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东北亚文化与东北亚佛教
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作者 陈维新 《延边大学学报(社会科学版)》 2011年第5期5-11,共7页
东北亚佛教的形成与发展是中日韩相互文化交流的结果。佛教与儒学、道教相互间都存在着某种需要的内在联系,佛教和儒、道融合与现世产生着必然的关联。东北亚佛教信奉大乘佛教具有多元化特点,是"人间佛教"。光大东北亚佛教理... 东北亚佛教的形成与发展是中日韩相互文化交流的结果。佛教与儒学、道教相互间都存在着某种需要的内在联系,佛教和儒、道融合与现世产生着必然的关联。东北亚佛教信奉大乘佛教具有多元化特点,是"人间佛教"。光大东北亚佛教理念和价值对建设"和谐社会"和"和谐世界"具有现实意义。 展开更多
关键词 东北亚文化 东北亚佛教 儒释道和合 大乘佛教 “人间宗教”
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Jan Haicksz Steen's Woman at Her Toilet: "Provocative Innuendos"
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作者 Liana De Girolami Cheney 《Journal of Literature and Art Studies》 2017年第10期1279-1289,共11页
Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer ... Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect. 展开更多
关键词 Dutch bedrooms innuendos emblematic meaning cultural mores music and vanity symbolism
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