Graphical Simulator for Chinese Ink-Wash Drawing

Simulating the traditional painting art by computer graphics is a challenging and attractive subject. Basing on the experience in the ink wash drawing, in this paper, we expound the artistic characters of ink wash painting and particularly analyze the characteristics of the materials used in the ink wash drawing and the relationships between them. A simulation model is presented and some typical visual effects of the ink wash painting are realized.

A New Fragile Watermark for Image

Fragile watermarking is a method to verify the integrity and authenticity of multimedia data. A new fragile watermark for image was proposed, which can be used in image verification applications. The paper first described the above two techniques, some of which will be used in the method. Then it described the embedding and authentication process and also analyzed the method to show how it can survive some attacks. The experimental results show that the proposed method doesn’t need the watermark or original image on authentication side. It provides more security against attack, and can localize where the tempering has occurred.

A NEW UNSUPERVISED CLASSIFICATION ALGORITHM FOR POLARIMETRIC SAR IMAGES BASED ON FUZZY SET THEORY

In this letter, a new method is proposed for unsupervised classification of terrain types and man-made objects using POLarimetric Synthetic Aperture Radar (POLSAR) data. This technique is a combi-nation of the usage of polarimetric information of SAR images and the unsupervised classification method based on fuzzy set theory. Image quantization and image enhancement are used to preprocess the POLSAR data. Then the polarimetric information and Fuzzy C-Means (FCM) clustering algorithm are used to classify the preprocessed images. The advantages of this algorithm are the automated classification, its high classifica-tion accuracy, fast convergence and high stability. The effectiveness of this algorithm is demonstrated by ex-periments using SIR-C/X-SAR (Spaceborne Imaging Radar-C/X-band Synthetic Aperture Radar) data.

Media Representing Shakespeare： Adaptation, Inter-Textuality, and Gender

Applying the theory of adaptation, Feminism, and Performance Studies, this paper explores the adaptation, inter-textuality, and gender in the three films The Tempest （2010） directed by Julie Taymor, Prospero＇s Books （1991） directed by Peter Greenaway, and Shakespeare in Love （1998） directed by John Madden, referenced to Gnomeo and Juliet （2011）, a cartoon animation. Both films of The Tempest show visual spectacle and technology images by CGI （Computer-Generated Cinematic Graphic Image） effect. The author argues the power struggle between Caliban and Prospero played by actress Helen Mirren, changes from post-colonial discourse in the male domain, to be more about the intellect contest between man and woman, and Taymor＇s adaptation is more focused on maternity than actor John Gielgud＇s on politics. Inter-textuality exists in Shakespeare in Love and Shakespeare＇s Romeo and Juliet, and Twelfth Night. Unlike the tragedy in the films, Gnomeo and Juliet ends happily as we can expect from most musicals and fairy tales. The inter-textuality of literature and art, dramatic plays, historical events, and biographical sketches are delicately intertwined. Media represent Shakespeare applied by Jean Baudrillard＇s ＂simulacra＂ and Richard Schechner＇s ＂simulation＂ to present the liminal threshold between reality, role-playing, and theatricality. Shakespeare represented by media rise to visual narratives.

Research on Primary Issues of the Picture Corner

Along with the time esthetic idea change, the new drawing language form appearance has entrusted with picture quoin more significances. Therefore must take the picture quoin, appropriate processing. The picture quoin does not allow in picture position and the function to set otherwise.

Analysis of the formation ofNi Zan＇s landscape painting style --Taking ＂Map of a fishing village in an autumn sunny day after the rain＂ as an example

The paintings in the Yuan Dynasty, because oft.heir unique characteristics of the times, have made a deep and superexcellent track in the history of the Chinese painting, among which the literati landscape paintings represented the subject of the paintings in the Yuan Dynasty. And in the literati paintings, Ni Zan＇s paintings are the most representative. The application of the pen and ink in his works is concise and thinly scattered, and the artistic conception is cold and desolate. In this paper, with ＂Map of a fishing village in an autumn sunny day after the rain＂ as an example, the author analyzes Ni Zan＇s painting style and the causes of its formation.

A Picture of ＂Subjective Reality＂＂ A Narrative Analysis of Virginia Woolf＇s ＂The Mark on the Wall＂

Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality.

Critical Literacy： Using Picturebooks to Read the World

In this article we develop instructional strategies that promote meaningful student engagement with literature facilitated through the use of picturebooks. A critical pedagogy, whereby learners develop skills such as questioning, critiquing, and inquiring, is necessary in order for students to succeed in the 21st century. Such a pedagogy can be introduced to learners through a critical literacy framework, which encourages learners to recognize and analyze the social constructions present in texts. The literary environment of 21 st century students is saturated not only with print, but also with visual modes of communication. To teach students to think critically about language and texts, teachers must address both print and visual literacy. Using three classroom-tested picturebooks and activities, we show how the multimodal nature ofpicturebooks makes them an excellent resource to facilitate critical literacy. Using picturebooks in conjunction with a critical literacy framework will help develop the literacy skills necessary for students＇ active civic engagement in the 21st century.

Haiguo Tuzhi and Chinese Impressions on Turkey in the Late Qing Dynasty

Haiguo Tuzhi （Illustrated Treatise on the Maritime Kingdoms） is one of the earliest gazetteers in early modern China. In order to change the Chinese view of the outside world, scholax-official Wei Yuma （1794-1857） mad his contemporaries compiled this gazetteer in the middle of the 19th century. Haiguo Tuzhi contains numerous geographical, historical, mad political details covering both the western and eastern hemispheres, which derived from the known information on Western researches and Chinese macient texts from the Tang Dynasty （618-907） to Ming Dynasty （1368-1644）. Haiguo Tuzhi is a significmat work in China, which affected the modernization movement around East Asia, such as Meiji Restoration in Japma. There axe two juan, or scrolls concerning Turkey （the Ottoman Empire）, called southern Duluji （Turkey） mad northern Tuluji （Turkey）, in Haiguo Tuzhi＇s ＂Southwest Ocean＂ part and ＂Great West Ocema＂ part covering the origin of Turkish state, the geographical location and circumstance of Turkey, the distribution of ethnic groups throughout this country, the relationship between Turkey and European countries, the religious situation, mad the policies carried out by Turkish monarchs. Although Haguo Tuzhi is a pmaoramic opus which focuses on the whole outline of countries, it also documents plenty details about Turkish clothing, dietary habits, and characters of people. Haguo Tuzhi provides a chmace to learn the Chinese impressions on Turkish state and people in 19th century

Reuse of clips in cartoon animation based on language instructions

This paper describes a new framework for reusing hand-drawn cartoon clips based on language understanding ap- proach. Our framework involves two stages: a preprocessing phase, in which a hand-drawn clip library with mixed architecture is constructed, and the on-line phase, in which the domain dependent language instructions parsing is carried out and clips in the clip library are matched by use of some matching values calculated from the information derived from instruction parsing. An im- portant feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.

Reverberating Chinese Traditional Folk Art in a Contemporary Context

Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho＇s new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho＇s painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho＇s spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context.

Xu Beihong＇s Artistic Influence on Current University Education Teaching of Chinese Painting Art

We explore the idea of current university teaching reform of Chinese art, the contemporary Chinese painting cannot help with the status quo and reform. Because after all, the fundamental purpose of teaching Chinese painting is to train a large number of innovative awareness and skills of professionals in order to promote the prosperity and development of Chinese painting. So, therefore, to reform the teaching of Chinese painting not only should be synchronized with the innovation of Chinese painting, Chinese painting should be involved in the development and reform of a series of important topics discussed making forward-looking thinking. Starting from the basic characteristics of painting, we are to explore ways to image modeling and imagery observation method according to melting into the hold of the art teaching among Chinese oaintin~ is one of a fundamental issue.

A super-resolution reconstruction algorithm for mural images based on improved generative adversarial network

In order to solve the problem of the lack of ornamental value and research value of ancient mural paintings due to low resolution and fuzzy texture details,a super resolution(SR)method based on generative adduction network(GAN)was proposed.This method reconstructed the detail texture of mural image better.Firstly,in view of the insufficient utilization of shallow image features,information distillation blocks(IDB)were introduced to extract shallow image features and enhance the output results of the network behind.Secondly,residual dense blocks with residual scaling and feature fusion(RRDB-Fs)were used to extract deep image features,which removed the BN layer in the residual block that affected the quality of image generation,and improved the training speed of the network.Furthermore,local feature fusion and global feature fusion were applied in the generation network,and the features of different levels were merged together adaptively,so that the reconstructed image contained rich details.Finally,in calculating the perceptual loss,the brightness consistency between the reconstructed fresco and the original fresco was enhanced by using the features before activation,while avoiding artificial interference.The experimental results showed that the peak signal-to-noise ratio and structural similarity metrics were improved compared with other algorithms,with an improvement of 0.512 dB-3.016 dB in peak signal-to-noise ratio and 0.009-0.089 in structural similarity,and the proposed method had better visual effects.

徐邦达与书画鉴定学

本文简要论述了徐邦达先生对书画鉴定学的发展,充分肯定其为书画鉴定所作出的奠基性贡献,着重总结了徐先生的鉴定方法论:即确立样板与形式比较;笔墨风格与风格把握;目鉴与考订相结合,分析了书画鉴定与美术史的关系和徐邦达的治学经验。

Using eye tracking to evaluate the usability of animated maps

Cartographic animation has been developed and widely used in geo-visualisation and many other areas in recent years.The usability of animated maps is a key characteristic affecting map users’effectiveness and efficiency in accomplishing tasks.In this paper,an eye tracking approach was proposed as a visual analytics method to evaluate the usability of animated maps by capturing participants’eye movement data and quantitatively analysing the accuracy(effectiveness)and response time(efficiency)of users’task completion.In the study,a set of animated traffic maps represented by three important visual variables(colour hue,size and frequency)was used for the usability evaluation.The experimental results showed that the usability of these three visual variables for cartographic animation affects the usability of animated maps.Red,yellow,and aqua were found to convey map information more effectively than other colour hues.Size was found to be more usable than colour hues for both animated maps and static maps.Usability was not found to be proportional to the playback rate of animated maps.Furthermore,the usability of the frequency,colour hue,and size was found to be related to the display’s size.We hope that the analysis approach presented in this paper and the results of this study will be of help in the design of cartographic animation displays with better usability.

Asymptotic existence of frame-GBTDs

Generalized balanced tournament designs(GBTDs) are an equivalent characterization of a class of equitable symbol weight codes. Motivated by the construction of GBTDs, we establish in this paper an asymptotic existence theorem for frame-GBTDs of type gnand block size k via decompositions of edge-colored complete digraphs into prescribed edge-colored subgraphs.