Marriage is a theme influenced by cultural progress. Economic factor is one of the main elements that people of the early nineteenth century considered when deciding a marriage. The pursuit of economic interest result...Marriage is a theme influenced by cultural progress. Economic factor is one of the main elements that people of the early nineteenth century considered when deciding a marriage. The pursuit of economic interest results in the advent of some tragic marriages while now it is a side reason. However, women today have made great advancement in education background, employment situation and social status. Women gradually have their economic ability, autonomy and social status. Hence, they began to lay emphasis on the equality and sense of happiness. This is why the views on marriage vary in different eras. This paper, based on the view of marriage from the nineteenth- century English novel Pride and Pejudice, is dedicated to elucidating the changes and improvements of view on marriage from feminist perspective via comparing and contrasting the similarities and the differences of people's view on marriage between the early 1800 s and modern times, and then draws a conclusion that the women's degree of receptive education can influence their social status and view on marriage. In modern times the view on marriage based on equality attribute to the sense of happiness of a family and the degree of satisfaction of marriage.展开更多
The Mao Zedong Zao Qi Wen Gao[Early Manuscripts of Mao Zedong]is a collection of young Mao Zedong’s manuscripts from 1912 to 1920 and is a record of his growth during his youth.It is worth mentioning that the views o...The Mao Zedong Zao Qi Wen Gao[Early Manuscripts of Mao Zedong]is a collection of young Mao Zedong’s manuscripts from 1912 to 1920 and is a record of his growth during his youth.It is worth mentioning that the views of women’s liberation and progress have a place in Mao Zedong’s early manuscripts.This study focuses on reviewing and discussing the motivation behind young Mao Zedong’s attention to women’s liberation and progress issues,his relevant views in these manuscripts,and how these views played a role in his growth into a Marxist.This study aims to explore,from the perspective of women’s studies,the thought basis and virtues that led young Mao Zedong to become a Marxist.展开更多
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f...The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.展开更多
WOMEN’S newspapers and magazines began to appear in China almost a century ago, during the Constitutional Reform and Modernization (1898), which is also referred as the Reform Movement of 1898. When the western bourg...WOMEN’S newspapers and magazines began to appear in China almost a century ago, during the Constitutional Reform and Modernization (1898), which is also referred as the Reform Movement of 1898. When the western bourgeois democratic ideology was introduced to China at the end of the 19th century, the Chinese bourgeoisie, influenced by the thought of equality of the sexes, initiated the women’s movement. This movement was mainly characterized by promoting women’s education, the abolition of foot-binding and the founding of publications for women.展开更多
文摘Marriage is a theme influenced by cultural progress. Economic factor is one of the main elements that people of the early nineteenth century considered when deciding a marriage. The pursuit of economic interest results in the advent of some tragic marriages while now it is a side reason. However, women today have made great advancement in education background, employment situation and social status. Women gradually have their economic ability, autonomy and social status. Hence, they began to lay emphasis on the equality and sense of happiness. This is why the views on marriage vary in different eras. This paper, based on the view of marriage from the nineteenth- century English novel Pride and Pejudice, is dedicated to elucidating the changes and improvements of view on marriage from feminist perspective via comparing and contrasting the similarities and the differences of people's view on marriage between the early 1800 s and modern times, and then draws a conclusion that the women's degree of receptive education can influence their social status and view on marriage. In modern times the view on marriage based on equality attribute to the sense of happiness of a family and the degree of satisfaction of marriage.
基金Chengdu Social Science Project titled“On the Sociological Origins of How Young Mao Zedong Became a Marxist”(No.2019R19).
文摘The Mao Zedong Zao Qi Wen Gao[Early Manuscripts of Mao Zedong]is a collection of young Mao Zedong’s manuscripts from 1912 to 1920 and is a record of his growth during his youth.It is worth mentioning that the views of women’s liberation and progress have a place in Mao Zedong’s early manuscripts.This study focuses on reviewing and discussing the motivation behind young Mao Zedong’s attention to women’s liberation and progress issues,his relevant views in these manuscripts,and how these views played a role in his growth into a Marxist.This study aims to explore,from the perspective of women’s studies,the thought basis and virtues that led young Mao Zedong to become a Marxist.
文摘The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.
文摘WOMEN’S newspapers and magazines began to appear in China almost a century ago, during the Constitutional Reform and Modernization (1898), which is also referred as the Reform Movement of 1898. When the western bourgeois democratic ideology was introduced to China at the end of the 19th century, the Chinese bourgeoisie, influenced by the thought of equality of the sexes, initiated the women’s movement. This movement was mainly characterized by promoting women’s education, the abolition of foot-binding and the founding of publications for women.
