This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought...This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought in the First World War （Wilfred Owen, Siegfried Sassoon, and Robert Graves） during their stay at Craiglockart＇s Hospital--a war hospital for the treatment of shell-shocked officers, in Scotland. The paper addresses more emphatically how traditional male and female roles are renegotiated in Barker＇s metafiction. Finally, it provides some considerations on British women war writing of the First World War, a tradition in which Regeneration is rooted and emerges as a remarkable contemporary example.展开更多
Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organ...Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.展开更多
In this study, I show that human fights are historical projects. They are legal inventions and institutional structures and respond to historical injustices and serious atrocities suffered by people, or which threaten...In this study, I show that human fights are historical projects. They are legal inventions and institutional structures and respond to historical injustices and serious atrocities suffered by people, or which threaten them. It is useful therefore to first distinguish, both historically and systematically, different conceptions of human fights from a concept of human fights. I will distinguish three conceptions： national, international and transnational. Included in national conceptions are the human fights declarations of North America （1776） and France （1789）. The starting event of the international conception is the Universal Declaration of Human Rights by the United Nations after the Second World War in 1948. And it can be argued that a transnational conception of human fights that better fits the globalised world and the already global developments in intemational law and governance is needed.展开更多
This article takes its cue from the English critic, novelist and painter John Berger. He argues that what we know determines what we see. Hotels and railway stations, though they differ in size, design and appearance,...This article takes its cue from the English critic, novelist and painter John Berger. He argues that what we know determines what we see. Hotels and railway stations, though they differ in size, design and appearance, are places of temporary national and international congress that are recognized by everyone. They become visible or even iconic once their history or their role is turned into at least part of a wider narrative in literature, film or in other arts. This provides a representative focus by which we may read a city＇s or a nation＇s past. In exemplifying such connections I focus first on the long-term history of Friedrichstraβe station and some of the surrounding hotels in the context of the history of Berlin, situating them within the national and, by implication, also the international context. Secondly, I will consider the outbreak of the First World War in 1914 as an event in which the role of railway stations generated both personal and collective memories across cultures and over several decades.展开更多
文摘This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought in the First World War （Wilfred Owen, Siegfried Sassoon, and Robert Graves） during their stay at Craiglockart＇s Hospital--a war hospital for the treatment of shell-shocked officers, in Scotland. The paper addresses more emphatically how traditional male and female roles are renegotiated in Barker＇s metafiction. Finally, it provides some considerations on British women war writing of the First World War, a tradition in which Regeneration is rooted and emerges as a remarkable contemporary example.
文摘Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.
文摘In this study, I show that human fights are historical projects. They are legal inventions and institutional structures and respond to historical injustices and serious atrocities suffered by people, or which threaten them. It is useful therefore to first distinguish, both historically and systematically, different conceptions of human fights from a concept of human fights. I will distinguish three conceptions： national, international and transnational. Included in national conceptions are the human fights declarations of North America （1776） and France （1789）. The starting event of the international conception is the Universal Declaration of Human Rights by the United Nations after the Second World War in 1948. And it can be argued that a transnational conception of human fights that better fits the globalised world and the already global developments in intemational law and governance is needed.
文摘This article takes its cue from the English critic, novelist and painter John Berger. He argues that what we know determines what we see. Hotels and railway stations, though they differ in size, design and appearance, are places of temporary national and international congress that are recognized by everyone. They become visible or even iconic once their history or their role is turned into at least part of a wider narrative in literature, film or in other arts. This provides a representative focus by which we may read a city＇s or a nation＇s past. In exemplifying such connections I focus first on the long-term history of Friedrichstraβe station and some of the surrounding hotels in the context of the history of Berlin, situating them within the national and, by implication, also the international context. Secondly, I will consider the outbreak of the First World War in 1914 as an event in which the role of railway stations generated both personal and collective memories across cultures and over several decades.
