Sutong Bridge tower which is 300.4 m is the highest one in the world.The tower anchor area uses the steel-concrete composite structure,its structure and the stress mechanism are complex,so it must be paid more attenti...Sutong Bridge tower which is 300.4 m is the highest one in the world.The tower anchor area uses the steel-concrete composite structure,its structure and the stress mechanism are complex,so it must be paid more attention to the structure durable issue.The 300 m height makes the tower quite sensitive to the environmental factors such as wind and temperature.The wind resistance safety of tower in construction stage is especially important.In this paper,the design of composite structure is introduced.The key technologies of tower geometry control and wind resistance in construction stage are analyzed.展开更多
This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“speci...This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“specificity and locality”,however,remains reluctant to adopt a“universal technology”.A Masdar City’s design represents a valuable case due to casting light on the complexity embedded in intertwining the modernist technologies and a regional architecture.The case study’s analyses cited here suggest that the design of the present evolves from this complexity witnessing a deviation from a“universal technology”and a local architecture.A vernacular style of architecture has been blamed because it stitches together the“globe”and the“local”.A universal technology has been also witnessed here which yields support for the vernacular approaches embedded in a traditional architecture.What Frampton’s critical regionalism appears to overlook are the vernacular approaches that in the analysis of this article embrace a model of the design principles for the“tectonics”to be realised.The key argument brought forward in this article concerns Frampton’s critical regionalism that yet lacks a realistic approach to produce a sense within a local context,thereby needing in its theory to neatly twist the vernacular approaches with a critical regionalism’s synthesis.展开更多
基金National Science and Technology Support Program of China(No.2006BAG04B04)
文摘Sutong Bridge tower which is 300.4 m is the highest one in the world.The tower anchor area uses the steel-concrete composite structure,its structure and the stress mechanism are complex,so it must be paid more attention to the structure durable issue.The 300 m height makes the tower quite sensitive to the environmental factors such as wind and temperature.The wind resistance safety of tower in construction stage is especially important.In this paper,the design of composite structure is introduced.The key technologies of tower geometry control and wind resistance in construction stage are analyzed.
文摘This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“specificity and locality”,however,remains reluctant to adopt a“universal technology”.A Masdar City’s design represents a valuable case due to casting light on the complexity embedded in intertwining the modernist technologies and a regional architecture.The case study’s analyses cited here suggest that the design of the present evolves from this complexity witnessing a deviation from a“universal technology”and a local architecture.A vernacular style of architecture has been blamed because it stitches together the“globe”and the“local”.A universal technology has been also witnessed here which yields support for the vernacular approaches embedded in a traditional architecture.What Frampton’s critical regionalism appears to overlook are the vernacular approaches that in the analysis of this article embrace a model of the design principles for the“tectonics”to be realised.The key argument brought forward in this article concerns Frampton’s critical regionalism that yet lacks a realistic approach to produce a sense within a local context,thereby needing in its theory to neatly twist the vernacular approaches with a critical regionalism’s synthesis.
