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Fragmentation and Wholeness in Virginia Woolf’s The Waves
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作者 Gioiella Bruni Roccia 《Journal of Literature and Art Studies》 2023年第12期931-940,共10页
Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representatio... Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representational among Woolf’s novels,challenges the reader’s assumptions about the inner and the outer world.In the absence of a substantial story,of a convincing plot and well-defined characters,the reader is called upon to search for a deeper coherence and more profound meanings.Indeed,in The Waves the modernist writer strives for a fresh way of expressing a vision of wholeness in a broken world.The present article attempts to reread Woolf’s self-conscious novel in the double perspective of separation and reunion,of dispersal and recomposition.A close reading of selected passages will show how the poetics of fragmentation and the poetics of wholeness coexist in Woolf’s narrative,pervading the imagery and the symbols of the text.In more than one sense,the dialectic between division and unity,fragmentation and wholeness can be identified as the structuring force of the novel;most tellingly,this textual dynamism is reflected in the oscillatory motion of the waves,continuously breaking and merging. 展开更多
关键词 virginia woolf’s The Waves FRAGMENTATION WHOLENESS RHYTHM circle motif
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An Approach to Assertive and Non-assertive Epistemic Modality in Virginia Woolf's Essays
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作者 Margarita Esther Sanchez Cuervo 《Sino-US English Teaching》 2011年第3期200-205,共6页
This study entails a first approach to epistemic modality in Woolf's essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when tra... This study entails a first approach to epistemic modality in Woolf's essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when transmitting her criticism to, sometimes, women's inferiority condition in history, revealing Woolf's more confident stance. These markers are different from those used in more "gentle" themes related to reviewing an author and her work. In this second case, non-assertive epistemic modality is more frequent. Being less harsh towards an author's surroundings and her literary production, Woolf's stance proves less self-assured. The corpus consists of 10 short essays. We also refer to her longer essays A Room of One's Own (1929) and Three Guineas 0938). They were selected bearing in mind their subject-matter. Half of them deal with literature and women writers, their lives and works; the other half ones also have to do with women-related topics, but referring to their position in history and their difficulties to undertake, for example, a literary career. Some concluding remarks indicate the predominance of non-assertive epistemic modality in relation to an intersubjective reading of her texts. This reading favours the inclusion of her audience in her commentary about women writing. 展开更多
关键词 virginia woolf ESSAYS women writing MODALITY EPISTEMIC assertive non-assertive
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The Cultural Values of Tea in Virginia Woolf's The Years
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作者 MA Xiao-li WANG Ya-xuan 《Journal of Literature and Art Studies》 2017年第12期1580-1586,共7页
The paper probes into the connotations of tea in Virginia Woolt's The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters' attitude and their understand... The paper probes into the connotations of tea in Virginia Woolt's The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters' attitude and their understanding of tea, the tea values shed light on the culturally feminine roles, identity, social identity changes and family position in the Victorian Era and the New Era. 展开更多
关键词 virginia woolf The Years tea culture WOMEN
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A Picture of "Subjective Reality"" A Narrative Analysis of Virginia Woolf's "The Mark on the Wall"
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作者 WANG Hai-ying 《Journal of Literature and Art Studies》 2018年第3期384-388,共5页
Unlike traditional fiction, Virginia Woolf's "The Mark on the Wall" doesn't have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrato... Unlike traditional fiction, Virginia Woolf's "The Mark on the Wall" doesn't have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality. 展开更多
关键词 virginia woolf The Mark on the Wall subjective reality
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Life versus Death:An Interpretation of Clarissa Dalloway and Septimus Warren Smith in Virginia Woolf's Mrs.Dalloway
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作者 王欢 《海外英语》 2011年第11X期277-278,共2页
Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two pr... Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two protagonists in this novel.From analyzing the relationship of Clarissa Dalloway and Septimus Warren Smith in terms of the meaning of life and death,this thesis aims to explore the author's and the protagonists' inner conflicts and the significance of life and death. 展开更多
关键词 virginia woolf CLARISSA Dalloway Septimus Warren SMITH
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Hope Versus Reality:A Feminist Interpretation of Virginia Woolf's Mrs.Dalloway and To the Lighthouse
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作者 王欢 《海外英语》 2010年第7X期215-216,共2页
Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the t... Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the two female protagonists in the two novels.From analyzing the similarities in terms of personality and psychology by using feminism as the theoretical basis,this thesis aims to explore the author's and the protagonists'paradoxical psychology-inner hope versus reality,and to help women liberate from the patriarchal society. 展开更多
关键词 FEMINISM virginia woolf CLARISSA Dalloway Mrs.Ramsay
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Woman, Fiction and Modernism:Virginia Woolf and Modernist Fiction
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作者 刘楚 《海外英语》 2013年第14期199-203,共5页
As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One... As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One's Own, especially on the argument "It is useless to go to the great men writers for help . . . a man's sentence . . . was unsuited for a woman's use", this essay attempts to explore how Woolf searches for language and literary forms more suited for women writers in patriarchal society, and in what ways modernist language and literary form have been shaped by the motives for innovation in Woolf's works. Shaping and being shaped by the trend of modernism, Woolf's assertion of androgynous mind and her unique stream-of-consciousness techniques make contribution to modernist female writing. 展开更多
关键词 virginia woolf female writing FEMINISM MODERNISM a
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A Review of Studies on Virginia Woolf from the Perspective of Psychology
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作者 Zhu Yanyang 《学术界》 CSSCI 北大核心 2015年第12期279-284,共6页
Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years ther... Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years there has been a warming trend in this respect.The paper aims at combing through studies on Virginia Woolf from psychological perspective at home and abroad,investigating its research status and prospect,summarizing its characteristics,digging out problems and exploring space for further studies. 展开更多
关键词 心理学 综述 发展前景 弗吉尼亚 学术界 国内外
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Pursuit of Individuality: A Thematic Study of Virginia Woolf's To the Lighthouse
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作者 朱啸 《海外英语》 2018年第16期197-199,201,共4页
Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are cl... Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are clarified the significance of pursing in-dividuality in people’s life is analyzed. 展开更多
关键词 英语学习 学习方法 阅读知识 阅读材料
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An Analysis of Virginia Woolf’s Feminist View in A Room of One’s Own
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作者 郜聿页 《好家长》 2019年第58期248-248,共1页
Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflecti... Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflection of her feminist ideas .This article tries to analyze the meaning of “a room one’s own” and “five hundred pounds a year” from the perspective of material and spiritual space. 展开更多
关键词 virginia woolf FEMINISM A ROOM of One’s OWN
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长歌当哭——弗吉尼亚·伍尔夫的另类战争观
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作者 陈晓兰 《山东女子学院学报》 2024年第3期70-78,共9页
弗吉尼亚·伍尔夫不幸生逢20世纪两次世界大战,战争是其思想意识和文学创作的核心主题,其重要作品大部分创作于20世纪二三十年代即两次大战的间歇期。不同于主流战争文学,伍尔夫在战后或者战前,以后方平民特别是女性的视角,再现远... 弗吉尼亚·伍尔夫不幸生逢20世纪两次世界大战,战争是其思想意识和文学创作的核心主题,其重要作品大部分创作于20世纪二三十年代即两次大战的间歇期。不同于主流战争文学,伍尔夫在战后或者战前,以后方平民特别是女性的视角,再现远离战场的后方平民的间接战争体验,以独特的战争话语揭示了战争对个体日常生活和精神世界的持久影响。伍尔夫的战争书写打破了战时与平时、前线与后方、战士与平民截然区分的界限,拓展了战争书写的时间与空间范围。她的战争书写表现出与国家主流战争话语截然不同的特征,她的另类战争观为后世理解两次大战提供了独特的维度。 展开更多
关键词 弗吉尼亚·伍尔夫 战争书写 战争观
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伍尔夫小说中的艺术感染力:戏剧性与音乐美的融合
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作者 李楠 《牡丹江大学学报》 2024年第1期27-31,40,共6页
20世纪是英国文学艺术领域的一个繁荣时期,出现了各种流派、风格和主题的文学作品,呈现出了百花齐放、百家争鸣的景象。在这个时期,弗吉尼亚·伍尔夫成为了英国现代文学史上的一位杰出代表。她以其独特的创作风格和深刻的社会洞察力... 20世纪是英国文学艺术领域的一个繁荣时期,出现了各种流派、风格和主题的文学作品,呈现出了百花齐放、百家争鸣的景象。在这个时期,弗吉尼亚·伍尔夫成为了英国现代文学史上的一位杰出代表。她以其独特的创作风格和深刻的社会洞察力,长久以来在文坛上占据着重要的地位。本文探讨伍尔夫如何运用音乐美和戏剧性的元素,使其小说充满了独特的艺术魅力,通过分析伍尔夫的几部代表作品,探讨她如何运用这些元素来表达作品的主题和情感,并阐述这些元素对作品的艺术效果和读者感受的影响。通过分析和探讨,可以更好地理解伍尔夫的文学成就和影响,同时也为研究英国现代文学提供了一个新的视角和思路。 展开更多
关键词 弗吉尼亚·伍尔夫 小说 戏剧性 音乐美
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伦敦的越界想象:《达洛维夫人》中的文学绘图
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作者 张鹏飞 《东北大学学报(社会科学版)》 北大核心 2024年第5期141-150,共10页
弗吉尼亚·伍尔夫的文学地理学注重物质和精神合一,将旅行与地图合体,最终统一于文学绘图。《达洛维夫人》的文学绘图主要表现为三幅认知图式,蕴涵动态的情感体验和对伦敦“越界性”的想象。在“房间—街道”意象图式中,女性和男性... 弗吉尼亚·伍尔夫的文学地理学注重物质和精神合一,将旅行与地图合体,最终统一于文学绘图。《达洛维夫人》的文学绘图主要表现为三幅认知图式,蕴涵动态的情感体验和对伦敦“越界性”的想象。在“房间—街道”意象图式中,女性和男性在稳定性与流动性双重体验之间斡旋徘徊,实现性别的越界;在“威斯敏斯特区—伦敦东区”路线图式中,贵族阶级和平民阶级在敌意与好客双重体验之间双向往返,呈现阶级的越界;在“英帝国—他国”概观图式中,伦敦人和他者在中心化与全球化双重体验之间协商交流,凸显民族的越界。藉由伦敦地图的流动性、方向性与整体性,伍尔夫缔造了不同性别、不同阶级、不同民族共同在场的“越界状态”,传递出性别、地方、帝国焦虑下的纾解欲望,表达对文化本质主义的批判和对多元文化主义的认同。 展开更多
关键词 弗吉尼亚·伍尔夫 《达洛维夫人》 文学绘图 越界想象
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弗吉尼亚·伍尔夫《琼·马丁小姐的日记》中的隐性叙事进程
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作者 丁礼明 赵瑞玲 《天津外国语大学学报》 2024年第3期94-102,F0003,共10页
中外批评家从各个角度对弗吉尼亚·伍尔夫的短篇小说《琼·马丁小姐的日记》情节发展的深层意义展开探讨,普遍认为小说从琼·马丁的视角揭示了“家中天使”在帝国历史书写与男权主义共谋下的卑微地位。然而,借助语料库软件A... 中外批评家从各个角度对弗吉尼亚·伍尔夫的短篇小说《琼·马丁小姐的日记》情节发展的深层意义展开探讨,普遍认为小说从琼·马丁的视角揭示了“家中天使”在帝国历史书写与男权主义共谋下的卑微地位。然而,借助语料库软件AntConc4.2.0的词频功能和索引定位,通过对小说进行整体细读,发现小说存在双重叙事结构。在隐性进程中,琼的母亲并不是以维护父权制为唯一特征的扁平人物,而是具有独立、坚强、高尚等丰富特征的圆形人物,其形象的塑造是以伍尔夫的母亲为原型。小说中的双重叙事不仅表明伍尔夫文学创作中的母性认同意识,还体现出其对爱德华时代英国小说人物塑造的挑战。 展开更多
关键词 弗吉尼亚·伍尔夫 《琼·马丁小姐的日记》 隐性进程
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弗吉尼亚·伍尔夫“音乐—小说”特征研究
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作者 李京霞 《吕梁学院学报》 2024年第3期21-27,共7页
弗吉尼亚·伍尔夫“小说—音乐”关注音乐和小说如何在一个作品中共存及小说对音乐的指涉,具有颠覆性意义。通过借用音乐理念、使用音乐元素、借鉴音乐结构,伍尔夫形成了“按节奏而非情节”“形式与意义并重”“独特的音乐叙事风格... 弗吉尼亚·伍尔夫“小说—音乐”关注音乐和小说如何在一个作品中共存及小说对音乐的指涉,具有颠覆性意义。通过借用音乐理念、使用音乐元素、借鉴音乐结构,伍尔夫形成了“按节奏而非情节”“形式与意义并重”“独特的音乐叙事风格”的“音乐—小说”特征。《远航》《夜与日》《雅各的房间》中,“角色”与音乐的关系构成了小说的主题。《到灯塔去》《海浪》中,伍尔夫将自己化身成为交响队的指挥,充分运用文字音乐、主题贯穿、对位、赋格曲和奏鸣曲式的创作手法,使作品具有音乐感。 展开更多
关键词 弗吉尼亚·伍尔夫 “音乐—小说” 跨媒介
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Woolf's “Moments of Being” Represented in The Mark on the Wall
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作者 李莉 《海外英语》 2016年第17期157-158,共2页
This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect... This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect on people's imagination.Based on many diaries,essays and fictions of Woolf,and the related literature review,this paper analyzes the "moments of being" represented in The Mark on the Wall.It's is found that the moments of being are truth of being,both the external word and inner world.Woolf catches her mind sparks,seeks the truth and free thinking in each moment during her life. 展开更多
关键词 virginia woolf The Mark on the Wall moments of being TRUTH
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伍尔夫短篇小说情节张力的认知美学探索——以《幽灵之屋》为例
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作者 蔡凤梅 《莆田学院学报》 2024年第3期67-74,共8页
从认知美学视角,梳理显性和隐性情节张力的构建机制,并基于伍尔夫短篇小说《幽灵之屋》的文本表征分析,揭示其情节张力构建和主题内涵实现机制,以厘清读者对情节审美体验的认知理据。研究表明:1)《幽灵之屋》通过“梦境”到“现实”的... 从认知美学视角,梳理显性和隐性情节张力的构建机制,并基于伍尔夫短篇小说《幽灵之屋》的文本表征分析,揭示其情节张力构建和主题内涵实现机制,以厘清读者对情节审美体验的认知理据。研究表明:1)《幽灵之屋》通过“梦境”到“现实”的转换构建显性情节张力,“梦境”世界通过空间隐喻的距离逼近和悬念设置增加张力;2)隐性情节张力则通过文本变异表征(如时态变化、重复句式下遣词变化以及含混意象逐渐聚焦等)实现,增加了文本厚度且增强了情感共鸣;3)两者都凸显了生命哲学隐喻。研究结果可为情节张力的解读提供新的视角,是对伍尔夫短篇小说研究的跨学科补充。 展开更多
关键词 伍尔夫 情节张力 认知美学 隐性情节
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伍尔夫精英主义批评观的美学问题
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作者 徐岱 张郁茹 《浙江社会科学》 北大核心 2023年第3期130-139,160,F0003,共12页
在以创作意识流小说而成为现代派文学代表人物的同时,伍尔夫以“走向纯粹”和“拥抱高雅”的精英主义文学批评观,确立了她在当代小说诗学中的重要位置。长期以来,相比对她文学创作成就的高度关注,学界在究竟如何评价其文学批评的业绩方... 在以创作意识流小说而成为现代派文学代表人物的同时,伍尔夫以“走向纯粹”和“拥抱高雅”的精英主义文学批评观,确立了她在当代小说诗学中的重要位置。长期以来,相比对她文学创作成就的高度关注,学界在究竟如何评价其文学批评的业绩方面基本停留于空泛的赞美,缺少认真深入的讨论和准确把握。由于对作为一种文化身份的“社会精英”和属于一种阶级意识的“精英主义”两个概念之差异的忽视,我们对伍尔夫精英主义批评观所存在的美学问题视而不见。事实表明,精英文化中蕴含的“超越平庸”品质固然可贵,但渊源于英国贵族文化的精英主义,在根本上是一种以借花献佛方式张扬文化霸权的“西方主义”意识形态。我们有必要对伍尔夫精英主义批评观所存在的美学问题做出认真审视。 展开更多
关键词 伍尔夫 文学批评 纯粹性 精英主义
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从观察者角度论《到灯塔去》中的窗与画
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作者 彭石玉 胡佩珊 《外国语文研究》 2023年第3期39-46,共8页
英国女作家弗吉尼亚·伍尔夫与现代视觉艺术渊源深厚。意识流小说《到灯塔去》包含了印象主义/后印象主义绘画、造型描述等语图元素,这是她将语言与视觉相结合的一次实验。在小说中,角色的视角切换自如,他们通过眼睛主动观察进行思... 英国女作家弗吉尼亚·伍尔夫与现代视觉艺术渊源深厚。意识流小说《到灯塔去》包含了印象主义/后印象主义绘画、造型描述等语图元素,这是她将语言与视觉相结合的一次实验。在小说中,角色的视角切换自如,他们通过眼睛主动观察进行思考。其中,“窗”是观察者的通道,也是一个虚实结合的意象;同时,《到灯塔去》也是一本自传小说。女画家莉丽对外部世界的感知来源于伍尔夫本人对现实生活的观察,因此在众多角色之中,莉丽是最重要的一位观察者,她的视角具有现代性。造型描述(ekphrasis)是文字对视觉的再现,伍尔夫对莉丽《母子图》的描绘是一种抽象的造型描述,它突破了文学传统意义上的造型描述专注于描述具体的静物/艺术品的局限。 展开更多
关键词 弗吉尼亚·伍尔夫 《到灯塔去》 视觉艺术 造型描述 观察者
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弗吉尼亚·伍尔夫小说中作为超感官知觉的叙述
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作者 隋晓荻 张韵 《长春大学学报》 2023年第3期32-38,共7页
为解决人类中心主义的认识论难题,伍尔夫在小说叙事活动中采用了一种超感官知觉叙述策略。这种叙述策略,把人的审美体验从纯粹的、主观化的感官域扩充至非感官域的超感官知觉域,她的每部小说在构成上也因此展现为从繁杂和割裂的自存性... 为解决人类中心主义的认识论难题,伍尔夫在小说叙事活动中采用了一种超感官知觉叙述策略。这种叙述策略,把人的审美体验从纯粹的、主观化的感官域扩充至非感官域的超感官知觉域,她的每部小说在构成上也因此展现为从繁杂和割裂的自存性叙事转向综合和协同的依存性叙事。在《海浪》和《弗勒希小传》里,她力图用超感官知觉叙述的同质化功能,去谋求人与世界的共存;在《达洛卫夫人》和《到灯塔去》里,她力图用超感官知觉叙述的连续化功能去谋求人与集体的共通;在《远航》和《奥兰多传》里,她力图用超感官知觉叙述的统一化功能,去谋求人与自身的共融。伍尔夫采用超感官知觉叙述,其目的是克服西方现代性意义上的人类中心主义局限及其多重二元分裂性后果。 展开更多
关键词 弗吉尼亚·伍尔夫 超感官知觉 人类中心主义 现代性
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