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The Origin of Plutarch's Souls in Context
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作者 Israel Munoz Gallartea 《Sociology Study》 2014年第7期641-648,共8页
In evaluating Plutarch's contacts with other cultures of his era, scholars have not reached consensus so far regarding the relationship between the Chaironean and Early Christian writers. A good example of this lacks... In evaluating Plutarch's contacts with other cultures of his era, scholars have not reached consensus so far regarding the relationship between the Chaironean and Early Christian writers. A good example of this lacks of consensus rises when we come to the views of the creation of human soul. As a matter of fact, following the first approaches on this issue by Brenk in his "The Origin and the Return of the Soul in Plutarch", it is possible to understand that "Plutarch desecularizes and repersonalizes the master (i.e., Plato) (...) suggesting that the soul enters our miserable world without having had a previous vision of the forms to assure its reborn". Even if the researcher plausibly demonstrates this assert, we must accept from his conclusions that we should also move some steps forward by placing Plutarch's conceptions regarding the origin of human soul in his proper historical, philosophical, and religious context. Therefore, the aim of the following paper is to deal with those contacts in order to highlight their similitudes and/or differences about the motif of the soul's birth. 展开更多
关键词 Greek literature Early Christian literature PLATO PLUTARCH origin of the soul
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Research on the Development of Chinese Contemporary Literature Trend under the Language and Culture Angle of View
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作者 Hanying Yuan 《International Journal of Technology Management》 2016年第8期66-68,共3页
In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in tradit... In this paper, we conduct research on the development of Chinese contemporary literature trend under the language and cultureangle of view. Modern Chinese literature “unifi cation”, actually is to point to in traditional forming process, the new literature has alwaysemphasized performance to distinguish it from the old literary value connotation of thoughts, emotional content. Generalization of the contentfor later generations have don’t have much room for doubt, literary revolution advocates some extent is also the founder of Chinese modernliterature “unifi ed” have made clear, they are not only from the modern Chinese literature to argue that the traditional sense. For dealing withthis basic issue, we propose the countermeasures for the further and in-depth implementation that will then optimize the current research result onthe Chinese contemporary literature. 展开更多
关键词 Contemporary literature Culture Angle of View Chinese Development Language.
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A Comparative Analysis of the Origin and Formation Between Chinese Characters and English Alphabets
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作者 Xuan Song Lifen Li 《汉语教学方法与技术》 2023年第2期20-41,共22页
This research is based on the framework of social constructivism,utilizing the principle of Human Universals as a methodology to compare the similarities and differences between the ideation and formation methods of C... This research is based on the framework of social constructivism,utilizing the principle of Human Universals as a methodology to compare the similarities and differences between the ideation and formation methods of Chinese characters and English alphabets.Through comparative analysis of the ideation of English letters(pictogramme)and the origin of Chinese characters,known as the"Six Categories Theory,"we discover their alignment in terms of social,traditional,and cultural aspects.This suggests that different ethnic groups share common features in terms of life experience,learning cognitive development,and thinking habits.This study also finds that the origins of English letters and Chinese characters share similar linguistic features in their methods of constructing letters/characters,such as pictographic,ideographic,and semantic characteristics.Exploring these commonalities contributes to promoting learning and communication between Chinese and English characters.Additionally,by focusing on socio-cultural aspects,traditional customs,and cognitive learning,this study aims to break away from the traditional linguistic research approach that solely focuses on language differences.This provides a broader perspective and richer dimensions for Chinese and English language learning,facilitating the development of cross-linguistic and cross-cultural communication. 展开更多
关键词 origin Chinese Characters English Alphabets Philosophical views FORMATION Cultural Beliefs Social Conventions Cross-linguistic and cross-cultural communication
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Ambiguous Freedom in The Adventures of Huckleberry Finn
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作者 辛婕 《海外英语》 2019年第13期206-207,210,共3页
Mark Twain’s The Adventures of Huckleberry Finn tells the story of Huck and Jim,a white boy and a black slave,who run away in search of freedom.The first part of this thesis is the literature review.Focus is put on t... Mark Twain’s The Adventures of Huckleberry Finn tells the story of Huck and Jim,a white boy and a black slave,who run away in search of freedom.The first part of this thesis is the literature review.Focus is put on the review of the freedom theme and analysis.The main body starts from the second part which divides Huck’s escape into three stages:Huck’s aversion and tolerance to the civilized society before escape,his decayed initiative in the pursuit of freedom during the escape and his return to search for freedom at the end.Through above analysis,the conclusion is reached:Mark Twain’s view of freedom in this novel is vague and ambiguous,and there are many paradoxes in it.He longs for personal freedom but cannot escape from the secular society.He is willing to resist repressing civilization but unable to revolt its invasion. 展开更多
关键词 AMERICAN literature MarkTwain the Adventures of Huckleberry Finn Huckleberry Finn ESCAPE VIEW of FREEDOM
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Investigation of Ralph Waldo Emerson, Henry David's and Herman Melville's Views of Nature
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作者 邓璐瑶 《海外英语》 2018年第8期177-178,共2页
This paper is aimed at interpreting Ralph Waldo Emerson, Henry David Thoreau and Herman Melville's view of nature clearly by briefly analyzing their representative works. And this paper is composed of four parts. ... This paper is aimed at interpreting Ralph Waldo Emerson, Henry David Thoreau and Herman Melville's view of nature clearly by briefly analyzing their representative works. And this paper is composed of four parts. Chapter Ⅰ will make a detailed analysis of Emerson's view of nature and make a further investigation of his view by analyzing his work Nature.Chapter Ⅱ is about Thoreau's view of nature and his attitude to nature through his work Walden. Chapter Ⅲ firstly makes a brief introduction of Melville's view of nature and then interprets it by explaining the symbolic meaning of main characters' names in his famous work Moby-Dick. And the last chapter makes a simple comparison among their views of nature to give a further understanding of the view of nature in American Literature. 展开更多
关键词 EMERSON THOREAU MELVILLE View of nature American literature
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On the New System of Critical Theories (III)
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《苏州大学学报(哲学社会科学版)》 CSSCI 北大核心 2014年第4期191-192,共2页
关键词 抽象思维 理性思维 自然观
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A Review of Toni Morrison’s Nobel Prize Speech 被引量:1
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作者 张冉 张帆 《科技信息》 2009年第12期84-84,共1页
Beginning with an old story, Toni Morrison uses her unique method to tell us the functions of language and her perspectives of language and literature. From this story, we can understand her writing standpoint and her... Beginning with an old story, Toni Morrison uses her unique method to tell us the functions of language and her perspectives of language and literature. From this story, we can understand her writing standpoint and her determination of making contributions to her nation and people. This paper tries to review her speech given in the Nobel Prize in Literature from four aspects. They are the introduction and comprehension of the story, narrative point of view, discourse and power and feminist criticism. 展开更多
关键词 文艺理论 西方 中国 评论
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谈文学翻译中的风格等值问题——兼评“OfStudies”的2个译本
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作者 伊玲 《福建农林大学学报(哲学社会科学版)》 2003年第4期87-90,共4页
 从思想内容、遣词造句和再现原作风格方面评析散文名篇"OfStudies"的2个译本——王佐良先生和水天同先生的译本。认为王佐良先生的译本无论在体现原作风格和思想内容上都做得恰到好处,充分体现了"信、达、雅"的...  从思想内容、遣词造句和再现原作风格方面评析散文名篇"OfStudies"的2个译本——王佐良先生和水天同先生的译本。认为王佐良先生的译本无论在体现原作风格和思想内容上都做得恰到好处,充分体现了"信、达、雅"的翻译标准,指出一篇译文除了准确表达原作的思想内容外,在风格上也应尽量贴近原文文本,做到"文随体异"。 展开更多
关键词 文学翻译 原文 译本 风格对等
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Mastering the craft:Creating an insightful and widely-cited literature review
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作者 Shengwen Calvin Li 《World Journal of Stem Cells》 SCIE 2023年第8期781-786,共6页
The art of constructing an insightful literature review manuscript has witnessed an exemplar in the work of Oz et al(2023),wherein concept progression harmoniously merges with figures and tables.Reflecting on retrospe... The art of constructing an insightful literature review manuscript has witnessed an exemplar in the work of Oz et al(2023),wherein concept progression harmoniously merges with figures and tables.Reflecting on retrospective data science,it is evident that well-cited articles can wield a transformative influence on the Journal Citation Reports Impact Factor score,as exemplified by Robert Weinberg’s landmark on cancer(Hanahan and Weinberg,2011).Here,we aim to spotlight a commendable contribution by Tuba Oz,Ajeet Kaushik,and Małgorzata Kujawska in this issue while pivoting towards identifying the hallmarks of a subpar literature review-elements that hinder rather than promote advancement.The hurdles and roadblocks encountered within subpar literature reviews are multifold.Anticipation of emerging trends,identification of challenges,and exploration of solutions remain conspicuously absent.Original Contributions fail to surface amidst the vast sea of pre-existing literature,with noticeable gaps amplified by the lack of illustrative figures and tables.The manuscript,at times,assumes a skeletal form,reflecting an attempt to accommodate an excess of references,leading to convoluted sentences laden with citations.In contrast,a potent solution lies in adopting a comprehensive approach.A nuanced and critical evaluation of sources can culminate in a robust discussion,surpassing the mere summarization of conclusions drawn by others.This approach,often dismissed,holds the potential to elevate clarity,coherence,and logical flow,ultimately inviting engaged readership and coveted citations.The critical necessity of integrating visionary insights is underscored and achieved through a rigorous analysis of pivotal concepts and innovative ideas.Examples can be harnessed to elucidate the application of these solutions.We advocate a paradigm shift,urging literature review writers to embrace the readers’perspective.A literature review’s purpose extends beyond providing a comprehensive panorama;it should illuminate avenues for concept development within a specific field of interest.By achieving this balance,literature reviews stand to captivate a devoted readership,paving the way for manuscripts that are both widely read and frequently cited.The pathway forward requires a fusion of astute analysis and visionary insights,shaping the future of literature review composition. 展开更多
关键词 literature review Concept progression Data science Journal Citation Reports Impact Factor original contributions Comprehensive approach Clarity and coherence Visionary insights Reader engagement Concept development
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Multimodal Literacy in a New Era of Educational Technology:Comparing Points of View in Animations of Children's and Adult Literature 被引量:1
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作者 Len Unsworth 《ECNU Review of Education》 2024年第2期384-405,共22页
Purpose The paper shows the interpretive impact of different constructions of the point of view available to the reader/viewer in book and animated movie versions of a children's picture book,a novel for pre-adole... Purpose The paper shows the interpretive impact of different constructions of the point of view available to the reader/viewer in book and animated movie versions of a children's picture book,a novel for pre-adolescents/early teenagers,and a graphic novel for adolescents and adults.Design/Approach/Methods Excerpts from book and animated movie versions of the same story are compared using multimodal analysis of interpersonal meaning to show how the reader/viewer is positioned in relation to the characters in each version,complemented by analyses of ideational meaning to show the effect of point of view on interpretive possibilities.Findings Focusing mainly on multimodal construction of point of view,the analyses show how interpretive possibilities of ostensibly the same story are significantly reconfigured in animated adaptations compared with book versions even when the verbal narrative remains substantially unchanged.Originality/Value The study shows that it is crucial to students’critical appreciation of,and their creative contribution to,their evolving digital literary culture that in this new era of educational technology,attention in literacy and literary education focuses on developing understandings of digital multimodal narrative art,and that animated movie adaptations are not presented pedagogically as isomorphic with,or simply adjunct to,corresponding book versions. 展开更多
关键词 ANIMATION children's literature MULTIMODALITY point of view
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贺凯与中国马克思主义文学通史写作的开创
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作者 程鹏宇 《廊坊师范学院学报(社会科学版)》 2025年第1期11-17,共7页
贺凯出生于山西辛亥革命元勋之家,自幼接受革命思想,早年从事进步文学的创作和翻译,并宣传马克思主义理论和革命思想。他在政治上参与了中国共产党山西地方组织的创建,在文学组织上参加了“左联”。同时,他又把马克思主义理论运用在中... 贺凯出生于山西辛亥革命元勋之家,自幼接受革命思想,早年从事进步文学的创作和翻译,并宣传马克思主义理论和革命思想。他在政治上参与了中国共产党山西地方组织的创建,在文学组织上参加了“左联”。同时,他又把马克思主义理论运用在中国文学史的研究上,写出了中国史学史上第一部马克思主义中国文学通史——《中国文学史纲要》,提出了一系列具有革命性意义的文学史写作理论。这一著作不但在中国文学史的写作上具有里程碑的意义,同时也是中国马克思主义史学发展过程中一个需要重视的成果。 展开更多
关键词 贺凯 《中国文学史纲要》 “左联” 唯物史观
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The modern context and ancient resources of Chinese literature
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作者 Huang Manjun 《Social Sciences in China》 2010年第1期92-110,共19页
To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective: ... To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective: the socio-political paradigm that viewed traditional literature in terms of "quintessence-dross" under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the "spiritual awakening" paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as "the source of new literature"; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting "problem consciousness" in "interaction" and "original creation" and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature. 展开更多
关键词 context of modernity resources of ancient literature paradigm for viewing tradition interaction and creation value of real human life
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恩格斯的“历史观点”与他的现实主义文艺观——兼论“历史观点”的翻译
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作者 赵炎秋 邓智 《浙江社会科学》 CSSCI 北大核心 2024年第4期121-131,159,共12页
恩格斯的“历史观点”翻译为“史学观点”是不大妥当的。在恩格斯两篇涉及“历史观点”的重要文献中,“历史观点”的核心内涵都是“现实”。恩格斯的“现实”包含三个方面的含义:一是当下的现实;二是过去的现实或者说历史上的现实;三是... 恩格斯的“历史观点”翻译为“史学观点”是不大妥当的。在恩格斯两篇涉及“历史观点”的重要文献中,“历史观点”的核心内涵都是“现实”。恩格斯的“现实”包含三个方面的含义:一是当下的现实;二是过去的现实或者说历史上的现实;三是作者、批评家的思想与认识立足当下的现实,同时符合历史的现实。其基本指向是“真正的现实”。恩格斯的“历史观点”与其现实主义文艺观的关系可以从三个方面探讨:其一,“历史观点”促进了恩格斯文艺思想的现实主义转向;其二,二者相互契合;其三,二者相互促进。 展开更多
关键词 恩格斯 “历史观点” 现实主义文艺观 现实
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论六朝文论中“腴”的多重意蕴
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作者 杨冬晓 《中华文化论坛》 北大核心 2024年第3期76-87,共12页
“腴”的本意是指身体脂肪。但在生命意识高度发达的六朝时代,它不仅进入文学领域,还呈现出褒贬不同的感情色彩。六朝文论之“腴”既可赞美文辞华丽、用典丰富的风格,又可批评文体失序、抒情乏力的弊病。这与当时既热衰感官体验、喜好... “腴”的本意是指身体脂肪。但在生命意识高度发达的六朝时代,它不仅进入文学领域,还呈现出褒贬不同的感情色彩。六朝文论之“腴”既可赞美文辞华丽、用典丰富的风格,又可批评文体失序、抒情乏力的弊病。这与当时既热衰感官体验、喜好丰硕身姿与甘美口味,又注重养生保健、追求“神韵”之美的时代风气彼此呼应。最终,六朝兼容并包的生命观引导着文论中“腴”与其它风格相融合,发展为成熟完善的修辞观与和谐适度的审美理念。“腴”的多重意义不仅反映了六朝文论的丰富内涵,也揭示了此时生命意识的时代特色与历史影响,是古代生命观与文学观相互融合的典型例证。 展开更多
关键词 六六朝 生命观 文学观
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中国艺术的起源和文明的光耀
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作者 李倍雷 《艺术探索》 CSSCI 2024年第5期6-17,共12页
中国古老的天文学建构出中华宇宙观及礼仪制度,在文明的光耀中艺术由此起源。在科学认知与把握天地宇宙规律的基础上,远古人类社会的礼仪制度建立,即宇宙观的确立便是文明的产生。这也决定了中国艺术的起源,即艺术起源于中国古老的天文... 中国古老的天文学建构出中华宇宙观及礼仪制度,在文明的光耀中艺术由此起源。在科学认知与把握天地宇宙规律的基础上,远古人类社会的礼仪制度建立,即宇宙观的确立便是文明的产生。这也决定了中国艺术的起源,即艺术起源于中国古老的天文学。中国考古学给出的证据是文明化的物质形态,如岩画、陶器、刻符(文字)、玉器、图纹、陶石人像等,这些是中华文明产生的物质史证。书画同体证明的是绘画与文字是分殊同宗的两条支流,其依然起源于中华远古人类对宇宙规律的把握和运用。此后,中国艺术观依然反映了远古建立的宇宙观或时空观。 展开更多
关键词 艺术起源 文明 宇宙观 北斗星图 书画同体
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仓颉--突破表达困境的圣人
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作者 罗家湘 《河南师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第1期122-127,F0002,共7页
汉字是中国文明的首要标志。仓颉造字,华夏文明由此破局,也构成中国文学的开端。文字的发明,解决了文明体自我表达与自我积累问题,提升了人们的文学表达能力、人才识别能力和社会组织能力。在黄帝时代文明涌生的背景上,仓颉担任黄帝的左... 汉字是中国文明的首要标志。仓颉造字,华夏文明由此破局,也构成中国文学的开端。文字的发明,解决了文明体自我表达与自我积累问题,提升了人们的文学表达能力、人才识别能力和社会组织能力。在黄帝时代文明涌生的背景上,仓颉担任黄帝的左史,造字既是黄帝事业的重要组成部分,也是黄帝事业能产生重大影响的关键因素。 展开更多
关键词 仓颉 造字 文学起源 文明跃迁
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“大学只是围绕图书馆的一组建筑,图书馆才是真正的大学”出处探源
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作者 王媛 《河北科技图苑》 2024年第5期90-92,共3页
论文探究了广为流传的引语“大学只是围绕图书馆的一组建筑,图书馆才是真正的大学”的真正出处。论文首先从《图书馆名言集》的中英文版本入手,确认了引语的原始表述。随后,作者对《南北战争:叙述》一文进行了全文检索,发现引语并未出... 论文探究了广为流传的引语“大学只是围绕图书馆的一组建筑,图书馆才是真正的大学”的真正出处。论文首先从《图书馆名言集》的中英文版本入手,确认了引语的原始表述。随后,作者对《南北战争:叙述》一文进行了全文检索,发现引语并未出现在该书中,从而引发了对引语真实出处的进一步探索。通过持续的追问和跨平台检索,最终在JSTOR数据库中找到了该引语的正确出处。此项发现纠正了先前的误传,同时强调了学术研究中原始资料的准确性和多源验证的重要性。 展开更多
关键词 引语出处 多源验证 大学图书馆 文献检索
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革命根据地儿童教育运用民间文艺形式的缘起、路径和价值
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作者 伦珠旺姆(宁梅) 崔正升 《兰州学刊》 CSSCI 2024年第10期62-73,共12页
民间文艺自古以来发挥着劝善规过、化育民风的教育功能,但是在正统教育中很难有立足空间。“五四”时期,早期马克思主义者运用马克思主义学说分析儿童教育问题,大力倡导顺应儿童身心发展的“儿童本位教育”,探索运用民间文艺形式呈现教... 民间文艺自古以来发挥着劝善规过、化育民风的教育功能,但是在正统教育中很难有立足空间。“五四”时期,早期马克思主义者运用马克思主义学说分析儿童教育问题,大力倡导顺应儿童身心发展的“儿童本位教育”,探索运用民间文艺形式呈现教育内容。大革命失败后到抗战时期,革命根据地儿童教育通过国文教材、音乐教学、课外读物、课外活动等路径,使民间文艺的教育功能得到了充分发挥。儿童教育运用民间文艺形式不仅有利于发展语文能力,更在于借助这种儿童喜闻乐见的话语方式传播革命真理、熔铸民族认同、塑造党的形象、激发斗争意志、普及生产知识,这是马克思主义教育原理同中国社会实际、优秀传统文化相结合的生动实践。 展开更多
关键词 革命根据地 儿童教育 民间文学 缘起 路径 价值
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杨匡汉切入华文文学的研究视角与进路
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作者 龙扬志 陈李涵 《华文文学》 2024年第5期65-70,共6页
杨匡汉在长期投身华文文学研究的学术历程中,深度参与华文文学学科命名、概念界定、学术方法等重大问题讨论,其理论话语具有鲜明的学理思辨色彩。他先后提出“大中国文学”“共享时空”等理论主张,通过同根同源的文脉、文缘联结不同时... 杨匡汉在长期投身华文文学研究的学术历程中,深度参与华文文学学科命名、概念界定、学术方法等重大问题讨论,其理论话语具有鲜明的学理思辨色彩。他先后提出“大中国文学”“共享时空”等理论主张,通过同根同源的文脉、文缘联结不同时空的华文文学,跨文化、跨学科、跨文类研究方法为华文文学学科提供了新的启示。他致力于张扬华文文学的文学性和人文精神,又从文化语境出发维护文学服务族群的实用性,多元、开放的文化姿态与高屋建瓴的学术视野相融合,丰富了华文文学学科的内涵。 展开更多
关键词 杨匡汉 华文文学 学科 整体观
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整体史观视角下的濮人文献研究
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作者 李艳峰 吕雪芮 《曲靖师范学院学报》 2024年第1期77-85,共9页
有关濮人的丰富研究一直以来聚讼颇多。以整体史观为方法论指导对其文献体系进行系统把握,有助于关照到濮人问题的全局和根本,有助于呈现其完整的源流走向和历史结构。在新时代背景下,跳脱传统话题框架来看,作为中国民族史上一种“过程... 有关濮人的丰富研究一直以来聚讼颇多。以整体史观为方法论指导对其文献体系进行系统把握,有助于关照到濮人问题的全局和根本,有助于呈现其完整的源流走向和历史结构。在新时代背景下,跳脱传统话题框架来看,作为中国民族史上一种“过程类型”的濮人历史蕴含有“其命维新”的宝贵理论价值。 展开更多
关键词 濮人研究 文献体系 整体史观 时代价值
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