KUNQU operais one of theoldest forms of Chinese op-era.It had its beginnings inthe late Yuan(1271-1368)and earlyMing(1368-1644)dynasties and itsfullest flowering in the middle ofthe Ming Dynasty.Kunqu opera in-volves ...KUNQU operais one of theoldest forms of Chinese op-era.It had its beginnings inthe late Yuan(1271-1368)and earlyMing(1368-1644)dynasties and itsfullest flowering in the middle ofthe Ming Dynasty.Kunqu opera in-volves poetry,singing,music,dance,drama,acrobatics and martialarts.It reflects the daily life,emo-tions and ideas of ancient Chinesepeople and some ancient arts andtheir development.Later forms ofopera—such as Peking,Han(fromHubei Province),Hui,Chuan,Wu(from Zhejiang Province),Xiang.Dian and Yue—were all influencedby Kunqu.Today there are six Kunquopera troupes in—China,all with dis-tinct characteristics of their own.The Shanghai Kunqu Opera Troupe,展开更多
The history of KWKW opem dates bac卜bthelate Yuan Dynasty(1206－1368)．As one of the68Fly fOFrp Of AZ/j7qUI SOUth6FD Op6FS SpFG8d to卜Unshan a**alb旧nd*d WKh DOCaD aC口ent sndpU5lCI SRd WSS pFSCtlC6d SPd lffipFOV8d by
Kunqu,literally means kun melody,is one of the most ancient forms of Chinese opera.Originally her melody derives from Kunshan zone of Jiangsu province therefore it has been named Kunshan melody before,now Kunqu also k...Kunqu,literally means kun melody,is one of the most ancient forms of Chinese opera.Originally her melody derives from Kunshan zone of Jiangsu province therefore it has been named Kunshan melody before,now Kunqu also known as Kunju,which means Kunqu opera.This paper mainly focuses on the development of Kunqu in the past 100 years and the influence of historical social and humanistic changes behind the special era on Kunqu,and compares the attitudes of scholars of different schools of thought in different eras to Kunqu and the social public to compare and analyze the degree of love of Kunqu.展开更多
CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopu...CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopularity, but not one opera,calledQuzi,in the most northwestern partof Xinjiang Uygur Autonomous Re-gion.展开更多
The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guang...The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas.展开更多
This article is devoted to characterizing the boundedness and compactness of multiplication operators from Hardy spaces to weighted Bergman spaces in the unit ball of ■.
In this article, the authors consider the weighted bounds for the singular integral operator defined by ■where ? is homogeneous of degree zero and has vanishing moment of order one, and A is a function on Rnsuch that...In this article, the authors consider the weighted bounds for the singular integral operator defined by ■where ? is homogeneous of degree zero and has vanishing moment of order one, and A is a function on Rnsuch that ?A ∈ BMO(R^n). By sparse domination, the authors obtain some quantitative weighted bounds for TAwhen ? satisfies regularity condition of Lr-Dini type for some r ∈(1, ∞).展开更多
文摘KUNQU operais one of theoldest forms of Chinese op-era.It had its beginnings inthe late Yuan(1271-1368)and earlyMing(1368-1644)dynasties and itsfullest flowering in the middle ofthe Ming Dynasty.Kunqu opera in-volves poetry,singing,music,dance,drama,acrobatics and martialarts.It reflects the daily life,emo-tions and ideas of ancient Chinesepeople and some ancient arts andtheir development.Later forms ofopera—such as Peking,Han(fromHubei Province),Hui,Chuan,Wu(from Zhejiang Province),Xiang.Dian and Yue—were all influencedby Kunqu.Today there are six Kunquopera troupes in—China,all with dis-tinct characteristics of their own.The Shanghai Kunqu Opera Troupe,
文摘The history of KWKW opem dates bac卜bthelate Yuan Dynasty(1206－1368)．As one of the68Fly fOFrp Of AZ/j7qUI SOUth6FD Op6FS SpFG8d to卜Unshan a**alb旧nd*d WKh DOCaD aC口ent sndpU5lCI SRd WSS pFSCtlC6d SPd lffipFOV8d by
文摘Kunqu,literally means kun melody,is one of the most ancient forms of Chinese opera.Originally her melody derives from Kunshan zone of Jiangsu province therefore it has been named Kunshan melody before,now Kunqu also known as Kunju,which means Kunqu opera.This paper mainly focuses on the development of Kunqu in the past 100 years and the influence of historical social and humanistic changes behind the special era on Kunqu,and compares the attitudes of scholars of different schools of thought in different eras to Kunqu and the social public to compare and analyze the degree of love of Kunqu.
文摘CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopularity, but not one opera,calledQuzi,in the most northwestern partof Xinjiang Uygur Autonomous Re-gion.
文摘The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas.
基金Supported by the National Natural Science Foundation of China(11601400 and 11771441)the Fundamental Research Funds for the Central Universities(2017IB012 and 2017IVB064)
文摘This article is devoted to characterizing the boundedness and compactness of multiplication operators from Hardy spaces to weighted Bergman spaces in the unit ball of ■.
基金supported by Teacher Research Capacity Promotion Program of Beijing Normal University ZhuhaiNNSF of China under Grant#11461065supported by the NNSF of China under grant#11871108
文摘In this article, the authors consider the weighted bounds for the singular integral operator defined by ■where ? is homogeneous of degree zero and has vanishing moment of order one, and A is a function on Rnsuch that ?A ∈ BMO(R^n). By sparse domination, the authors obtain some quantitative weighted bounds for TAwhen ? satisfies regularity condition of Lr-Dini type for some r ∈(1, ∞).
