Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze ...Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology.展开更多
Wine in the West and China,as the core of wine culture,has been playing an important role in people’s social life.This paper analyzes wine culture on the basis of the previous researches through wine poetry,which is ...Wine in the West and China,as the core of wine culture,has been playing an important role in people’s social life.This paper analyzes wine culture on the basis of the previous researches through wine poetry,which is the result of the convergence of wine culture and Romantic poetry.On one hand,it is known that“intoxication”is the essence of wine culture:People seek freedom and independent personality in a drunk state.On the other hand,subjectivity,individuality,and self-awareness,as the features of Romanticism,share some ideological similarities with the essence of wine culture.What’s more,wine poetry,as a special category of romantic poetry,is found to present these features to a great degree.With the similarities and features mentioned above as the foundation of further study,this paper intends to make a comparative study of the wine culture in China and the West by analyzing wine poetry.Finally,the author further demonstrates the previous researchers’conclusion of Chinese“Winebibber Spirit”and the Western“Dionysian Spirit.”Meanwhile,this paper discusses the deeper reasons for the differences,and suggests that further understanding of wine culture in China and the West can promote intercultural communication.展开更多
This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou D...This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.展开更多
This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jaz...This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska.展开更多
Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the...Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.展开更多
Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York....Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.展开更多
'Ode to the West Wind' written by Percy Bysshe Shelley is an excellent romantic poem in the 19th century and the best lyric of the poet. In the poem Shelley expresses his great love for nature, praises the Wes...'Ode to the West Wind' written by Percy Bysshe Shelley is an excellent romantic poem in the 19th century and the best lyric of the poet. In the poem Shelley expresses his great love for nature, praises the West Wind for its spirit of destroying old things and being pregnant with new things. By evoking the great force of the West Wind, he expresses his determination to fight against dying things and disseminate new ideas with his Poetry. This point is well shown, especially in the first and the last two stanzas.展开更多
Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologi...Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period展开更多
The paper systematically summarizes the experience of Director Song Fuyin in treating Hashimoto's thyroiditis which is a typical emotional disease that causes obvious changes in organ morphology and endocrine and ...The paper systematically summarizes the experience of Director Song Fuyin in treating Hashimoto's thyroiditis which is a typical emotional disease that causes obvious changes in organ morphology and endocrine and body fluid metabolism.It belongs to the category of psychosomatic diseases,and is the embodiment of a series of pathogenesis processes of qi disease,blood disease,essence disease and deformation in TCM theory.The whole course of the disease is dominated by the dialectical relationship of mutual influence,mutual control,mutual root and mutual use among the deity disease,qi disease,blood disease,essence and spiritual disease.Therefore,the treatment emphasizes the dialectical relationship based on qi,blood,essence and spirit.At the beginning,the treatment focuses on regulating qi and clearing heat and eliminating phlegm;at the middle stage,the treatment focuses on replenishing essence and promoting yang and eliminating wind and calming the deity;at the late stage,the treatment focuses on replenishing qi and eliminating phlegm and promoting collages.Flexible use of calming the spirits,regulating qi,dispersing essence,eliminating phlegm,promoting blood and other methods of stage classification treatment,can be targeted,improve the cure rate of the disease.This article aims to clarify the experience of Director Song Fuyin in treating Hashimoto's thyroiditis based on syndrome differentiation of qi,blood essence and spirit.展开更多
Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engag...Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engaged in the dramatic social and cultural transformations taking place in early twentieth- century China, Lu Xun was very concerned about how to build up the New Man and new society via new literature. Advocating Maratic poets who are full of the spirit of revolt and nonconformity, Lu Xun endeavored to disturb and reinvigorate Chinese minds by bringing in foreign dynamics and energies based upon modem individualism and humanism. At the same time, Lu Xun insisted that, while moving toward a bright future, people should constantly consider China＇s prosperous past. For Lu Xun, tradition was still of great relevance in creating and nurturing new poetry, new men, and a new society. To simply lump Lu Xun together with pure anti-traditionalists is problematic. Lu Xun is commonly seen as an iconoclastic pioneer in modem China; however, I argue that Lu Xun demonstrated a dialectical reflection on the relationship between tradition and modernity. Actually, Lu Xun envisioned a process by which, galvanized by imported Maratic spirit, selected cultural legacies would undergo modem reconfiguration and revitalization.展开更多
LU You ws a native of Shan-yin in Yuezhou(now inShaoxing,Zhejian Prov-ince).Born at the time of destruc-tion of the Northern Song Dynasty,he was a successfUl candidate in thehighest imperial examinations andonce serve...LU You ws a native of Shan-yin in Yuezhou(now inShaoxing,Zhejian Prov-ince).Born at the time of destruc-tion of the Northern Song Dynasty,he was a successfUl candidate in thehighest imperial examinations andonce served as a local official inZhenjiang and Longxing.Becausehe was nurtured in the spirit ofpatriotism when he was young。展开更多
文摘Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology.
文摘Wine in the West and China,as the core of wine culture,has been playing an important role in people’s social life.This paper analyzes wine culture on the basis of the previous researches through wine poetry,which is the result of the convergence of wine culture and Romantic poetry.On one hand,it is known that“intoxication”is the essence of wine culture:People seek freedom and independent personality in a drunk state.On the other hand,subjectivity,individuality,and self-awareness,as the features of Romanticism,share some ideological similarities with the essence of wine culture.What’s more,wine poetry,as a special category of romantic poetry,is found to present these features to a great degree.With the similarities and features mentioned above as the foundation of further study,this paper intends to make a comparative study of the wine culture in China and the West by analyzing wine poetry.Finally,the author further demonstrates the previous researchers’conclusion of Chinese“Winebibber Spirit”and the Western“Dionysian Spirit.”Meanwhile,this paper discusses the deeper reasons for the differences,and suggests that further understanding of wine culture in China and the West can promote intercultural communication.
文摘This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.
文摘This article concerns the artistic activity of Wanda Warska,especially in the field of sung poetry,of which she was an outstanding representative.At the beginning of her career,she was hailed as the lady of Polish jazz,but it was her musical interpretations of Polish poetry by such composers as Jan Kochanowski,Stanisław Wyspiański,Cyprian Kamil Norwid,Konstanty Ildefons Gałczyński,Halina Poświatowska,and Czesław Miłosz that brought the artist recognition and fame.The article essentially consists of two main parts,preceded by a general introduction to the subject of the relationship between poetry and music in a historical perspective.The first part presents an extraordinary figure of the artist who was active in various fields of art.The second part introduces the musical interpretations of poetry performed by Warska.
基金Western Project of Chinese National Social Sciences Fund(Project Number:18XZW017).
文摘Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.
基金Jiangsu University Student Scientific Research Innovation Project 2021Key Subject Backbone Teacher of Nanjing Xiaozhuang University 2019-2023Pre-Research Plan of Nanjing Xiaozhuang University 2021-2022.
文摘Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.
文摘'Ode to the West Wind' written by Percy Bysshe Shelley is an excellent romantic poem in the 19th century and the best lyric of the poet. In the poem Shelley expresses his great love for nature, praises the West Wind for its spirit of destroying old things and being pregnant with new things. By evoking the great force of the West Wind, he expresses his determination to fight against dying things and disseminate new ideas with his Poetry. This point is well shown, especially in the first and the last two stanzas.
文摘Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period
文摘The paper systematically summarizes the experience of Director Song Fuyin in treating Hashimoto's thyroiditis which is a typical emotional disease that causes obvious changes in organ morphology and endocrine and body fluid metabolism.It belongs to the category of psychosomatic diseases,and is the embodiment of a series of pathogenesis processes of qi disease,blood disease,essence disease and deformation in TCM theory.The whole course of the disease is dominated by the dialectical relationship of mutual influence,mutual control,mutual root and mutual use among the deity disease,qi disease,blood disease,essence and spiritual disease.Therefore,the treatment emphasizes the dialectical relationship based on qi,blood,essence and spirit.At the beginning,the treatment focuses on regulating qi and clearing heat and eliminating phlegm;at the middle stage,the treatment focuses on replenishing essence and promoting yang and eliminating wind and calming the deity;at the late stage,the treatment focuses on replenishing qi and eliminating phlegm and promoting collages.Flexible use of calming the spirits,regulating qi,dispersing essence,eliminating phlegm,promoting blood and other methods of stage classification treatment,can be targeted,improve the cure rate of the disease.This article aims to clarify the experience of Director Song Fuyin in treating Hashimoto's thyroiditis based on syndrome differentiation of qi,blood essence and spirit.
文摘Focusing on literary tradition and innovation, this paper examines Lu Xun＇s poetics as represented in his early treatise On the Power of Mara Poetry （Moluo shi li shuo）. As a leading writer and thinker deeply engaged in the dramatic social and cultural transformations taking place in early twentieth- century China, Lu Xun was very concerned about how to build up the New Man and new society via new literature. Advocating Maratic poets who are full of the spirit of revolt and nonconformity, Lu Xun endeavored to disturb and reinvigorate Chinese minds by bringing in foreign dynamics and energies based upon modem individualism and humanism. At the same time, Lu Xun insisted that, while moving toward a bright future, people should constantly consider China＇s prosperous past. For Lu Xun, tradition was still of great relevance in creating and nurturing new poetry, new men, and a new society. To simply lump Lu Xun together with pure anti-traditionalists is problematic. Lu Xun is commonly seen as an iconoclastic pioneer in modem China; however, I argue that Lu Xun demonstrated a dialectical reflection on the relationship between tradition and modernity. Actually, Lu Xun envisioned a process by which, galvanized by imported Maratic spirit, selected cultural legacies would undergo modem reconfiguration and revitalization.
文摘LU You ws a native of Shan-yin in Yuezhou(now inShaoxing,Zhejian Prov-ince).Born at the time of destruc-tion of the Northern Song Dynasty,he was a successfUl candidate in thehighest imperial examinations andonce served as a local official inZhenjiang and Longxing.Becausehe was nurtured in the spirit ofpatriotism when he was young。
