Many Russian scholars have expounded Dostoevsky＇s religious outlooks, which are embodied in Petersburg＇s religious myths. Dostoevsky describes the fantasy of Petersburg in the hands of the devil, and he also adds a ...Many Russian scholars have expounded Dostoevsky＇s religious outlooks, which are embodied in Petersburg＇s religious myths. Dostoevsky describes the fantasy of Petersburg in the hands of the devil, and he also adds a lot of mythological colors in his diction. This article expounds the above idea from the angles of both mythological atmosnhere and mythological poetics.展开更多
Tagore reaches his lord through his songs which uplift him above the meanness end of life. Music ennobles him to a level of friendship with the Creator. Tagore＇s poems are suffused with wonder at the melodies spun by...Tagore reaches his lord through his songs which uplift him above the meanness end of life. Music ennobles him to a level of friendship with the Creator. Tagore＇s poems are suffused with wonder at the melodies spun by the lord. These entrance the entire universe. The poet wants to sign the same way but cannot. He has been made captive in the meshes of his music. The objective of the present study is to show how Tagore unites with God through songs. Methodology adopted in this study is the dynamic analysis of the poems. The intrinsic idea is the recurrent theme in his songs using me as an offering of worship O Lord, even if thou inflict pain on me in the process. Numerous bereavements in his life, from early youth to old age, agonized him throughout. But the more he suffered, the stronger grew his faith so he could write this song. The refrain, re-iterated from the beginning to the end, enhances the musicality. Thus it can be concluded when the poet perceived the world through songs, then he knew the world and he recognized it.展开更多
This article looks at how cosmopolitanism--the notion of universality within a diversity of multi-cultures---has been shaping the discipline of world literature. The article encompasses chiefly three parts. The first ...This article looks at how cosmopolitanism--the notion of universality within a diversity of multi-cultures---has been shaping the discipline of world literature. The article encompasses chiefly three parts. The first part offers an overview of the debates on the discipline widely discussed by literary scholars such as Franco Moretti, David Damrosch and Emily Apter. I take issue with the harmonic co-existence of both local and global elements---and what I define as ＂glocality＂---in literatures to exhibit the inevitable trend of the trans-cultural, supranational and cross-historical interactions among multiple centres and/or various cities especially in the twenty-first century. I thereby argue in the second part using Leung Ping Kwan （1949-2013）＇s ＂Images of Hong Kong＂ （1992） and Louise Ho＇s two poetry pieces written in 1994 to prove how Kantian Cosmopolitan elements have deeply embedded in the poem written in a city where the West frequently interacts with the East. I conclude by stepping in further to argue that only through tolerating and mediating between the region and the globe can world literature as a discipline find its way out without fear for marginalising any of the literary pieces.展开更多
In consideration of the confused debates about the value of nominalization, this paper tries to explore the original generation of nominalization and analyze its use in poetry. This paper attempts to explore the gener...In consideration of the confused debates about the value of nominalization, this paper tries to explore the original generation of nominalization and analyze its use in poetry. This paper attempts to explore the generation of nominalization from a comprehensive point of view, to distinguish between ＂primary nominalization＂ and ＂ideological nominalization＂, to trace the root of primary nominalization, and to analyze the use of primary nominalization in poetry. Based on these analyses, this paper points out that primary nominalization in poetry is more consonant with the Green grammar, with the undivided, holistic ecological worldview and has ecological significance. However, the ideological nominalization in some other nonliterary formal style is an obstacle to the solution to environment problem, and so we should understand the function of nominalization with its contexts and pay more attention to poetic language.展开更多
Since ＂world literature＂ has in recent years become a topic of heated international discussion in the humanities, we need to formulate a concept of world poetics. This is for the following theoretical reasons. First...Since ＂world literature＂ has in recent years become a topic of heated international discussion in the humanities, we need to formulate a concept of world poetics. This is for the following theoretical reasons. Firstly, world poetics is a natural theoretical sublation of research achievements in the field of world literature and comparative poetics. The current dominance of Western literary theories does not do justice to the experience of the literatures and literary theories of other countries and peoples. Secondly, to date, all influential literary interpretations and theories have been produced in a Western setting. However, due to the limitations of the linguistic and cultural background of such interpretations, they cannot simultaneously cover the categories and experiences of Eastern and Western literatures and literary theories. Thirdly, Chinese scholars have a long history of research in cutting-edge Western literary theories and abundant experience in indigenous Eastern literatures and critical theory. Formulating the concept of world poetics will improve world literary theories and concepts and will remap the scenario of existing world literatures and literary theories.展开更多
文摘Many Russian scholars have expounded Dostoevsky＇s religious outlooks, which are embodied in Petersburg＇s religious myths. Dostoevsky describes the fantasy of Petersburg in the hands of the devil, and he also adds a lot of mythological colors in his diction. This article expounds the above idea from the angles of both mythological atmosnhere and mythological poetics.
文摘Tagore reaches his lord through his songs which uplift him above the meanness end of life. Music ennobles him to a level of friendship with the Creator. Tagore＇s poems are suffused with wonder at the melodies spun by the lord. These entrance the entire universe. The poet wants to sign the same way but cannot. He has been made captive in the meshes of his music. The objective of the present study is to show how Tagore unites with God through songs. Methodology adopted in this study is the dynamic analysis of the poems. The intrinsic idea is the recurrent theme in his songs using me as an offering of worship O Lord, even if thou inflict pain on me in the process. Numerous bereavements in his life, from early youth to old age, agonized him throughout. But the more he suffered, the stronger grew his faith so he could write this song. The refrain, re-iterated from the beginning to the end, enhances the musicality. Thus it can be concluded when the poet perceived the world through songs, then he knew the world and he recognized it.
文摘This article looks at how cosmopolitanism--the notion of universality within a diversity of multi-cultures---has been shaping the discipline of world literature. The article encompasses chiefly three parts. The first part offers an overview of the debates on the discipline widely discussed by literary scholars such as Franco Moretti, David Damrosch and Emily Apter. I take issue with the harmonic co-existence of both local and global elements---and what I define as ＂glocality＂---in literatures to exhibit the inevitable trend of the trans-cultural, supranational and cross-historical interactions among multiple centres and/or various cities especially in the twenty-first century. I thereby argue in the second part using Leung Ping Kwan （1949-2013）＇s ＂Images of Hong Kong＂ （1992） and Louise Ho＇s two poetry pieces written in 1994 to prove how Kantian Cosmopolitan elements have deeply embedded in the poem written in a city where the West frequently interacts with the East. I conclude by stepping in further to argue that only through tolerating and mediating between the region and the globe can world literature as a discipline find its way out without fear for marginalising any of the literary pieces.
文摘In consideration of the confused debates about the value of nominalization, this paper tries to explore the original generation of nominalization and analyze its use in poetry. This paper attempts to explore the generation of nominalization from a comprehensive point of view, to distinguish between ＂primary nominalization＂ and ＂ideological nominalization＂, to trace the root of primary nominalization, and to analyze the use of primary nominalization in poetry. Based on these analyses, this paper points out that primary nominalization in poetry is more consonant with the Green grammar, with the undivided, holistic ecological worldview and has ecological significance. However, the ideological nominalization in some other nonliterary formal style is an obstacle to the solution to environment problem, and so we should understand the function of nominalization with its contexts and pay more attention to poetic language.
基金a phased achievement of the Major Prograrr "The Study of Marxism and World Literature" funded by the National Social Science Fund(Grant No.:14ZDB082)
文摘Since ＂world literature＂ has in recent years become a topic of heated international discussion in the humanities, we need to formulate a concept of world poetics. This is for the following theoretical reasons. Firstly, world poetics is a natural theoretical sublation of research achievements in the field of world literature and comparative poetics. The current dominance of Western literary theories does not do justice to the experience of the literatures and literary theories of other countries and peoples. Secondly, to date, all influential literary interpretations and theories have been produced in a Western setting. However, due to the limitations of the linguistic and cultural background of such interpretations, they cannot simultaneously cover the categories and experiences of Eastern and Western literatures and literary theories. Thirdly, Chinese scholars have a long history of research in cutting-edge Western literary theories and abundant experience in indigenous Eastern literatures and critical theory. Formulating the concept of world poetics will improve world literary theories and concepts and will remap the scenario of existing world literatures and literary theories.
