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惊喜后的思考——晋剧《代国情》戏曲舞台上的新样式
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作者 张政国 《戏曲艺术》 北大核心 2000年第1期60-61,共2页
河北省蔚县晋剧团的《代国情》在北京的演出,令人耳目一新,确实给了我一个惊喜。它呈现在观众面前的是崭新的艺术样式。它容纳了晋剧的音乐声腔,现代的舞台、舞剧、舞蹈、古乐民歌等于一体,在导演统一的全新的构想下,使各门类艺术充分... 河北省蔚县晋剧团的《代国情》在北京的演出,令人耳目一新,确实给了我一个惊喜。它呈现在观众面前的是崭新的艺术样式。它容纳了晋剧的音乐声腔,现代的舞台、舞剧、舞蹈、古乐民歌等于一体,在导演统一的全新的构想下,使各门类艺术充分发挥各自的职能,又恰如其分地统一在全... 展开更多
关键词 晋剧 <代国情> 艺术样式 导演创新 丛兆桓
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Border Shifting in Naomi Nye's Habibi
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作者 Tawfiq Ibrahim Yousef 《Sino-US English Teaching》 2013年第12期970-978,共9页
This paper investigates how the novel Habibi (1997) by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders mea... This paper investigates how the novel Habibi (1997) by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists (Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis), Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana's family realizes they can have more than one or in imagination. 展开更多
关键词 borders Nye Habibi PALESTINIAN Israeli AMERICAN
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