Border Shifting in Naomi Nye＇s Habibi

This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists （Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis）, Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana＇s family realizes they can have more than one or in imagination.

Study on The Music Culture of Cribwork Song of Kangxian County,Longnan City of China

Cribwork Song is a long narrative folk song,which spread in the folk of Kangxian County,Longnan City,Gansu Province of China.This paper has analyzed historical background,humanistic environment,story plot,artistic characteristic and inheritance significance of Cribwork Song.

Father-Child Relationship in Shakespearean Comedies and Romance

Lots of critics believe that ＂relationship＂ could be a central theme for Shakespeare＇s plays. However, what Shakespeare portrays is not merely the relationship about ＂love,＂ but also the relationship in a family. This paper therefore aims to discuss the father-son relationship and the father-daughter relationship in the families portrayed in Shakespeare＇s plays： The Merchant of Venice, A Midsummer Night＇s Dream and The Tempest. I will analyze how the father-son relationship differs from the father-daughter relationship as exploring the love stories taking place in lives of our heroes and heroines. Additionally, I would like to bravely suspect Shakespeare＇s intention to overturn the patriarchal frame in an exotic territory while depicting the struggle and entanglement of a father character who realizes the lonely emptiness he has to face after fulfilling the happiness of his child.

The Spiritual Utopia Reflected in Out of Africa

The publication of Out of Africa in 1937 won Baroness K. Blixen-Finecke worldwide fame because the novel caused wide public concern among both critics and readers. The story unfolds a poetic picture which reveals the natural peace and harmony in Africa through the narrative angle of the heroine--Karen Blixen. In Out of Africa, the author, from multipoint viepoints, knits the legendary plot to display a picture of a community with the features of spiritual utopia, which is an ideal place for men to escape from the outside disturbance. The present paper, first, gives a brief introduction to the plot of the story. Then, it discusses the characteristics of spiritual utopian community on the African land from the following three perspectives： Karen Blixen is a pursuer to go after self-integrity so as to protect the harmony of spiritual utopian land in Africa; Africans are the paragons of self-integrity to pursue freedom on their homeland; and the western settlers are the dominators who have lost self-integrity in the spiritual utopian community because they have almost destroyed the ecological and social banlance on African land.

The Empty Face of the Self-portrait： Time, Specter, and Event in The Fourth Portrait by Meng-Hung Chung

This short paper aims to critically analyze a contemporary Taiwan Residents film, The Fourth Portrait, directed by Meng-Hung Chung, from the perspective of Delenzian theories. In Deleuze＇s two books on cinema, the discussion of images demonstrates the entangled juxtaposition of the three levels： brain-thought, cinema-screen, and world-images that compose the cinematic consciousness. Through the interacted movement-images and time-images, the film unfolds the storyline within the aesthetic pleasure of poetic sentiment that gradually leads the audience to learn that a wandering boy, Hsiao-Hsiang, after the death of his father, has had several adventurous encounters that gradually expose the secrecy of his traumatic family： His birth mother has no decent job and his step-father has killed his own brother. This broken family has been haunted by the shared guilt and the undead memory as Derrida famously claims that hauntology precedes ontology. As the past coexists with the present, Deleuze analyzes the concept of I, with a central fracture in its pure form of the past demonstrating an ontological enigma that remains forever a secret. When the director uses the four portraits to indicate the four important events of this wandering boy, he deliberately leaves empty the fourth portrait, the self-portrait of the boy; it remains as an incomplete piece which symbolizes an enigma of his own life. It shows certain constitutive unnamable forces acting within the boy that seduces him forever to painfully misrecognize himself.

浅析新闻报道中“人情世故”

人最不能承受的重量,不是有形的重量,而是无形的情。本文“人情世故”一词的人就是新闻报道中的人物,情就是文要有情感,事就是要讲好故事。如何使新闻报道中“人、情、事”与新闻媒介宣传引导打动人、感动人、感染受众,促进社会和谐发展,从而达到预期的宣传效果。我们试从新闻记者须具备三方面的禀赋,以及怎样在新闻报道中体现“人、情、事”展开了论述。

Suppression dampens unpleasant emotion faster than reappraisal:Neural dynamics in a Chinese sample

The timing dynamics of regulating negative emotion with expressive suppression and cognitive reappraisal were investigated in a Chinese sample. Event-Related Potentials were recorded while subjects were required to view, suppress emotion expression to, or reappraise emotional pictures. The results showed a similar reduction in self-reported negative emotion during both strategies. Additionally, expressive suppression elicited larger amplitudes than reappraisal in central-frontal P3 component(340–480 ms). More importantly, the Late Positive Potential(LPP) amplitudes were decreased in each 200 ms of the 800–1600 ms time intervals during suppression vs. viewing conditions. In contrast, LPP amplitudes were similar for reappraisal and viewing conditions in all the time windows, except for the decreased amplitudes during reappraisal in the 1400–1600 ms. The LPP(but not P3) amplitudes were positively related to negative mood ratings, whereas the amplitudes of P3, rather than LPP, predict self-reported expressive suppression. These results suggest that expressive suppression decreases emotion responding more rapidly than reappraisal, at the cost of greater cognitive resource involvements in Chinese individuals.

The Bloomsbury Short Story

This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre, the Bloomsbury short story has a claim to be an important aspect of the twentieth-century accounts of the short story form. Attention to Virginia and Leonard Woolf, Katherine Mansfield, Vita Sackville- West, E.M. Forster and others, such as Arnold Bennett and D.H. Lawrence, indicates their widespread engagement with the genre and the ways in which they treated it from fragmented conversation, as in Woolf s ＂The String Quartet,＂ to Foster＇s employment of linear narrative detail in ＂The Road from Colonus.＂ Formal experiments with syntax, imagery, and vocabulary and prose rhythm exhibit the seriousness of the short story for Bloomsbury authors. The influence of the Russians is particularly important with Che- kov dominating the reading and writing of Woolf, Mansfield, Lawrence and others. The very form of publication--mostly journals and magazines--is also crucial in shaping the length and structure of the short story. Attention to experimentation, as well as renewal, of the genre balances the impact of the short story on writers today and the question of a successor to the efforts and achievements of Bloomsbury＇s authors. A reading of the short stories of Julian Barnes explores this possibility.