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“水墨”概念与“中国画”概念的矛盾与互用 被引量:2
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作者 王春辰 《美术观察》 CSSCI 北大核心 2019年第5期20-21,共2页
“中国画"和“水墨(艺术)”作为两个互为指涉、交错使用,同时又各有所指的概念,越来越有差异性。虽然两者语义上有重合之处,但在应用上渐渐有了分野。在可见的未来,“中国画”的概念依然会长期使用,具有官方性和权威性;“水墨艺术&... “中国画"和“水墨(艺术)”作为两个互为指涉、交错使用,同时又各有所指的概念,越来越有差异性。虽然两者语义上有重合之处,但在应用上渐渐有了分野。在可见的未来,“中国画”的概念依然会长期使用,具有官方性和权威性;“水墨艺术"则以探索新的表现方式和诉求现代主义艺术方式为目的。在一些场合,两者互用互换;但在另一些场合,则各自言说,泾渭分明。这两个概念会随使用者而不断被赋予各自的内涵和意义,但也不会彼此取代。它们注定是一对交错而又不尽相同的矛盾概念。 展开更多
关键词 “中国画”概念 “水墨(艺术)"概念 矛盾性 传统画论 现当代艺术理论
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Research of the contemporary national theme Paintings development
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作者 Guizhong Ma 《International Journal of Technology Management》 2013年第4期101-103,共3页
National theme plays an important position in modern and contemporary Chinese painting, to achieve style deepen and breakthrough, which requires the painter first have a deep understanding of minority cultures, and ha... National theme plays an important position in modern and contemporary Chinese painting, to achieve style deepen and breakthrough, which requires the painter first have a deep understanding of minority cultures, and have a perceptual experience of their lives. Relying on subjective feelings can easily made a minority careless conceptual evaluation, to say it is brave and pretty strong and can sing and dance that is not a bad idea; deep into their village, listening to folk songs, see the costumes, look for custom these are little difficult, in order to search the resulting to see a few works will make the looking luster, but so far it is still shallow grasp. 展开更多
关键词 National cultural structure artistic features ethnic minorities.
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