1工作委员会1(WOC 1)1.2子文件夹671.Current Status and Prospect of Exploration and Development of Tight Sand Gas in China中国探测和开发致密砂岩气的现状和前景(共6页)2.Industrial Development of GAZPROM's Unique Fields...1工作委员会1(WOC 1)1.2子文件夹671.Current Status and Prospect of Exploration and Development of Tight Sand Gas in China中国探测和开发致密砂岩气的现状和前景(共6页)2.Industrial Development of GAZPROM's Unique Fields of East Siberia:Challenges and Ways to Address Them俄罗斯天然气股份公司东西伯利亚特有气田的产业进展:面临的挑战和定位方法(共7页)3.The Potential of Shale Gas Plays in展开更多
Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France＇s Bibliothbque nationale makes t...Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France＇s Bibliothbque nationale makes the notebooks from which Proust＇s novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters＇ lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust＇s reception and adaptation： ＂Works in Fiber, Paper and Proust＂ created by the critic and theorist Eve Kosofsky Sedgwick （1950-2009） and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an ＂accordion-book＂ and a ＂loom-book＂--give a woven, layered physicality to Proust＇s words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick＇s visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick＇s adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust＇s work.展开更多
文摘1工作委员会1(WOC 1)1.2子文件夹671.Current Status and Prospect of Exploration and Development of Tight Sand Gas in China中国探测和开发致密砂岩气的现状和前景(共6页)2.Industrial Development of GAZPROM's Unique Fields of East Siberia:Challenges and Ways to Address Them俄罗斯天然气股份公司东西伯利亚特有气田的产业进展:面临的挑战和定位方法(共7页)3.The Potential of Shale Gas Plays in
文摘Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France＇s Bibliothbque nationale makes the notebooks from which Proust＇s novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters＇ lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust＇s reception and adaptation： ＂Works in Fiber, Paper and Proust＂ created by the critic and theorist Eve Kosofsky Sedgwick （1950-2009） and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an ＂accordion-book＂ and a ＂loom-book＂--give a woven, layered physicality to Proust＇s words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick＇s visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick＇s adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust＇s work.
