The Innovative Practice of Traditional Printmaking Art in the Teaching of Costume Design

Costume is not only an important carrier of human civilization,but also reflects the development level of material and spiritual civilization.In modern costume design,we have incorporated colorful cultural elements,which are not only the embodiment of aesthetics but also the aesthetic expression based on culture.Printmaking art,as a kind of traditional art,has its unique style and characteristics.In teaching practice,we instruct students to integrate the creative spirit and formal elements of printmaking into costume design,to realize the inheritance and innovation of traditional culture.Under the background of globalization,we should be more committed to inheriting and carrying forward the excellent Chinese national culture and promoting the popularization and dissemination of traditional culture.Exploring the application of printmaking art in costume design through teaching practice aims to construct a new teaching mode,which provides a reference for the application of other traditional arts in modern design teaching.

Application of Facade Decorative Arts of Traditional Architecture in Archaistic Blocks:A Case Study of Shengjinta Food Street in Nanchang City

Architectural decoration is a key demonstration of architectural styles, and traditional Chinese architectural forms originating from diversified architectural decorative arts. This paper explored facade decorative art of traditional architecture from the perspectives of carving art decoration, roof type, stylobate and railing, window and door type, and ground pavement, and also elaborated artistic methods of different forms in each aspect. On the basis of investigating Shengjinta historic and archaistic block, the paper also introduced application of decorative arts, and provided references for applying facade decorative arts of traditional architecture in the future archaistic blocks.

Improving Archival Records and Service of Traditional Korean Performing Arts in a Semantic Web Environment

Purpose:This research project aims to organize the archival information of traditional Korean performing arts in a semantic web environment.Key requirements,which the archival records manager should consider for publishing and distribution of gugak performing archival information in a semantic web environment,are presented in the perspective of linked data.Design/methodology/approach:This study analyzes the metadata provided by the National Gugak Center’s Gugak Archive,the search and browse menus of Gugak Archive’s website and K-PAAN,the performing arts portal site.Findings:The importance of consistency,continuity,and systematicity—crucial qualities in traditional record management practices—is undiminished in a semantic web environment.However,a semantic web environment also requires new tools such as web identifiers(URIs),data models(RDF),and link information(interlinking).Research limitations:The scope of this study does not include practical implementation strategies for the archival records management system and website services.The suggestions also do not discuss issues related to copyright or policy coordination between related organizations.Practical implications:The findings of this study can assist records managers in converting a traditional performing arts information archive into a semantic web environment-based online archival service and system.This can also be useful for collaboration with record managers who are unfamiliar with relational or triple database system.Originality/value:This study analyzed the metadata of the Gugak Archive and its online services to present practical requirements for managing and disseminating gugak performing arts information in a semantic web environment.In the application of the semantic web services’principles and methods to an Gugak Archive,this study can contribute to the improvement of information organization and services in the field of Korean traditional music.

Complete Collection of Traditional Chinese Arts and Crafts(Zhongguo chuantong gongyi quanji中国传统工艺全集):A Work of Ingenuity

In 1996,the Institute for the History of Natural Sciences of the Chinese Academy of Sciences began work on the Complete Collection of Traditional Ounese Arts and Crafts(Zhongguo chuantong ongyi quanji中国传统工艺全集).In 2016,Elephant Press published this twenty-volume magnum opus under the chief editorship of Lu Yongxiang路甬祥.This rich and informative book series systematically details traditional arts and crafts in over ten main categories that demonstrate Chinese scholars'mastery of fields such as lacquerware,ceramics,metal crafts,machinery,spinning and weaving,dyeing,brewing,processing of traditional Chinese materia medica,papermaking and printing,sculpting,and armor restoration.The authors are well versed in traditional Chinese arts and crafts and have the pertinent academic credentials,elevating research on the subject to a new level and breadth.However,the Complete Collection has not yet covered all significant arts and crafts,and the cultural implications have still to be explored.

Application of Patchwork Art Form in Traditional Costumes:A Case Study of Baijia Clothes

Patchwork art culture has a long history and is also a kind of aestheticism fashion popular in the internet.Patchwork art of Baijia clothes is taken as the research object,and various application of patchwork art in Chinese traditional costumes in past thousand years is explained.As cultural identity of the Chinese nation,patchwork continuously nourishes and enriches world cultural relics.Its application research not only could bring rich inspiration for modern costume art but also has important actual significance and higher historical value.

Development of Chinese Traditional Philosophy and Ancient Flower Arrangement Art

Traditional philosophical thoughts have different connotations in different historical periods in China. Affected by it, the flower arrangement art has produced different artistic styles: religious flower of the Han, Wei and Six Dynasties, courtyard flower in the Sui and Tang dynasties, concept flower and mental imagery flower in the Song and Yuan dynasties, and new concept flower, literati flower, pictographic flower and scenery description flower in the Ming and Qing dynasties.

The Modernization of Traditional Chinese Opera and a Local Perspective of Local Operas:A Case Study of the Research on the Yisu Art Troupe by Li Youjun and Guo Hongjun

From both historical and artistic points of view,Qinqiang Opera can be considered a significant genre outside the realms of Peking Opera and Kunqu Opera.The research on Qinqiang Opera has long been a focal point in the research on local operas with particular emphasis from a local perspective of the Yisu Art Troupe,a key and hot topic in the studies of Qinqiang Opera.Taking the Yisu Art Troupe as a case study to scrutinize and address the intricacies within the process of modernization of traditional Chinese opera proved to be beneficial.Since the 20th century,studies on the Yisu Art Troupe have evolved from scattered and impressionistic self-narratives into systematic and theoretical academic research.In the new century,scholars,such as Xin Xuefeng,Li Youjun,and Guo Hongjun,have been especially diligent with studies in this field.As Xin Xuefeng is relatively unknown due to his emphasis on traditional opera music,Li Youjun and Guo Hongjun have gradually emerged as important contemporary scholars in the study of the Yisu Art Troupe.Guo and Li not only further theorize the study of the Yisu Art Troupe but also conduct in-depth and meticulous studies on the nature of the Yisu Art Troupe,the establishment of the director-centered mode in Qinqiang Opera,the social function,and the playwriting of the Yisu Art Troupe by examining and reflecting it within the broader context of the modernization of traditional Chinese opera in the 20th century.

Research on the Developmental Venation of Calligraphy Seal Cutting Art Form from the Perspectives of Chinese Traditional Culture and Art Form

In this paper, we conduct research on the developmental venation of the calligraphy seal cutting art form from the perspectives of Chinese traditional culture and art form. Seal cutting art of composition is a word or group of words arranged on the surface of the printing art, complex and changeable, is one of the most important part of the seal cutting art. Complete the creation of the group, must all have change, should show more creators on the composition of work force, therefore when designing should be repeated according to the text specifi c stroke, handwriting, the form and the relationship between word and word to design the structure of the right. Cultivating must practice the socialist core values and should be based on the basis of the Chinese excellent traditional culture, in carrying forward and greater China outstanding traditional culture in the process of makes it obtain nourishes the spirit and the value of the national identity. Our research provides the countermeasure for further modifi cation and optimization that is meaningful and necessary.

The Income Security System in Japanese Traditional Performing Arts： A Strategy for Utilizing the Nation＇s Traditional Arts Resources

The objective of this paper is to examine an effective strategy for maintaining and utilizing the traditional arts resources of Japan. The authors explore two pillars of the strategy. One is to improve the quality of Japanese traditional performing arts by securing incomes for artists. The other is to utilize the traditional arts as a medium to expand Japanese cultural influence in foreign countries and to improve Japan＇s branding as a nation. First, the authors focus on the income security system practiced in traditional Japanese music and describe the discrepancy between short- and long-run optimality. The authors prove that the reputation of this art form affects its popularity and that it is optimal for the Iemoto （the head of the music school） to restrict the number of pupils in onstage performances in order to maintain stage quality. Second, the authors provide evidence that effective methods for a country to expand its cultural influence across the world differ among nations. The authors conduct willingness-to-pay （WTP） experiments and find that while German audiences largely prefer traditional Japanese music, those in the USA are slightly partial to its mixed fusion form. Therefore, the effective ways to expand Japanese cultural influence in foreign countries differ from one country to another.

Reverberating Chinese Traditional Folk Art in a Contemporary Context

Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho＇s new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho＇s painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho＇s spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context.

Analysis of Architectural Art of Traditional Ancestral Hall in Ji’an Meibei Village,Jiangxi Province

The traditional architecture in Ji’an area of Jiangxi Province is known for its ancient style,dignified,and grand,distinctive hierarchy,staggered,exquisite structure,carved beams,and painted buildings,and has a long history,so that the traditional architectural form and artistic style of the region has formed a strong regional characteristics,so the authors chose the traditional ancestral hall architecture in the region as the object of study.First of all,the basic information of traditional architecture,history,and culture in Meibei ancient village in Ji’an region was collected.Secondly,using field research method,data measurement,image collection,and relevant drawings were made for traditional ancestral hall architecture in Meibei ancient village,including the architectural form,decoration,etc.of“Yongmu Hall”and“Quzhi Hall”.Finally,we analyzed,compared,and researched these representative ancestral halls in a more systematic way with the theory of art class,and came to a more objective conclusion on the artistic characteristics of ancestral hall architecture.At the same time,the research and communication of this research can enhance people’s understanding of traditional architectural culture and aesthetic inculcation in Meibei ancient village,but also for further research of Ji’an traditional residential architecture and art and inheritance and promotion of traditional national culture to provide reference.

Comparison Research on the Chinese Traditional Art Style and Western Country＇s Abstract Art Style： A Theoretical Review

In this paper, we conduct literature review and research on the Chinese traditional art style and western country＇ s abstract art style. Modernism art forms from concrete to abstract is a process of constant evolution, it is to find new pictures to present, to get rid of the bondage of traditional art concept to go on process. Any forward art could not avoid broke away from the traditional thinking, in the process of the old ideas and new concepts of conflict is inevitable. Therefore, corresponding research is urgent needed. The comparison result proves the intuition that both traditional Chinese culture and western culture based art design have their own spark points.

Applied research of Chinese traditional culture in art and design

With the persistent efforts of the emerging concepts as well as new types of decoration materials, modem interior design concepts usher in a new round of innovation. Facing the impact of the new innovative ideas, the Chinese traditional culture and art urgently need a way to combine efficient with the modern design concept.

Research on Developing Traditional Chinese Martial Arts Culture and Effectively Penetrating Moral Education

In order to implement the requirement of Minislry of Education, ＂further deepen the reform of moral education courses, and play a role in the classroom main channel＂, with literature analysis, case studies and other methods, we make an objective analysis of the real issues of ＂sports disciplines teaching moral education ＂. The results show that physical teachers should effectively improve the penetration ideology and moral education wisdom and teaching skills; they should grasp the connection between moral and discipline and integrate ＂moral goals＂ organically into a three-dimensional target subjects, and implemented it in accordance with the corresponding dimension specific content; in the implementation process, we should focus on using a variety of learning styles, making clever use of resources and make the best use; we need to persevere, to strengthen the sports discipline of moral norms infiltration operations, and better protect the effective penetration of Physical Education in Moral Education.

Application of traditional houses decorated in a modem environment art design

With the continuous development of our society, culture with various elements have enriched our lives. Traditional houses decoration is a form of Chinese culture. In China, residential decorative art has a long history in the course of its development, which reflects the cultural spirit of Chinese ancient civilization. It ＇ s unique and rich artistic expression contains deep, traditional, and ethnic culture. It is an essential application element in our modem environment art design. Traditional houses decorated in a modem environment art design has a great significance in the inheritance, development and study of Chinese culture. In today＇ s world with a variety of cultural elements, more traditional Chinese art elements are to meet the requirements of our people, and are easily integrated with China in today＇ s art and culture. In recent years, more and more innovative art forms have been widely developed. This article will analyze and discuss traditional houses decorated in modem environmental art design.

Analysis the development of cultural pattems and the evolution of Chinese traditional martial arts

Chinese martial arts have a long history, profound, which is an integral part of Chinese traditional culture of grandeur. China joined the WTO and the Beijing Olympic Games ＂has a rich cultural heritage of thousands of years of Chinese martial arts with its unique charm and much of the world＇ s attention.＂ In the face of opportunities and challenges, the international spread of martial arts has become an irresistible trend. ＂First of propagation, the spread of the concept of martial arts and martial arts were defined international spread, and it were explains martial international spread of cultural level societal level and significance of the economic level, dialectical judge the outcome of the international transmission acquired with the problems.＂ Secondly, the traditional martial arts culture for martial international dissemination presented aphasia phenomenon, by means of the analysis of the advanced nature of martial arts culture, the martial arts and cultural heritage considered as the center of gravity advantages, not only to absorb the multicultural essence of martial arts culture useful, but also highlight the ethnic characteristics of martial arts culture, martial arts culture to enhance capacity external radiation, the Chinese martial arts as a complete all- round cultural forms, multi-level, multi-an^le display, promote the Chinese martial arts to the world in a more in-depth. ＂

Research on restricting the development of China＇s traditional martial arts core issue

The traditional Chinese martial arts are rooted in traditional Chinese culture, mature agricultural society, with a strong national character and the era in China＇ s. The role of capital, with the change of traditional Chinese society, traditional Chinese martial arts rely on the economic base and social patterns are gradually changing. The contemporary historical context on the basis of the traditional martial arts of the depth of inspection, to explore the path of the contemporary development of the traditional martial arts. Studies suggest that the era of globalization and social transformation in China＇ s new historical context of the traditional martial arts with a series of problem domain, crack these problems, to seek new development path for the traditional martial arts.

Research on the Development Trend of Chinese Traditional Music Art from the Perspectives of Aesthetic and Historical Culture

In this paper, we conduct research on the development trend of Chinese traditional music art from the perspectives of aesthetic and historical culture. In the ancient Chinese aesthetic tradition, ＂peace＂ music aesthetic of music practice has the extremely important influence, not only affect the music creation, performance, appreciation that also affect the music form and content, social function, etc. ＂peace＂ as beauty is the core of the ancient music esthetics thought, so to speak. Chinese music culture while constantly in the long course of history, the Chinese music culture of different nations, but as a precocious and has a long history of nation, he has a great ability, that is both absorb different music culture, and unified as the relatively stable whole music culture and maintain their own basic features, and distinguish it from other music culture.

The feasibility of the actual combat application of the traditional martial arts techniques in modem combat challenge

The traditional Chinese martial arts are the pride of the Chinese national specialties, but with the development of the western modem combat, some traditional martial arts bias appeared, such as the argument of the real fight of the traditional martial arts. This paper starts from the traditional historical origin, and analyzes the actual combat possibility of traditional martial arts to study the feasibility of the actual combat application of the traditional martial arts techniques in modem combat challenge.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.