The Inheritance and Application of Chinese Reverse Contrast Typeface Style

This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon Italian and French Clarendon,providing a Western perspective reference for subsequent Chinese character reverse contrast typeface style designs.The paper then traces the origins of the Chinese reverse contrast style,from the calligraphy style"Lacquer Script"to the earliest printing type"フワンテール形",exploring the historical background and cultural significance of the Chinese reverse contrast style.In the methodology section of Chinese character reverse contrast typeface style design,the discussion is conducted from two dimensions:inheritance and application.In terms of inheritance,through an in-depth analysis of"Lacquer Script"and"フワンテール形"typeface style,the paper summarizes three basic theories for modern Chinese character reverse contrast typeface style design.In the application section,it examines in detail the two most influential recent typeface styles,"Ribaasu"and"Basic Artistic",outlining three directions of application:extreme horizontal stroke variations,exaggerated contrast,and diverse decorative strokes,showcasing new directions and possibilities for Chinese character reverse contrast typeface style design.This paper not only reviews the developmental history of the Chinese character reverse contrast typeface style but also analyzes the design methodology of Chinese character reverse contrast typeface style through specific case studies.

A Comparative Analysis of the Origin and Formation Between Chinese Characters and English Alphabets

This research is based on the framework of social constructivism,utilizing the principle of Human Universals as a methodology to compare the similarities and differences between the ideation and formation methods of Chinese characters and English alphabets.Through comparative analysis of the ideation of English letters(pictogramme)and the origin of Chinese characters,known as the"Six Categories Theory,"we discover their alignment in terms of social,traditional,and cultural aspects.This suggests that different ethnic groups share common features in terms of life experience,learning cognitive development,and thinking habits.This study also finds that the origins of English letters and Chinese characters share similar linguistic features in their methods of constructing letters/characters,such as pictographic,ideographic,and semantic characteristics.Exploring these commonalities contributes to promoting learning and communication between Chinese and English characters.Additionally,by focusing on socio-cultural aspects,traditional customs,and cognitive learning,this study aims to break away from the traditional linguistic research approach that solely focuses on language differences.This provides a broader perspective and richer dimensions for Chinese and English language learning,facilitating the development of cross-linguistic and cross-cultural communication.

Redebate on the Value of Chinese Characters

In order to deepen our rational understanding of Chinese characters,it is necessary to reexamine the value of it today.The reason why Chinese characters can keep vital is that it fits the unique thinking mode and aesthetic standards of the Han People.In the meantime,it intervenes in Chinese ontology by improving the resolution ratio of information trans,and objectively performs the function of the fourth element of language.

Discussion of Online Teaching Strategies for Teaching Elementary Chinese Characters to Foreigners Based on Error Analyses

The expanding role of the Chinese language in international communications has become increasingly prominent as China’s comprehensive national power continues to grow,leading to a significant rise in the number of Chinese language learners.Since online teaching is not limited by time and space,its application is widespread.For beginners in the Chinese language,the Chinese characters are both a priority and a challenge.The“Chinese Character Classification,”also known as the“Six Writings,”is the earliest systematic theory of Chinese character structures,and teaching Chinese characters in categories based on the“Chinese Character Classification”is a method that fits the cognition of beginners.In order to teach Chinese characters in a targeted approach,based on the collection and analysis of the common errors of Chinese characters among beginners,(1)this paper proposes that(a)the intuitive method can be applied to teach pictographic characters,indicative characters,and associative compound characters in online teaching;(b)the inductive-deductive method of“basic characters to new characters”can be applied for the teaching of pictophonetic characters and associative compound characters;(c)the learning of character patterns should be approached in a whole-part-whole process,while importance should be attached to the suggestion of the frequency effect with a view to facilitating the online learning of Chinese characters for beginners.The aim of this paper is to provide some practical implications for the online teaching of Chinese characters to foreigners.

An exemplification of the Evolving Process by Studying the Chinese Character Mao

This paper tries to demarcate the evolving process of decategorization into three periods and exemplify it by studying the Chinese character Mao.The exemplification shows the correctness of the demarcation.

ON THE STRUCTURES OF RAM-BASED CHINESE CHARACTER LIBRARIES

The Chinese character library is one of the important data structures in the Chinese information Processing system.The behavior of the whole system depends directly on the reasonableness of design for its structure.This paper expounds the structures of RAM-based Chinese character libraries,static and dynamic ,The paper offers a descriptive method for this behavior and inquires into some algorithms related to the structures mentioned above.

DESIGN AND RESEARCH OF THE INTERNAL CODE FOR THE COMPLETE CHINESE CHARACTERS SET

This paper defines the complete Chinese characters set and expounds the necessity of the design of the internal code for the set.Then,article offers two kinds of internal codes(the CNCC code and TTB code) with their definitions and their performances Finally,the paper discusses the techniques of implementing these eodes,including the trandsforming system kernel,Chinese-English compatible sceen-display and screen-deiting.

A new record of a flathead fish (Teleostei: Platycephalidae) from China based on morphological characters and DNA barcoding

A new record of Platycephalus sp.1 (sensu Nakabo, 2002) was documented based on morphological characters and DNA barcoding. We collected 174 specimens of the genus Platycephalus from Chinese coastal waters of Dongying, Qingdao, Zhoushan, and Beihai. Samples were identified as Platycephalus sp.1 morphologically. The coloration, meristic traits, and morphometric measurements are consistent with previously published records. In brief, it is an orange-brown flathead fish with dark brown spots scattered on head and body, lateral line scales 83 to 99 with one or two spine-bearing anteriormost pored scale, no yellow blotch on the caudal fin. Cytochrome oxidase I subunit (COI) gene fragments were sequenced for phylogenetic analysis. The mean evolutionary distance within the species Platycephalus sp.1 was 0.1%. Net evolutionary distances between Platycephalus sp.1 and other species of Platycephalus ranged from 10.8% to 19.7%, which is much greater than the threshold for species delimitation. The COI sequence analysis strongly supports the validity of Platyceohalus sp.1 at genetic level.

The Research on Character Design Based on the Chinese Mythology:A Case Study of Shisa

Chinese mythology with its profound cultural asserts and the unconstrained imagination is an indispensable factor in animation creation.The rich resources of myth in ancient China provided a broad space for the creation of animation film and inherited a long ethnic culture.Firstly,the study creates an animation mythological character design model according to the literature review to provide the operational theory for animation design,which consists of three main parts:central idea,research method,and conceptual model.Secondly,the research sums up the animation character creative process framework through the case of Shisa with the specific ideas of creative design.Four steps are used to design a mythological character:set a scenario(illustration),tell a story(interpretation),write a script(reaction),and design a character(reflection).It has analyzed how to integrate the information about the mythology and stimulate the designers’creative imagination in the animation character design in order to create the artworks with unique oriental charm.

A Study on the Traditional Chinese Traditional Architectural Form of Mythological Tradition

Objective Through the metaphorical archetypal spirit and mythological semantics of Chinese character structure, this paper explores the metaphorical mythological gene and the moral order of the Chinese character structure, geographical thinking and aesthetic orientation of the mythological prototypes derived from the Chinese characters. Method The cultural archetypes and the theories of big and small traditions are adopted to sort out the mythological beliefs in the former architectural forms of the big traditions and the ethical narrative system carried by the buildings in the small cultural traditional societies. In the architectural archetypes dominated by big and small cultural traditions, the thinking of “archetypes and ethics” is found to be a homologous gene, which confirms the universal significance of the spirit of Chinese Confucian ethics to the power of Chinese civilization flowing and inheriting and human morality. Conclusion The structure of Chinese characters has the function of “recording” and “interpreting”, and the mythological thinking of architectural form materials, understands the ultimate transformation of cultural archetypes in creation, and guides the value of the traditional architectural design of “bringing out goodness and symbiosis” in the contemporary era. To relieve the material pursuit of spiritual enjoyment at that moment, to promote cultural heritage and the role of social treatment, to build cultural identity and the spiritual transcendence of the existence value of space ethics and the overall social and cultural identity.

The Spread of Chinese-character Culture on the Silk Road During the Tang Dynasty

The spread of Chinese characters and Chinese classic works during the Tang Dynasty presented diversified discourses of acceptance and development in different periods and regions. This was due to the differences in commercial, economic, political, religious, and cultural environments proportional to the real environment's demand for Chinese characters and Chinese classical works. Chinese characters were introduced to Gaochang, Qiuci, Khotan, Korea, Japan, and Vietnam as early as the Han Dynasty, with different development paths in these regions. It is easy to form a long lasting culture spread by Chinese language and characters, as long as official languages are consistent with national or religious languages of the regions. It is difficult to form a long lasting culture spread by official languages and characters if the official languages and characters are inconsistent with either languages of daily life or religious languages. Once there is replacement of official languages and characters, or a change in religious belief, it would cause incompatibility between official languages and daily life languages, Chinese-character culture is bound to decline and gradually fade way. But if there are Han people, they will retain the use of Chinese characters.

Translation of Four-Chinese-Character Structures——With the Report at the 19^(th) National Congress of the Communist Party of China as Case Study

Chinese is featured with four-Chinese-character structures.These forms are typical in pattern,sound and meaning delivery.The thesis,therefore,with classifications of the four-Chinese-character structures in the latest 19^(th)National Congress of the Communist Party of China,attempts to analyze translation methods such as literal translation and liberal translation as well as translation techniques such as combination,shift,addition and omission.It is concluded that dominant methods or techniques are adopted in translating corresponding types of four-Chinese-character structures.In this sense,not only guidance for translation practice in political regard is offered but also a further understanding of translation methods and techniques can be gained.

The Comparative Study of Two Translated Texts on Huangdirent Translating Styles o'n s Internal Classics——Simple Analysis on the Diffe Culture-Specific Lexicon, Figure of Speech and Four-Chinese-Character Structures

Huangdi's Internal Classics(Neijin) is one of the most important ancient medical classics, which plays far-reaching influence in medical field. More and more domestic and overseas scholars published their translated texts on Neijing. Due to the diversity of editions and different understanding, the translating styles and contents are widely different. This study will focus on the different translating styles on culture-specific lexicon、figure of speech and four-Chinese-character structures in Neijin.

Structural recognition of ancient Chinese ideographic characters

Ancient Chinese characters, typically the ideographic characters on bones and bronze before Shang Dynasty(16th—11th century B.C.), are valuable culture legacy of history. However the recognition of Ancient Chinese characters has been the task of paleography experts for long. With the help of modern computer technique, everyone can expect to be able to recognize the characters and understand the ancient inscriptions. This research is aimed to help people recognize and understand those ancient Chinese characters by combining Chinese paleography theory and computer information processing technology. Based on the analysis of ancient character features, a method for structural character recognition is proposed. The important characteristics of strokes and basic components or radicals used in recognition are introduced in detail. A system was implemented based on above method to show the effectiveness of the method.

Processing Chinese hand-radicals activates the medial frontal gyrus A functional MRI investigation

Embodied semantics theory asserts that the meaning of action-related words is neurally represented through networks that overlap with or are identical to networks involved in sensory-motor processing. While some studies supporting this theory have focused on Chinese characters, less attention has been paid to their semantic radicals. Indeed, there is still disagreement about whether these radicals are processed independently. The present study investigated whether radicals are processed separately and, if so, whether this processing occurs in sensory-motor regions. Materials consisted of 72 high-frequency Chinese characters, with 18 in each of four categories： hand-action verbs with and without hand-radicals, and verbs not related to hand actions, with and without hand-radicals. Twenty-eight participants underwent functional MRI scans while reading the characters. Compared to characters without hand-radicals, reading characters with hand-radicals activated the right medial frontal gyrus. Verbs involving hand-action activated the left inferior parietal lobule, possibly reflecting integration of information in the radical with the semantic meaning of the verb. The findings may be consistent with embodied semantics theory and suggest that neural representation of radicals is indispensable in processing Chinese characters.

Development of Automatic Programming System for NC Laser Cutting of Chinese Characters

This Paper presents an automatic programming system developed for NC laser onning of Chinese charaCterswhich combines AutoCAD with NC Under Windows environment, and generates numerical controlled Programs by extracting outline (stroke) figures of Chinese Characters from outline character base, optimizing cutting routes, transferring them to AutoCAD for editing operations, such as rotation transfer, enlarging an mirroring, the system can transferto a laser cutting machine througy RS-232 series interface to accomplish laser cutting of large Chinese characters.