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自我知识的资格:基于“事”的构成主义 被引量:2
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作者 徐竹 《社会科学》 CSSCI 北大核心 2021年第3期95-104,共10页
在当代自我知识的理论论争中,对认知资格的解释具有特别关键的意义。构成主义者主张,自我知识的特殊性正是根源于它在认知资格上区别于他心知识与知觉知识,即仅凭认知资格本身就能保证知识状态的赢获。认知主义者则发展了相反的立场,认... 在当代自我知识的理论论争中,对认知资格的解释具有特别关键的意义。构成主义者主张,自我知识的特殊性正是根源于它在认知资格上区别于他心知识与知觉知识,即仅凭认知资格本身就能保证知识状态的赢获。认知主义者则发展了相反的立场,认为这种特殊性仅仅是"表面上的",而并不能由此确立认知资格上的差异,自我与他人之间具有认知上的对称性。以"做事"的能力来界定自我知识的资格,将有可能提供一种基于"事"的构成主义框架:它既汲取了认知主义解释的部分合理性,又受惠于并可能实质地推进"事"哲学的讨论。 展开更多
关键词 认知资格 构成主义 自我知识 “事”哲学
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Eros and Thanatos in Theo Angelopoulos' Trilogy: The Weeping Meadow (2004) and Dust of Time (2008)
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作者 Irini Stathi 《Journal of Literature and Art Studies》 2012年第5期526-537,共12页
Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone,... Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus' myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos' world and especially how it appears in Ulysses' Gaze (1995) and Trilogy: The Weeping Meadow (2004) and Dust of Time (2008). In this last Angelopoulos' Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos' thought with the formulaic myths he introduces in his filmic work. 展开更多
关键词 Theo Angelopoulos Eros and Thanatos film and myth history
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Participation in the Concept or in the Event: Two Ways of Existence of Human Being
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作者 Augustinas Dainys 《Journal of Philosophy Study》 2017年第2期53-65,共13页
This paper discusses two alternative ways of existence of the human being: participation in the concept of reason and participation in the events of the world. It is argued that the traditional Western philosophy fro... This paper discusses two alternative ways of existence of the human being: participation in the concept of reason and participation in the events of the world. It is argued that the traditional Western philosophy from Parmenides and Plato to R. Descartes, I. Kant, and G. Hegel can be described as the participation in the concept of reason. This tradition is characterized by the goal to assimilate the things of the world by concept of reason and in accordance with a project reason, to change the world. This led to the ecological catastrophe. We can overcome ecological catastrophe successfully only when we change the paradigm and shift to the paradigm of participation in the events of the world. The article is based on A. Badiou's conception of event which is contrasted with Descartes' conception of the event. Argumentation of the article shows the importance of B. Spinoza's monistic philosophy for our epoch, which is struck by the ecological disaster. This philosophy is not characterised by the war between things and thoughts, because both thoughts and things are attributes expressing the same God or Nature and are not in conflict with one another. 展开更多
关键词 CONCEPT EVENT DUALISM MONISM CAUSALITY causeless universe
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Man' s Interaction With Himself in The Old Man and the Sea With the View of Existentialism
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作者 LI Li-juan 《Journal of Literature and Art Studies》 2016年第7期785-789,共5页
The Old Man and the Sea is Hemingway's last important work which is regarded by critics as the summary of his life and his philosophic views on life. The paper attempts to approach the story with the view of existent... The Old Man and the Sea is Hemingway's last important work which is regarded by critics as the summary of his life and his philosophic views on life. The paper attempts to approach the story with the view of existentialism, which flourished at the time when Hemingway began to create this novella. In light of the existentialist views on the relations between being-in-itself and being-for-itself, and existence and essence, the author tends to analyze the interactions of the characters of the story with themselves through the choices they made, which is to be of significance for those who strive to understand Hemingway's work and who try to comprehend human beings and themselves. 展开更多
关键词 EXISTENTIALISM INTERACTION being-in-itself being-for-itself
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Speed, Uncertainty, and Origin of Disaster
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作者 Thomas Hauer 《Journal of Philosophy Study》 2015年第6期282-286,共5页
Progress and disaster are two sides of the same coin. Text analyzes the two main themes. Firstly, the treatise attempts at a philosophical analysis of the categories--speed and disaster in Paul Virilio dromology. The ... Progress and disaster are two sides of the same coin. Text analyzes the two main themes. Firstly, the treatise attempts at a philosophical analysis of the categories--speed and disaster in Paul Virilio dromology. The development of high technical speeds would thus result in the disappearance of consciousness as the direct perception of phenomena that inform us of our own existence. Dromological research by Paul Virilio presents a critical analysis of the consequences for our perception and logistics caused by polar inertia, inertia of absolute speed. The second part of the study discusses the word--accident. Accident is inseparable from the speed. Virilio's texts deal with the impact of speed, disaster, and accident on the contemporary world. Speed and accident create a new form of uncertainty in society. 展开更多
关键词 DISASTER SPEED ACCIDENT post-democracy dromology UNCERTAINTY
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