Construction and Development of the National Experimental Teaching Demonstration Center for Drama and Film and Television Disciplines

Taking the National Experimental Teaching Demonstration Center of the Central Academy of Drama as an example,this article explores the construction and development of the National Experimental Teaching Demonstration Center for the practical teaching of drama and film and television disciplines.The article first introduces the background and importance of the demonstration center and then analyzes in depth the construction content and achievements of the demonstration center from four aspects:practical teaching philosophy,practical teaching system,practical teaching resources,and practical teaching effects.Finally,the article summarizes the experience and shortcomings of the demonstration center and proposes future development directions and suggestions.

The Current Situation, Problems, and Suggestions of Film and Television Education in Primary and Middle Schools

This study investigates the current situation of the film and television education in primary and secondary schools in China. The purpose is to find out the problems existing in the current film and television education in primary and secondary schools, and give improvement measures. A questionnaire was designed in this study and teachers in 89 primary and secondary schools in Liaocheng City, Shandong Province filled in the questionnaires. A total of 355 valid questionnaires were collected. This study analyzed the survey data, and drawn a series of conclusions about the current situation of film and television education in primary and secondary schools on the basis of data analysis. Based on the results of the survey, some suggestions are given to provide reference for the development of film and television education in primary and secondary schools.

Research on the Developmental Trend of CG Technology in Hollywood and the Influence on Chinese Film and Television Production

In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film＇ s real, this should not be true of physical reality, and should be a real art. Under the real line of art, is the creation subject, communicators, accepts the main body of the social era, cultural environment and its moral conscience and the humanities. Virtual reality technology in the development of today, no we can＇ t do, only we believe technology as a means of implementation, not only need theory to guide, also need the discretion of moral criterion. Which is involved in the film wonders of all, need thoughtful, measure the questions very carefully. In the angle of modern CG illustration artistic creation, it is the creation of raw materials, inspiration and the material. It can go, deformation, transplantation, restructuring, and so on, finally achieve the goal of creating a new illustration works. Our research proposes the new paradigm for the Chinese film and the television production that is innovative.

Analysis on the Influence of Drama Virtual Technique on the Creation of Film and Television Animations

The virtual technique in Chinese drama makes the aesthetic feeling of the audiences enriched in enjoying the art of stage performance to their heart＇s content when the reality of life is reflected by drama. Also, the position of the animation art has been promoted by the expression and extension of the drama art spirit and expression technique in the creation of film and television animations to be greatly improved. In this paper, the characteristics of the virtual technique in drama are briefly introduced, and also the influence of the virtual technique on the creation offihn and television animations is analyzed.

Development Opportunities and Challenges of Film and Television Industry in the Post-Epidemic Era

The sudden outbreak of COVID-19 in 2020 has not only caused a serious impact on the development of China's economy,but also on China's cultural industry,especially the film and television industry,which is now entering the post-epidemic era.This paper explains the impact of the epidemic on domestic and foreign film and television industry and the three major impacts on the film industry,and then interprets the response measures of the film and television industry in the post-epidemic era.

Discussion on the Problems Faced by Film and Television Education and the Development Trends in the New Media Environment

With the development of the economy,film and television education has gradually received more and more attention.With the rapid development of new media technologies,there are still some problems in film and television education in the new media environment.This paper mainly analyzes the problems faced by film and television education in the new media environment,and the development direction of film and television education in the new media era,and explores the forms of film and television education and film industry integration.

On the Challenge to Traditional Film and Television Cultural ＆ Creative Industry from the Fourth Media

The emergence and development of the "fourth media" will become the focal competition power in the subsequent development of the film and television cultural & creative industry.This paper,on the one hand,will illustrate the characteristics of the "fourth media" in the terms of history;on the other hand,it will emphasize that the economic benefits of the traditional media have been replaced by social contact media.The advantages of the "fourth media" are obvious and it will keep developing.We hope that the "fourth media" market in China could improve constantly with strategic vision and integrate into the world market.

Content Creation and Production Choice： Film, Television and Related Production Enterprises

The main purpose of this paper looks to examine notable inconsistencies in language and practice between production practices in film, television, Internet and related production models. The disconnect between actual production practices and how they are describedis notably affected by advances in technology. Furthermore, practitioners insider language usage, and a lack of understanding between process verses exhibition contributes to the divide within theory and practice of these models. By inspecting how traditional entertainment content is physically produced, making comparisons with the most common production models, the realms of production practices and terminology bring clarity and consistency. The language distinction illuminates any production process and is certainly critical for the producer responsible for putting together an experienced crew to shoot the project and vice versa concerning anyone looking for a job in those communities. Content creation for public consumption is expensive to produce, thus requires experienced people who must perform specific tasks on time and on budget, achieving entertainment goals and bringing in a profitable return. Understanding this information about production models is vital to the student or anyone preparing to be a part of the entertainment community.

A Study of the Influence of Female Self-concept on Elizabeth’s Garment Behavior in Pride and Prejudice

As one of the visual elements in the film, clothing will undoubtedly contribute to strengthening the visual language. Referred to the fashion design, it is conducive to shaping the character characteristics and setting off the atmosphere. We’ll explore the key role of clothing in revealing the story of heroine Elizabeth with multiple perspectives, such as dress design, collocation style and appearance mode in 1995 TV series Pride and Prejudice.

On international distribution strategy of Chinese film & television works

Nowadays,with the rapid development of economy and technology,Chinese film&television industry has made great advancement,owning a prosperous domestic market and gaining a lot of profits.However,the overseas market of Chinese film&television works is still lagging behind.As the economic globalization has fastened the free trade in the world,its international distribution is important for it could represent Chinese cultural values and help to spread Chinese"soft power".Therefore,some strategies would be proposed in the essay,in order to solve the existing problems in the international distribution of Chinese film&television works,such as box-office deficits,cultural discounts and trade barriers,etc.

Style and Body Language in the Moving Image

Audio visual style has a complex multi-functionality and the important part of this deals with the way that the character body is visualized and how body language is implemented in the moving image. With a number of examples of contemporary film and television, the article will line up of key issues of body language in the moving image. This article describes two important aspects of body language in visual media--how visual style mediates the body expressions of fictional character and real persons in news on television and how aspects of the visual style always represent bodily presence in the moving image.

Evolution of art form of video animation design under the background of computer graphics system development

According to the development of discipline and teaching situation of computer graphics, computer graphics analysis in thecurriculum system, the reform of teaching contents and teaching methods, improve students＇ computer graphics theory teaching and practiceteaching effects by using limited time, adapt to the social demand for graphics software R ＆ D personnel. Motion design and production are ofgreat importance to film and television animation. This article mainly elaborates the present situation, the characteristic and the master method ofthe movie animation movement design and manufacture. Including the animation, motion animation design and production of organized, plannedproduction features that emphasize the characteristics of movement, exaggeration, force and rhythm, this paper presents the common problemsand solutions in the animation language, and the main differences between the animation design and performance in different forms of animation.Through the animation design and expression of the past and present situation analysis, looking forward to the future animation art movementdesign development. Aesthetic lens performance is the artistic pursuit of many film and television creators. Animation, as a highly hypotheticalart form, which is one of the distinctive artistic features of film and television animation, which is based on the limitation of the camera and is fullof expressive lenses.

Research on emotion space of film and television scene images based on subjective perception

The premise of image emotion recognition is to determine its representative emotional adjectives and establish the quantifiable emotion space. In this paper, focusing on aroused emotion from film and television(TV) scene images, a method of selecting emotional adjectives and establishing the emotion space based on subjective perception experiment is proposed. Firstly, a special data set about film and TV scene images was established and a set of initial emotional adjectives was collected. Then the subjective perception experiment was designed to let subjects to evaluate the affection of all the initial adjectives during watching these scene images. Then the method of principal basis analysis was used for variable selection. Finally, the factor analysis was applied to accomplish the second dimension reduction to form a 5-dimensional(5 D) orthogonal emotion space. The optimized emotion space can explain more than 94% of original emotional adjectives, which greatly reduces the dimension of emotional adjectives and lays a foundation for the further research on image content and emotion recognition.

Large Area Flat-screen Liquid Crystal Television(continued 1 )

A modular flat-screen liquid crystal television display is described. The picture elements of the modules may be emissive, reflective or transmissive. The flat-screen liquid crystal television also comprised of an electrical control circuit capable of categorizing incoming television picture signals corresponding to the modules in the array and directing the electrical signals to the drive circuits of each module according to the portion of the television picture to be reproduced by the picture elements of that module. The picture elements are preferably formed in a light modulating film composed of a liquid crystal dispersion in a polymeric binder. A color display was also produced by placing a patterned red-green-blue filter adjacent the active matrix so that each picture element could also be coordinated with the color components of a color video signal.

Large Area Flat-screen Liquid Crystal Television

A modular flat-screen liquid crystal television display is described.The picture elements of the modules may be emissive,reflective or transmissive.The flat-screen liquid crystal television also comprised of an electrical control circuit capable of categorizing incoming television picture signals corresponding to the modules in the array and directing the electrical signals to the drive circuits of each module according to the portion of the television picture to be reproduced by the picture elements of that module.The picture elements are preferably formed in a light modulating film composed of a liquid crystal dispersion in a polymeric binder.A color display was also produced by placing a patterned red-green-blue filter adjacent the active matrix so that each picture element could also be coordinated with the color components of a color video signal.

2023年中国影视剧研究现状与前沿议题

本文对2023年中国影视剧研究主要学术议题进行了分析、综述。相关议题既有影视剧基础理论研究,包括影视剧本体、美学、文化等;也有影视剧创作与传播研究,包括叙事风格、类型结构、人物塑造、地域形象、对外传播等;还有影视剧产业与运营以及影视剧与新媒体等研究。不过,相关研究在研究方法、理论与视野方面尚存在一定局限性,需要进一步创新。

民族志动画中的跨越“在场”与记忆“再现”——基于湘西苗族仙娘仪式影像的实践反思

文化记忆是一个民族凝聚群体、实现文化认同的重要内核,其中族群仪式作为一种具体的文化行为深嵌于特定的社会情景场域,对集体记忆和文化记忆的构筑起到关键作用,一直是人类学研究的重要议题。民族志动画通过一套特别的视觉媒介符号体系进行知识生产与意义呈现,在表达回忆、经历等抽象经验方面可跨越“在场”时空屏障,为新时代的影视人类学提供新的范式实验和新的模态可能。基于湘西苗族仙娘仪式影像实践,通过与文化持有者开展互为主体性合作和反身性对话,可生成饱含原住民真切情感的民族志动画影像文本,在影像志的“抒写”中实现仪式记忆的“再现”与族群文化记忆的表达。

影视服装语言的特点与功能

影视服装作为一种视觉语言,具备鲜明的象征性、审美性与流行性,在叙事中扮演着至关重要的角色,不仅是角色外在形象的呈现,更蕴含着丰富的文化内涵和深层的象征意义,对情节发展、人物塑造以及主题表达都有着不可忽视的作用。介绍了影视服装语言的特征,分析了影视服装语言的功能性,及其功能与价值的实现路径。为充分发挥服装语言在影视作品中的作用,要根据人物形象进行服装设计,并基于剧情借助服装进行铺垫设计,突出人物的情绪变化,与剧情、人物、场景等元素相互交织,共同构建起影片的叙事空间,促进影视作品中的人物塑造、氛围渲染与主题表达。