描写乐音之佳作——希梅内斯《音乐》赏析

希梅内斯(1881—1958),西班牙著名诗人。他提倡“纯粹的诗”,其诗作自然纯朴、生动形象、情景交融,代表作有《紫罗兰色的灵魂》、《遥远的花园》、《永恒》、《石头与天空》等。1956年获诺贝尔文学奖。《音乐》是描写乐音之佳作,耐人寻味,令人难忘。

《西方文明中的音乐》译后琐记

美国音乐史家保尔·亨利·朗的著名经典著作《西方文明中的音乐》中译本即将出版。译者从个人角度回顾了这部中译本出版的整个过程 ,从中对我国的音乐生活状况和出版局面进行剖析。译者高度评价了此书的学术地位和写作风格 ,并对具体的翻译问题进行了说明。

Effect of Six Different Acoustic Frequencies on Growth of Cowpea(Vigna unguiculata)during Its Seedling Stage

[Objective] The aim was to study the effects of sound waves with different types and frequency characteristics on the growth of cowpea（Vigna unguiculata）during seedling stage.[Method] The insect-music mixed sound（MI）,cuckoo acoustic song,cricket acoustic song,single 400 Hz frequency sound wave,F5 and Fn sound waves composed of different frequencies were designed to investigate their effects on height and weight of cowpea seedling,and experimental data were statistically analyzed and multiple-compared by EXCEL.[Result] After treatment by sound waves with six different types and frequencies,the growth situations of cowpea were better than that in control.This indicated that sound waves could significantly promote height growth of plant.The treatments with good growth-promotion effect included 400 Hz frequency sound wave,cuckoo acoustic song and cricket acoustic song,followed by MI,Fn and F5.Cuckoo and cricket acoustic song treatment could promote the weight of cowpea seedling during seedling stage.[Conclusion] Sound waves with different types and frequency characteristics had significant growth-promotion effect on growth of cowpea during seedling stage,but their effects were different.

Effects of Insect Acoustic and Music Acoustic Frequency on the Growth of 6 Kinds of Vegetables

[Objective] The aim was to study the effects of different acoustic frequency of insect sound （IS） and insect-music mixed sound （MS） treatment on the growth of 6 kinds of vegetables.[Method] The insect acoustic group,insect-music mixed group and normal control group were designed to determine the related indices of 6 kinds of vegetables in unified management regularly.[Result] After different acoustic frequency treatment,besides soybean plant height,dry root weight of cabbage and greengrocery,there was significant difference of plant height,fresh weight and dry weight between the other vegetables and control.Under acoustic frequency treatment,the growth situations of six kinds of vegetables were better than control.In the growth period,acoustic frequency treatment could promote height growth （except soybean） and edible part yield.[Conclusion] Both of IS and MS could promote the plant growth,but their effects had difference.

论唐末仗内教坊的实质及其他

文献记载中的唐末仗内教坊,即太常寺原有鼓吹署之教习机构。其职掌包括仪仗卤簿音乐和散乐。它的表演者为禁军乐人,首领受宦官节制。其所处位置前后有所变更:元和十四年(819)前在宣平坊,元和十四年几处教坊合署时,一并迁至延政坊。唐代仗内教坊的特殊地位,对宋代钧容直和东西班等禁军音乐机构的设立,施加了重要影响。

中医治疗焦虑抑郁症简况

中医药治疗焦虑抑郁症多从调理五脏入手,中药汤剂较多(疏肝解郁、养心安神、活血化瘀、补益肝肾、健脾益气、理气化痰、芳香开窍等),汤剂较多;单味中药应用相对较少,多处于实验研究阶段,石菖蒲、巴戟天、姜黄、郁金、合欢花、人参、淫羊藿、甘草、银杏叶、贯叶连翘、补骨脂、黄连、串果藤、积雪草等实验研究均具有一定的抗抑郁作用。中成药及注射剂(乌灵胶囊、路优泰、刺五加注射液、刺五加胶囊),针灸(体针、头皮针、电针、音乐电针、灸法);其他还有推拿和穴位按摩、五行音乐、耳穴贴压、穴位注射、情志调理、气功、穴位贴敷、药膳食疗、埋线法、针刺拔罐发泡疗法、梅花针、色光疗法等。中医临床治疗方式多种多样,具有临床疗效好、不良反应小、复发率低等优势。作用机制的研究较少,未来应积极提高研究质量,借鉴循证医学思维方法,研究出更加规范、科学的治疗方案。

A perspective from Kenneth＇s works： On musical term translation

This paper mainly discusses some translation issues on musical works and terms of musical documents. Musical term translation is established by usage, musical researchers and those who understand music have no problems of understanding the musical terms and musical instruments and names of famous musicians. Foreign scholars obtain the ideas of Chinese culture by means of published writings in the mainland, Taiwan and Hong Kong, and also from the media and the Internet. Since there are cultural differences of mainland, Taiwan and Hong Kong, they may make misunderstanding in their works related to Chinese musicians, historical events and even musical instruments. Accurate back-translation of specific terms from the works written by foreign scholars requires corresponding specific and historical knowledge, consulting dictionaries and skills of using the Internet.

Listening to Turkish classical music decreases patients’anxiety,pain,dissatisfaction and the dose of sedative and analgesic drugs during colonoscopy:A prospective randomized controlled trial

AIM： To determine whether listening to music decreases the requirement for dosages of sedative drugs, patients＇ anxiety, pain and dissatisfaction feelings during colonoscopy and makes the procedure more comfortable and acceptable. METHODS： Patients undergoing elective colonoscopy between October 2005 and February 2006 were randomized into either listening to music （Group 1, n = 30） or not listening to music （Group 2, n = 30）. Anxiolytic and analgesic drugs （intravenous midazolam and meperidine） were given according to the patients＇ demand. Administered medications were monitored. We determined their levels of anxiety using the State-Trait Anxiety Inventory Test form. Patients＇ satisfaction, pain, and willingness to undergo a repeated procedure were self-assessed using a visual analog scale. RESULTS： The mean dose of sedative and analgesic drugs used in group 1 （midazolam： 2.1 ± 1.4, meperidine： 18.1 ± 11.7） was smaller than group 2 （midazolam： 2.4 ± 1.0, meperidine： 20.6 ± 11.5）, but without a significant difference （P 〉 0.05）. The mean anxiety level in group 1 was lower than group 2 （36.7 ± 2.2 vs 251.0 ± 1.9, P 〈 0.001）. The mean satisfaction score was higher in group 1 compared to group 2 （87.8 ± 3.1 vs 58.1 ± 3.4, P 〈 0.001）. The mean pain score in group i was lower than group 2 （74.1 ± 4.7 vs 39.0 ± 3.9, P 〈 0.001）. CONCLUSION： Listening to music during colonoscopy helps reduce the dose of sedative medications, as well as patients＇ anxiety, pain, dissatisfaction during the procedure. Therefore, we believe that listening to music can play an adjunctive role to sedation in colonoscopy. It is a simple, inexpensive way to improve patients＇ comfort during the procedure.

Effect of music on procedure time and sedation during colonoscopy:A meta-analysis

AIM:To integrate results from different studies in examining the effectiveness of music in reducing the procedure time and the amount of sedation used during colonoscopic procedure. METHODS: An electronic search in various databases was performed to identify related articles. Study quality was evaluated by the Jadad’s scale. The random effect model was used to pool the effect from individual trials and the Cohen Q-statistic was used to determine heterogeneity. Egger’s regression was used to detect publication bias. RESULTS: Eight studies with 722 subjects were included in this meta-analysis. The combined mean difference for the time taken for the colonoscopy procedure between the music and control groups was -2.84 with 95% CI (-5.61 to -0.08), implying a short time for the music group. The combined mean difference for the use of sedation was -0.46 with 95%CI (-0.91 to -0.01), showing a significant reduction in the use of sedation in the music group. Heterogeneity was observed in both analyses but no publication bias was detected. CONCLUSION: Listening to music is effective in reducing procedure time and amount of sedation during colonoscopy and should be promoted.

Frequently overlooked and rarely listened to: Music therapy in gastrointestinal endoscopic procedures

To elucidate the role of music therapy in gastrointestinal endoscopic procedures following the conflicting outcomes reported in two recent studies. The findings of our recent meta-analysis that examined this matter were discussed in the context of later studies. Our meta-analysis illustrated the beneficial effects of music therapy on patient anxiety levels when used as a single measure of relaxation and analgesia. Beneficial effects were also shown on analgesia and sedation requirements and procedure duration times when used as an adjunct to pharmacotherapy. These findings are in agreement with those of both studies excluded from analysis and those that followed it. Music therapy is an effective tool for stress relief and analgesia in patients undergoing gastrointestinal endoscopic procedures.

A Fully Homomorphic Encryption Scheme with Better Key Size

Fully homomorphic encryption is faced with two problems now. One is candidate fully homomorphic encryption schemes are few. Another is that the efficiency of fully homomorphic encryption is a big question. In this paper, we propose a fully homomorphic encryption scheme based on LWE, which has better key size. Our main contributions are： （1） According to the binary-LWE recently, we choose secret key from binary set and modify the basic encryption scheme proposed in Linder and Peikert in 2010. We propose a fully homomorphic encryption scheme based on the new basic encryption scheme. We analyze the correctness and give the proof of the security of our scheme. The public key, evaluation keys and tensored ciphertext have better size in our scheme. （2） Estimating parameters for fully homomorphic encryption scheme is an important work. We estimate the concert parameters for our scheme. We compare these parameters between our scheme and Bral2 scheme. Our scheme have public key and private key that smaller by a factor of about logq than in Bral2 scheme. Tensored ciphertext in our scheme is smaller by a factor of about log2q than in Bral2 scheme. Key switching matrix in our scheme is smaller by a factor of about log3q than in Bra12 scheme.

Metropolises and World Music in Globalization： Towns, Melting Pot Works, and Jazz Classics in Memories

Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.

Colonoscopy and the role of music therapy: How to go about an ideal protocol?

We read with great interest the two articles in the December 2006 issue of your esteemed journal on the utility of music therapy in the performance of colonoscopy. The role of non-pharmacological or cognitive behavioral interventions in improving performance of GI Endoscopic procedures is actively undergoing research world over.

The Function of Education in Codification of Radif in Iranian Dastgahi Music

The goal of this research is to investigate the ideas that functioned in shaping thought of Radif in Iranian Dastgahi music. In this regard by preparing the reasons, we pay attention to the function of education in codification of Radif. Although Iranian traditional music has long history but its codification to seven Dastgah-s and five Avaz-es in the format of Radif is attributed to Qajar Dynasty in the 19th century. In this transformation, Mirza Abdollah, Tar-Player of the Nasser al-Din Shah Period, has played an important role in final codification of Radif. Due to the truth that the past masters scrimped in music education, and Mirza Abdollah had encountered with problems to learn music, hence he has mostly cared about music education in adulthood, and it is probable that one of the reasons in collecting Gusheh-s （approximately a small piece of the Iranian Dastgahi music） and organizing them into coherent sets was making simplicity for the students to learn. Furthermore, masters who seriously and continuously have taught after Mirza Abdollah, left a narration （version） of Radif. On the other hand, definite patterns in placement of Gusheh-s and phrases of the Radif have been organized in a manner that makes educational function for it.

POLYNOMIAL COEFFICIENT FINDING FOR ROOT-MUSIC

Abs Root-MUSIC （MUltiple Signal Classification） is the polynomial rooting form of MUSIC, namely, the spectrum peak searching is resplaced by the polynomial rooting in MUSIC implementation. The coefficients finding of the polynomial is the critical problem for Root-MUSIC and its improvements By analyzing the Root-MUSIC algorithm thoughly, the finding method of the polynomial coefficient is deduced and the concrete calculation formula is given, so that the speed of polynomial finding roots will get the bigger exaltation. The particular simulations are given and attest correctness of the theory analysis and also indicate that the proposed algorithm has preferable estimating performance.

“The Great Classicist Symphonic Movements of Beethoven... Can Be Ideally So Heard as Lasting Just a Moment：” Adorno on Musical Time

In the context of his thoughts on the relationship between music and time in his Musical Writings, Adorno refers often to the above quoted thesis. This paradoxicality, attributed to particular symphonies of Beethoven, tends to become a fixed idea in the context of his thoughts on musical time. Adorno adopts Hegel＇s understanding of time as process of permanent overcoming of instants. He finds an analogy between instant and musical motive, based on the common, in Hegel＇s and Beethoven＇s systems, notion of the working-out of an idea and of a musical structure respectively. He then tries to include in the process of becoming extended and reappearing formal parts, such as themes and expositions. How could he find a convergence between permanent formal growth and persistence of formal parts, which distinguishes a musical work from an improvisation？ In order to transcend this immanent antinomy, he applies Hegelian logical principles.

Educational Practices in the Model of Music Learning Theory of E. Edwin Gordon： An Observational Research

This paper analyzes the supervision activity, to which educators and teachers enrolled with AIGAM （Gordon Italian Association for the Musical Learning） are subject to every year and intends to verify the application of those principles expressed in the learning model of the MLT （Music Learning Theory） developed by educational psychologist E. Edwin Gordon （1989, 1999, 2000, 2001, 2007） and promoted internationally by various institutions and organizations specifically accredited. It describes the influence of the videotaped supervision on the process, functions of monitoring, and evaluation of educational practices, starting with an empirical model that has guided the interventions in a study of supervision on training aimed at consolidating and developing professional skills in music education in early childhood. This paper sought to understand： the kind of practices, interactions, communications developing during an educational actions, the existence of a consistent relationship between the principles expressed in the MLT and their application, the type and benefits of supervision performed by of video recording on stakeholders in terms of change in professional behavior, and finally whether the active supervision could be comparable with other kinds of approaches.

Music and Performance as Sonic Acts of Political Struggle; Counter-Political Soundscapes in Urban Realm

The paper takes the relation between soundscapes and power struggles as its problem area and focuses on the role of music that is performed in public protests. It argues that music and street performances are conceived and therefore utilised as sonic acts of political struggle in urban realm. Starting with a general understanding of hearing mechanisms, the study elucidates the relationships among territoriality of soundscape, identity construction, social segregation and polarisation, and finally, power struggle. Within the framework of the intersection area of these concepts, the paper discusses the processes of politisation of soundscape through music as a form of protest event that is performed in public realm. Throughout the paper, it is focused on the significant cases of public protests as well as political events that occured in public space. The main emphasis is on the use of sound technologies to impose power on masses of people. The paper tackles the question of how the salient characteristics of soundscape are sonically adopted as means for counter-political acts in public realm.