As a widely circulated and far-reaching Chinese ancient Mongolian classic, Three-Character Classic has received the attention of the West as early as the 16th century. Since seventeenth century, the Three- Character C...As a widely circulated and far-reaching Chinese ancient Mongolian classic, Three-Character Classic has received the attention of the West as early as the 16th century. Since seventeenth century, the Three- Character Classic has been translated into many languages and has become an important medium for many countries to learn Chinese and understand Chinese culture. With the deepening of cultural exchanges between China and Russia, in 18th century, Tsar Peter I has sent Orthodox missionaries to China many times and the Qing Dynasty government set up the Russian pavilion in Beijing. At the same time, the Three-Character Classic was spread to Russia by the Russian Mission in Beijing and four Russian translations of the Three- Character Classic appeared within a short period of one hundred years. In this paper, we will explore the spread and influence of the Three-Character Classic in Russia by invesitigating the causes and impacts of the four Russian translations of the Three-Character Classic.展开更多
1. What is it that you can’t see but is always before you? 2. Why is 'two plus two equals five?' like your left foot? 3. If you threw a gray rock into the sea, what would it become? 4. Why are yon tired on Ap...1. What is it that you can’t see but is always before you? 2. Why is 'two plus two equals five?' like your left foot? 3. If you threw a gray rock into the sea, what would it become? 4. Why are yon tired on April 1? 5. What belongs to you but is used by other people? 6. What comes down but never goes up?展开更多
(A) Red building,white wall.红门楼,白院墙, Inside it lies a red girl.里面卧个红姑娘。 She can speak and sing 既会说,又会唱, and help you to eat and drink.一日三餐用得上。 (B) A box opens in the morning 早上开箱子, and...(A) Red building,white wall.红门楼,白院墙, Inside it lies a red girl.里面卧个红姑娘。 She can speak and sing 既会说,又会唱, and help you to eat and drink.一日三餐用得上。 (B) A box opens in the morning 早上开箱子, and closes in the evening.夜晚关箱子, Inside the box is a mirror 箱子里一面镜子, and a child in the mirror.Key:(A)tongue(B)展开更多
(A)Beautiful appearance.A good dancer.Flying among flowers.Happy and gay. (B)An intelligent spinner.Praised as an expert.A silk room built for himself.No doors or windows in it. key: (A) a silk worm (蚕) (B) a butterf...(A)Beautiful appearance.A good dancer.Flying among flowers.Happy and gay. (B)An intelligent spinner.Praised as an expert.A silk room built for himself.No doors or windows in it. key: (A) a silk worm (蚕) (B) a butterfly (蝴蝶)展开更多
1. What Kind of table has no legs?2. What English letter is part of face?3. What begins with 'T', ends with 'T', and full of 'T' ?4. Why is the letter 'A' like flow?5. which bridge is t...1. What Kind of table has no legs?2. What English letter is part of face?3. What begins with 'T', ends with 'T', and full of 'T' ?4. Why is the letter 'A' like flow?5. which bridge is the shortest in the world? (谜底在本刊找)展开更多
1)—What is the most useful thing when it is used up? —An umbrella.2)—You can’t buy it in a store.It’s delivered to your house,and you use it every day.What is it? —Electricity.
1. What letter is always on your face? 2.What letter can you drink? 3.What letters can't be found in the alphabet? 4.Which four letters of the alphabet is a thief(灏忓伔)most afraid of? 5.Which two letters of the ...1. What letter is always on your face? 2.What letter can you drink? 3.What letters can't be found in the alphabet? 4.Which four letters of the alphabet is a thief(灏忓伔)most afraid of? 5.Which two letters of the alphabet展开更多
American writer Emily Dickinson(1830-1886) uses the riddle as literary form in her poetry.There are mainly three kinds of riddle:enigma,charade,and conundrum.She uses riddles in her poetry to discuss the relationship ...American writer Emily Dickinson(1830-1886) uses the riddle as literary form in her poetry.There are mainly three kinds of riddle:enigma,charade,and conundrum.She uses riddles in her poetry to discuss the relationship of man to nature and death.展开更多
The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--...The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--and comprehend it in the category of the ＂Russian Sphinx＂. The Russian thinkers and writers discussing the nature of Russia often return to the motif of Sphinx. Opposed to its ancient Greek archetype-counterpart, ＂the Russian Sphinx＂ does not have to resort to intricate questions--he is a riddle himself. As I show and explain, the livelihood and dissemination of the Russia-Sphinx motif in the homeland of Dostoyevski are not incidental. This motif is a synthetic medium of many archetypal contents, which accurately articulate a set of traditional intuitions and imaginations held by the Russians and concerning the alleged essence, nature, or depth of ＂Russianness＂. To conclude, I demonstrate the need to make the people comprehending Russia in a similar way aware that the accompanying, the particular--in its basic framework a priori assumed by them--image of the Russian reality is de facto a correlate of their subjective cognitive intention.展开更多
文摘As a widely circulated and far-reaching Chinese ancient Mongolian classic, Three-Character Classic has received the attention of the West as early as the 16th century. Since seventeenth century, the Three- Character Classic has been translated into many languages and has become an important medium for many countries to learn Chinese and understand Chinese culture. With the deepening of cultural exchanges between China and Russia, in 18th century, Tsar Peter I has sent Orthodox missionaries to China many times and the Qing Dynasty government set up the Russian pavilion in Beijing. At the same time, the Three-Character Classic was spread to Russia by the Russian Mission in Beijing and four Russian translations of the Three- Character Classic appeared within a short period of one hundred years. In this paper, we will explore the spread and influence of the Three-Character Classic in Russia by invesitigating the causes and impacts of the four Russian translations of the Three-Character Classic.
文摘1. What is it that you can’t see but is always before you? 2. Why is 'two plus two equals five?' like your left foot? 3. If you threw a gray rock into the sea, what would it become? 4. Why are yon tired on April 1? 5. What belongs to you but is used by other people? 6. What comes down but never goes up?
文摘(A) Red building,white wall.红门楼,白院墙, Inside it lies a red girl.里面卧个红姑娘。 She can speak and sing 既会说,又会唱, and help you to eat and drink.一日三餐用得上。 (B) A box opens in the morning 早上开箱子, and closes in the evening.夜晚关箱子, Inside the box is a mirror 箱子里一面镜子, and a child in the mirror.Key:(A)tongue(B)
文摘(A)Beautiful appearance.A good dancer.Flying among flowers.Happy and gay. (B)An intelligent spinner.Praised as an expert.A silk room built for himself.No doors or windows in it. key: (A) a silk worm (蚕) (B) a butterfly (蝴蝶)
文摘1. What Kind of table has no legs?2. What English letter is part of face?3. What begins with 'T', ends with 'T', and full of 'T' ?4. Why is the letter 'A' like flow?5. which bridge is the shortest in the world? (谜底在本刊找)
文摘1)—What is the most useful thing when it is used up? —An umbrella.2)—You can’t buy it in a store.It’s delivered to your house,and you use it every day.What is it? —Electricity.
文摘1. What letter is always on your face? 2.What letter can you drink? 3.What letters can't be found in the alphabet? 4.Which four letters of the alphabet is a thief(灏忓伔)most afraid of? 5.Which two letters of the alphabet
文摘American writer Emily Dickinson(1830-1886) uses the riddle as literary form in her poetry.There are mainly three kinds of riddle:enigma,charade,and conundrum.She uses riddles in her poetry to discuss the relationship of man to nature and death.
文摘The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--and comprehend it in the category of the ＂Russian Sphinx＂. The Russian thinkers and writers discussing the nature of Russia often return to the motif of Sphinx. Opposed to its ancient Greek archetype-counterpart, ＂the Russian Sphinx＂ does not have to resort to intricate questions--he is a riddle himself. As I show and explain, the livelihood and dissemination of the Russia-Sphinx motif in the homeland of Dostoyevski are not incidental. This motif is a synthetic medium of many archetypal contents, which accurately articulate a set of traditional intuitions and imaginations held by the Russians and concerning the alleged essence, nature, or depth of ＂Russianness＂. To conclude, I demonstrate the need to make the people comprehending Russia in a similar way aware that the accompanying, the particular--in its basic framework a priori assumed by them--image of the Russian reality is de facto a correlate of their subjective cognitive intention.
