Sustainability of Community Art in Hong Kong,China:The Case of Woofer Ten Through Actor-Network Theory

Community art explores alternative social participation and sustainable community life in urban regeneration.There is a need to design an assessment model for the sustainability of community art from a comprehensive and long-term perspective.This report introduces Actor-Network Theory(ANT)as an analytical framework to make a case study of the sustainability of Woofer Ten.The SNA(Social Context-Neighborhood-Actors)model comprehensively reveals the social context,neighborhood,and actors cluster in the network and summarizes the impact of actors and their interactions in the community arts network on sustainability.This report reveals the interactions between urban regeneration,place-making and community arts and their ongoing impact on broader social well-being.Renewed attention to these processes will contribute to the right to the city,citizenship,and activism in the context of Hong Kong’s community culture.

A Tentative Study on Creation Theory of E.H.Gombrich＇s Art Theory

There are two popular aesthetic trends in Europe in the 17th and the 18th centuries. The first one is continental rationalism which holds that people＇ s knowledge comes from inborn rationality. The other one is British empiricism.

Research on the Problem of Art Production Theory Since the New Period

The issue of art production is an important topic discussed in China’s academia. The article first discusses thetheoretical issues of early art production in China, mainly taking Mr. Dong Xuewen’s views as an example. Second,scholars have their own views on the discussion of the unbalanced development of art production and materialproduction in the 1970s and 1980s. Third, this article uses the art production theory to construct the contemporaryliterary art form, and raises the art production theory to the essentialism to discuss the art production theory and thereflection theory. Fourth, the relationship between art production and art consumption is in large-scalecomprehensive systematic research.

The Relation between Theory and Practice in Muslim Sages＇ Thoughts in the Third and Fourth Hijra Centuries and Its Effects on Concept of Craft （Sana＇at） and Art in Islamic Civilization

Farabi defines ＂Ilm al-Hiyal＂ （mechanic） in Ihsa al-Ulum as ＂knowing a way by which, human can adjust all of the concepts that have been proved in mathematics with verification to exotic objects, and helps their states in exotic objects to be carried＂. He believes this will be recognized and be attained by craft （sana＇at, art）. This was the common view in Islamic wisdom and philosophy in third and fourth Hijra centuries （9 ＆ 10 CE）. Researchers believe that the unique emphasis on parallelism between theoretical science and practical work is an important feature of Baghdad school and affected Islamic visual culture. Baghdad school had been affected by translation. In this way, Ikhwan-al-Safa, whom wrote the first encyclopedia of science in Islamic culture, had a very efficient role. They devised geometry into intellectual and sensual ones in the second part of their book, al-Rasa-el, and considered intellectual geometry as one of the middle philosophy and recognition and understanding factor for meaning of sensual geometry evidences. They insisted on basic situation of intellectual geometry in guidance of whom, want to learn intellectual things from sensual ones. They knew intellectual geometry as the factor for requiring skill in scientific crafts （sana＇at）, and sensual geometry as the factor of practical crafts, and made a vast relation between them. They also defined end of intellectual geometry understanding the base of all sciences and the main factor of wise, essence of self （nafs）. Important feature of Ikhwan-al-Safa＇s wisdom is omitting the gap between theory and practice, making a vast relation between them, which affected the meaning of crafts in Islamic culture, and rendered a spiritual feature to crafts and arts. It seems this relation has created the concept of traditional arts, and integrating wisdom and crafts in Iranian-Islamic culture constructed all of the Fotowat-Nam e （book of Chivalry）. This article reviews the concept, which affiliates theory and practice in third and fourth centuries and has a deep effect on recognition of art and craft in Islamic culture.

Definition of Language and Art in the Context of the Evolution Theory

The problem of human language, arithmetic, and art was studied in the context of the definition ＂civilization＂ on the basis of Darwin＇s theory. The author defines civilization as ＂survival of the weak＂. The author supposes that language and art were invented by the men to describe their heroic deeds for the women in order to be selected by them for reproduction. In other words, language and art became a selection criterions together with beauty and presents. Finally, the author defines language and art.

Uta Frith’s thoughts on the Theory of Mind and Autistic Deficit: Dialogue between Art and Neuroscience

The contemporary scientist and German developmental psychologist at the Institute of Cognitive Neuroscience of University College London, Uta Frith has mainly focused her research on autism spectrum disorder and the related theory-of-mind deficit. To explain the autistic mentalistic deficit, the psychologist has used a specific tool: art, her initial pursuit cultivated at the Universität des Saarlandes, in Germany. Thus, this work seeks to reconstruct the artistic influences on Uta Frith’s scientific efforts, highlighting how the dialogical intersection of two seemingly distant disciplines, like art and neuroscience, can generate surprising new networks of signification and an understanding of the intrapsychic and interpsychic worlds. Art challenges us to develop moments of neuroscientific knowledge. On the other. In contrast, neuroscience offers the opportunity to develop further insights into the role of visual perception in contemplating works of art.

Research on Development of the Aesthetic Interaction and Interaction Design Theory and the Applications on Art Design Field

In this paper, we conduct research on development of aesthetic interaction and interaction design theory and the applications on art design fi eld. In this article to discuss the experience and the depth of the aesthetic object is limited in the fi eld of aesthetics, although both clearly show their subject or object, but if points in general is easy to fall into the quagmire of subjective idealism and mechanical materialism, it is off the aesthetic realm. It is on the basis of the unity between subject and object of this essay, it is in this, experience and the depth of the aesthetic object is worth exploring the intersection. Organizational communication and the reception aesthetics in their own unique research perspective and multi-disciplinary background, in the organization and the role of aesthetic gradually revealed, integration and interaction of the two is the inevitable trend of development. Under this basis, we propose the corresponding issues as the implementation that is meaningful.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.

Brief Cases on Military Treatise of English Translation of The Art of War Based on Functionalist Translation Theory

Katharina Reiss put forward the functionalist translation theory in 1970 s.It promotes the status of the translators and provides options that translators could get in order to make the good translation.As China' s military treasure,The Art of War exerts great influence on the military development for its profound theory and careful logic.Combined with the theory,the paper finds different strategies in translating the military terminology of the cases.

Artistic Renewal and Heritage Conservation-Deleuze’s Philosophy in Reimagining Yongning Ancient Walled City

The Yongning Ancient Walled City, located in Quanzhou, Fujian Province, is a historic site with over 600 years of cultural heritage. Its preservation faces challenges posed by rapid urbanization, yet it also offers opportunities for creative renewal through artistic and cultural frameworks. This paper explores a novel approach to reimagining Yongning by integrating Gilles Deleuze’s philosophy-emphasizing multiplicity, rhizomatic connections, and the fold-with environmental art and cultural narratives. By drawing on Deleuze’s concepts of “nomadic space” and “fold” within the context of heritage conservation, this study provides actionable strategies for blending modern artistic practices with traditional cultural identity. Through field research, theoretical exploration, and design application, this paper demonstrates how Yongning can transform into a living museum of art, culture, and history. The findings aim to expand the dialogue on aesthetics, spatial theory, and heritage renewal.

面向新文科的高校图书馆未来学习中心设计要素探究

“新文科”的提出进一步推动了构建融通的学习环境、灵活的学习方式、个性化的学习支持体系,为图书馆人文学科服务带来新突破口。文章基于活动中心的分析和设计(ACAD)框架,运用扎根理论的研究方法,对42份我国高校新文科教育改革案例进行编码分析,探究面向新文科的高校图书馆未来学习中心设计要素。基于编码分析结果,构建面向新文科的高校图书馆未来学习中心要素关系模型,以期为高校图书馆未来学习中心建设提供借鉴。

真情、创化、时间与直觉——朱谦之唯情哲学视域下“艺术情本论”要义探析

在中国艺术理论的发展进程中,以情论艺者不乏其人,朱谦之属于20世纪初中国“艺术情本论”的倡导者。与一些学者对西方“艺术情感论”的介绍性传播不同,朱谦之吸收西方哲学与艺术中的情知、情见,挖掘中国传统文化中的情思、情识,以西启中、以中补西,于唯情哲学的精微之思中重观艺术,提出“艺术情本论”,其观点极具思想性、探索性和时代性。从真情、创化、时间与直觉诸点入手,探究唯情哲学视域下朱谦之“艺术情本论”的要义,可在揭橥其观点要旨的同时丰富对20世纪初中国艺术有情论的研究内容,凸显其观点在学术史、文化史上的价值。

基于ART2神经网络的入侵检测方法

提出基于ART2神经网络的入侵检测方法.采集基于主机和基于网络的入侵特征数据,分析入侵行为的空间和时间关联性,并对入侵特征数据中的关联信息进行处理,提取入侵行为之间的关联性,降低入侵检测算法的复杂性;利用ART2算法的自学习能力、自组织能力、良好的稳定性和可塑性以及快速识别能力,实现对用户行为的近实时检测,取得了较高的检测准确率,在识别未知攻击方面具有较好的性能.

基于ART理论的自组织神经网络模型在水资源分类中的应用

BP和RBF神经网络技术以其强大的学习功能应用于水资源分类 ,取得了很好的效果。但当不具备已知样本时 ,以上技术很难应用。提出了可塑性较强、无监督的A -K网络模型 ,阐述了其基本原理和算法 ,并将其用于水文水资源研究领域中。实例表明 ,该方法能较理想地解决已知样本的分类问题 。

改进ART Ⅱ算法的仿真研究

ART Ⅱ网络以模式的相似性量度值为基础,能够对动态的输入模式样本进行自适应的聚类和识别,然而标准的ART Ⅱ网络在输入数据处理过程中,忽略了样本数据中的负数信息和幅值信息,造成信号畸变和"同相位不可分"问题,在权值调整过程中,聚类中心发生移动,容易造成"模式漂移"现象。针对上述问题结合相关文献提出了引入非线性函数对输入数据进行变换的方法解决"同相位不可分"问题,用待测数据与同一模式类中有限数据的欧氏距离与限定值进行比较实现聚类判定,抑制"模式漂移"现象。用Matlab仿真表明,改进算法性能优于标准算法。

改进ART1神经网络在航空发动机故障诊断中的应用

根据航空发动机故障诊断原理和飞参数据,提出了一种改进ART1神经网络故障诊断方法。该法对数据预处理后,运用四阈值法和二次判断建立故障代码消除“伪故障”,并对ART1神经网络的输入层进行了改进,在诊断突发性故障的基础上,增加了对因为部件原因而引起的渐变性故障的诊断。实验结果证明,该方法精确度高,噪声抑制力强,而且诊断准确,大大降低了虚警率。

ART2wNF及其稳定性-可塑性动态平衡性能分析

稳定性-可塑性两难问题的核心是系统如何在不削弱或忘记已学习模式的同时,自适应地学习新事物.目前公认自适应谐振理论(Adaptive resonance theory,ART)能够部分解决稳定性–可塑性两难问题,但依然存在学习受样本输入顺序影响大,且存在学习中心渐变样本时,带来的所谓模式漂移的问题.受进化生物学关于人类学习的幼态延续特征的启发,本文为每个F2层节点配备活跃度指示器λ,并将其反馈回F1层参与STM(Short term memory)向量的计算,使这种新型ART2网络在行为特征上具备幼态延续的显著特征,本文称之为ART2wNF(Adaptive resonance theory with neoteny feature).论文从理论上证明算法的可行性,并通过分析对随机生成样本集合的学习过程,对比了ART2wNF算法与常规ART2网络在可塑性、稳定性方面的差异以及ART2wNF在克服样本输入顺序影响等方面的优势.

基于Fuzzy-ART神经网络的红外弱小目标检测

针对现有背景抑制算法未能有效抑制背景而导致目标检测率低的问题,提出了一种基于模糊自适应共振理论(fuzzy adaptive resonance theory,Fuzzy-ART)神经网络的弱小目标检测算法。首先,采用Fuzzy-ART神经网络结合Robinson警戒环技术,建立自适应局部空间背景模型,并以此分析像素点的背景模糊隶属度来抑制背景杂波;然后依据目标与残留背景杂波的空间特征采用模板均差法来突显目标,并提出基于行列模糊聚类的自适应分割算法来提取候选目标;最后结合目标的运动连续性进行多帧轨迹关联从而检测出真实目标。理论分析与实验结果表明,该算法能随背景的局部情况来自适应调节空间背景模型,从而自适应抑制背景杂波、突显目标,能有效提高信噪比,检测出弱小目标。

改进的ART网络在火焰燃烧状态识别中的应用

基于采集的电站锅炉燃烧器火焰图像,利用数字图像处理技术,讨论了特征值的意义和提取方法,提取了火焰图像特征区内灰度的平均值和标准差2个特征向量,运用现代人工神经网络智能理论,设计并改进了ART2网络算法,经过训练和实际应用后,ART2网络对一定工况的旋流燃烧器和直流燃烧器火焰燃烧状态都具有很好的识别能力,判别准确,网络稳定,实现燃烧状态实时判断,在现场取得了良好的实际应用效果。