI Xiaoye 《Sino-US English Teaching》 2020年第1期28-38,共11页
Wine in the West and China,as the core of wine culture,has been playing an important role in people’s social life.This paper analyzes wine culture on the basis of the previous researches through wine poetry,which is ... Wine in the West and China,as the core of wine culture,has been playing an important role in people’s social life.This paper analyzes wine culture on the basis of the previous researches through wine poetry,which is the result of the convergence of wine culture and Romantic poetry.On one hand,it is known that“intoxication”is the essence of wine culture:People seek freedom and independent personality in a drunk state.On the other hand,subjectivity,individuality,and self-awareness,as the features of Romanticism,share some ideological similarities with the essence of wine culture.What’s more,wine poetry,as a special category of romantic poetry,is found to present these features to a great degree.With the similarities and features mentioned above as the foundation of further study,this paper intends to make a comparative study of the wine culture in China and the West by analyzing wine poetry.Finally,the author further demonstrates the previous researchers’conclusion of Chinese“Winebibber Spirit”and the Western“Dionysian Spirit.”Meanwhile,this paper discusses the deeper reasons for the differences,and suggests that further understanding of wine culture in China and the West can promote intercultural communication. 展开更多
关键词 WINE poetry ROMANTIC Winebibber spirit Dionysian spirit
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I Sing to Myself and the Muses...Poetry and Music in the Works of Wanda Warska
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作者 Ilona Dulisz 《Cultural and Religious Studies》 2021年第6期255-261,共7页
This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jaz... This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska. 展开更多
关键词 Wanda Warska MUSIC song sung poetry Polish poetry
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The Influence of Miao Nationality’s Culture in Yuan Xiang Region on the Later Poetry Creation of Qu Yuan
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作者 GUO Xiaochun 《Cultural and Religious Studies》 2020年第8期467-472,共6页
Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the... Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan. 展开更多
关键词 Miao nationality’s culture the songs of Chu influence Qu Yuan’s poetry Yuan Xiang region
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Nature as Harmony: The Foundation of Chinese Poetry
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作者 Grace Huey-Yuh Lin 《Journal of Literature and Art Studies》 2018年第4期553-556,共4页
关键词 基础 中国 自然 和谐 政府官员 领导人 诗人
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Doctor Song Fuyin's Experience in Treating Hashimoto's Thyroiditis Based on Qi,Blood Essence and Spirit Syndrome Differentiation Stage Classification
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作者 李晓红 宋福印 庄扬名 《World Journal of Integrated Traditional and Western Medicine》 2023年第2期53-60,共8页
The paper systematically summarizes the experience of Director Song Fuyin in treating Hashimoto's thyroiditis which is a typical emotional disease that causes obvious changes in organ morphology and endocrine and ... The paper systematically summarizes the experience of Director Song Fuyin in treating Hashimoto's thyroiditis which is a typical emotional disease that causes obvious changes in organ morphology and endocrine and body fluid metabolism.It belongs to the category of psychosomatic diseases,and is the embodiment of a series of pathogenesis processes of qi disease,blood disease,essence disease and deformation in TCM theory.The whole course of the disease is dominated by the dialectical relationship of mutual influence,mutual control,mutual root and mutual use among the deity disease,qi disease,blood disease,essence and spiritual disease.Therefore,the treatment emphasizes the dialectical relationship based on qi,blood,essence and spirit.At the beginning,the treatment focuses on regulating qi and clearing heat and eliminating phlegm;at the middle stage,the treatment focuses on replenishing essence and promoting yang and eliminating wind and calming the deity;at the late stage,the treatment focuses on replenishing qi and eliminating phlegm and promoting collages.Flexible use of calming the spirits,regulating qi,dispersing essence,eliminating phlegm,promoting blood and other methods of stage classification treatment,can be targeted,improve the cure rate of the disease.This article aims to clarify the experience of Director Song Fuyin in treating Hashimoto's thyroiditis based on syndrome differentiation of qi,blood essence and spirit. 展开更多
关键词 Hashimoto's thyroiditis song Fuyin Differentiation of qi blood essence and spirit.Experience of famous doctors Regulating qi and clearing heat Nourishing essence and enhancing yang Quenching the wind and calming the spirit Eliminating phlegm and clearing collaterals
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Teaching Exploration of Ma Shuilong's Ancient Chinese Poetry Art Songs - "Spring Silkworms are Dead," "Loneliness," and "Falling Flowers"
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作者 Li Yu 《Journal of Contemporary Educational Research》 2021年第9期16-19,共4页
Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.... Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs. 展开更多
关键词 Ma Shuilong Ancient poetry art songs Creative connotation Singing characteristics
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A Glimpse of Hong Kong "Chineseness": Pre-existing Tunes as the Redemption of a Cultural Identity
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作者 LEUNG Tai-wai David 《Journal of Literature and Art Studies》 2017年第7期887-898,共12页
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I Love "Ode to the West Wind
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作者 何春梅 《怀化学院学报》 1985年第2期75-76,共2页
'Ode to the West Wind' written by Percy Bysshe Shelley is an excellent romantic poem in the 19th century and the best lyric of the poet. In the poem Shelley expresses his great love for nature, praises the Wes... 'Ode to the West Wind' written by Percy Bysshe Shelley is an excellent romantic poem in the 19th century and the best lyric of the poet. In the poem Shelley expresses his great love for nature, praises the West Wind for its spirit of destroying old things and being pregnant with new things. By evoking the great force of the West Wind, he expresses his determination to fight against dying things and disseminate new ideas with his Poetry. This point is well shown, especially in the first and the last two stanzas. 展开更多
关键词 Percy poetry things spirit FIGHT I LOVE STRUGGLE desire STANZA hopes
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Rebellious Spirit in Shelley’s Poetry
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作者 李蓉 《文山师范高等专科学校学报》 2003年第3期186-190,共5页
雪莱的诗歌反映了他争取平等和自由的反叛思想。诗歌中揭示了他对上层阶级的诅咒 。
关键词 雪莱诗歌 反叛思想 平等 自由
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A Study on Imitating Activities ,ofHanshan Poems by Chan Buddhist Monks in SONG Dynasty
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作者 HUANG Jing-Jia 《Journal of Literature and Art Studies》 2013年第4期204-212,共9页
关键词 佛教典籍 模仿 宋代 文学创作 意识形态 诗歌 含山县 文化观
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清新妙绝:日本江户诗坛的宋诗接受——以七绝选本为中心的考察
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作者 杨理论 《长江学术》 2024年第1期51-60,共10页
江户后期诗坛,为了对抗蘐园古文辞派的因明学唐的伪唐诗,宋诗派领袖人物山本北山提出宋诗清新主张,并选定宋三大家诗歌作为清新诗风的代表。北山子山本绿阴、弟子大窪诗佛编选《宋三大家绝句》(1803),北山作序推广,风行日本,是为诗坛宋... 江户后期诗坛,为了对抗蘐园古文辞派的因明学唐的伪唐诗,宋诗派领袖人物山本北山提出宋诗清新主张,并选定宋三大家诗歌作为清新诗风的代表。北山子山本绿阴、弟子大窪诗佛编选《宋三大家绝句》(1803),北山作序推广,风行日本,是为诗坛宋诗接受的标志性事件。由是带动了宋诗派另一领袖人物市河宽斋编选续编《三家妙绝》(1807),宽斋成名弟子大窪诗佛、菊池五山、柏木如亭作序跋推广。大窪诗佛、菊池五山更绍继其师,编选续续编《广三大家绝句》(1811),宽斋作序推广。连续编刊的三大家七绝,承载着清新性灵的宋诗学旨趣,矫正模拟剽窃的伪唐诗,推动了江户诗坛的宋诗兴盛。柏木如亭亦绍继乃师,编选《宋诗清绝》(1813)、《续宋诗清绝》(1846),将“清绝”作为了选本之名,选诗旨趣承袭北山、宽斋之清新,将选诗目光扩展到了三家之外的宋代七绝,但多选江湖诗人,选诗诗家增多,格局反趋卑狭。 展开更多
关键词 日本诗坛 山本北山 宋三大家 宋诗接受
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《宋诗钞》与清初宋诗宗尚
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作者 蒋金芳 《齐齐哈尔大学学报(哲学社会科学版)》 2024年第4期105-108,共4页
作为清人编订的第一部大型宋诗总集,《宋诗钞》的面世契合了京师之诗学趣尚,并有力地推动了清初宋诗风的兴起,在浙派的发展历程以及清初诗坛具有非常重要的意义。探究《宋诗钞》与清初宋诗宗尚的关系,有助于理解彼时诗风演进的一些动态... 作为清人编订的第一部大型宋诗总集,《宋诗钞》的面世契合了京师之诗学趣尚,并有力地推动了清初宋诗风的兴起,在浙派的发展历程以及清初诗坛具有非常重要的意义。探究《宋诗钞》与清初宋诗宗尚的关系,有助于理解彼时诗风演进的一些动态特征。 展开更多
关键词 《宋诗钞》 清初 宋诗 吴之振
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近四十年来国内宋代茶诗研究的回顾与展望
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作者 李精耕 曾思莹 《农业考古》 北大核心 2024年第2期201-207,共7页
近四十年来,随着中国茶文化研究的日益深入,茶诗研究热度的上升,学界对宋代茶诗的关注和研究也逐渐增多。其研究历程大致可分为三个阶段:1984-2000年,为研究发轫期;2001-2016年,为研究蓬勃发展期;2017年至今,为研究渐趋成熟期。总体上看... 近四十年来,随着中国茶文化研究的日益深入,茶诗研究热度的上升,学界对宋代茶诗的关注和研究也逐渐增多。其研究历程大致可分为三个阶段:1984-2000年,为研究发轫期;2001-2016年,为研究蓬勃发展期;2017年至今,为研究渐趋成熟期。总体上看,近四十年来,宋代茶诗研究成果不算少,但还基本停留在茶诗名家研究,学科交叉研究如茶诗地理学研究还相对较少,茶诗的艺术性也还有待进一步深入探讨。未来宋代茶诗研究还可在宏观把握和系统梳理的基础上,进一步加强理论深度的挖掘,并充分利用交叉学科研究的优势,从多角度切入,进一步拓展、深入对宋代茶诗的研究。 展开更多
关键词 近四十年 宋代茶诗研究 阶段性特点
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论清初诗人吴之振的诗学观
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作者 蒋金芳 《牡丹江师范学院学报(社会科学版)》 2024年第2期24-29,共6页
吴之振作为清初宋诗派的一员主将,其诗学宗尚建立在反思明代诗学的基础上,表现出通达的“宗宋不黜唐”的诗学观,具体的阐释倾向主要包括两个方面:“真”侧重抒写性灵,穷达一耳;“变”强调贵在自得。
关键词 吴之振 清初 宋诗
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数字文学地图在高校“唐诗宋词鉴赏” 课程教学中的应用——以“唐宋文学编年地图”为例
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作者 何湘 华伟 《当代教育理论与实践》 2024年第2期34-40,共7页
数字文学地图将文学作品的作者、作品与地理空间相融合,全景式呈现某个时代的文学整体面貌。在“唐诗宋词鉴赏”课程中运用数字文学地图可以提高教学信息化水平,有效发展学生的文学空间思维,提高学生诗词鉴赏水平。在此背景下,以“唐宋... 数字文学地图将文学作品的作者、作品与地理空间相融合,全景式呈现某个时代的文学整体面貌。在“唐诗宋词鉴赏”课程中运用数字文学地图可以提高教学信息化水平,有效发展学生的文学空间思维,提高学生诗词鉴赏水平。在此背景下,以“唐宋文学编年地图”为例,考察数字文学地图在高校“唐诗宋词鉴赏”课程中的应用,阐述数字文学地图在应用中的思考与启发,促进高校诗词鉴赏教学的发展。 展开更多
关键词 数字文学地图 “唐诗宋词鉴赏” 唐宋文学编年地图
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文人的陈谢:宋元时期文人对医僧的诗文赞赏与互动
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作者 王大伟 《宝鸡文理学院学报(社会科学版)》 2024年第2期28-33,61,共7页
文人与僧人之间的酬唱交流是佛教文学研究领域的重要题材之一。宋元时期由于有大量僧人参与了社会医疗活动,所以一些文人对此类医僧多有赞叹或感谢,同时也不乏真情流露的欣赏。宋元时期文人对医僧的诗文互动,展现了涉医僧众群体的社会... 文人与僧人之间的酬唱交流是佛教文学研究领域的重要题材之一。宋元时期由于有大量僧人参与了社会医疗活动,所以一些文人对此类医僧多有赞叹或感谢,同时也不乏真情流露的欣赏。宋元时期文人对医僧的诗文互动,展现了涉医僧众群体的社会生活图景和他们的交游特征。这是以诗文为视角发掘宋元僧众与文人之间关系的一个独特途径,也是从更多层面建构两者之间互动交流的特殊观察方式。 展开更多
关键词 宋元时期 诗文互动 文人与医僧
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李氏朝鲜文人宋翼弼次韵李白诗歌探析
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作者 王红霞 洪仕建 《太原师范学院学报(社会科学版)》 2024年第1期67-75,共9页
次韵是一种特殊的接受方式,李氏朝鲜著名文人宋翼弼《龟峰集》录有次韵李白诗歌8题13首。这13首诗特点突出,表现为对李白原诗主题的继承与翻新,对清静避世思想的接受,对家国情怀的接受,其背后是他对李白诗歌自觉的学习和与李白相似的人... 次韵是一种特殊的接受方式,李氏朝鲜著名文人宋翼弼《龟峰集》录有次韵李白诗歌8题13首。这13首诗特点突出,表现为对李白原诗主题的继承与翻新,对清静避世思想的接受,对家国情怀的接受,其背后是他对李白诗歌自觉的学习和与李白相似的人生遭遇。通过对李白诗歌的次韵,宋翼弼完成了对李白诗歌经典作品的选择,并成为李白诗歌在李氏朝鲜传播的重要一环。 展开更多
关键词 李氏朝鲜 宋翼弼 次韵 李白 诗歌 经典
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毛泽东诗词的中国精神与时代价值
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作者 王永 《唐山师范学院学报》 2024年第1期46-50,共5页
毛泽东诗词反映了中华民族在特定历史时期的鲜明品格、顽强信念、豪迈壮志和执着追求,有着中华民族独特的历史文化基因,是中国精神的精髓。毛泽东诗词作为中华民族优秀精神的独特载体,其中蕴含着爱国主义、民族自信、艰苦奋斗、为公为... 毛泽东诗词反映了中华民族在特定历史时期的鲜明品格、顽强信念、豪迈壮志和执着追求,有着中华民族独特的历史文化基因,是中国精神的精髓。毛泽东诗词作为中华民族优秀精神的独特载体,其中蕴含着爱国主义、民族自信、艰苦奋斗、为公为民的中国精神。毛泽东诗词的思想内涵并没有随着时代的变化而过时,它仍与社会主义核心价值体系有着千丝万缕的联系,有着鲜明的时代价值。 展开更多
关键词 毛泽东诗词 中国精神 时代价值
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